Texas Carnival
A Texas carnival showmen team is mistaken for a cattle baron and his sister.
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- Cast:
- Esther Williams , Red Skelton , Howard Keel , Ann Miller , Paula Raymond , Keenan Wynn , Tom Tully
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Reviews
How sad is this?
A movie that not only functions as a solid scarefest but a razor-sharp satire.
If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.
The film's masterful storytelling did its job. The message was clear. No need to overdo.
I like Red Skelton films. However, they're certainly not all alike. His best are films where he's the star and nothing else. But since MGM was the studio of the big musicals as well, often he was placed in musicals...with mostly second-rate results. I have nothing against musicals....but when you are making a comedy, let the comedian do his schtick and don't distract the audience with songs. And, unfortunately, this one also has a bit of Esther Williams' swimming...and so Skelton isn't exactly the sole focus of the movie.Cornie (Skelton) and Debbie (Esther Williams) work at a carnival. One day, a super-rich Texan, Dan Sabinas (Keenan Wynn) arrives and takes an instant liking to Cornie and invites him to a big party he's throwing. Unfortunately, Dan is dead drunk and has no recollection of doing this...but Cornie takes him at his word and brings Debbie with him to Texas for the party. Through a case of mistaken identity, the pair are mistaken for Dan and his sister--and soon everyone is making over them like they are rich millionaires. Insanely, the pair decide to play along...and ultimately get into all sorts of trouble. The worst part is that Red accidentally loses $17,000 in a poker game that lasts about 30 seconds...and he cannot possibly pay. How can he extricate himself from this huge mess? And, what will Debbie do when a man (Howard Keel) has fallen from her and it appears that he thinks she is Dan's sister!While the plot sounds pretty funny it suffers from three problems. The first I mentioned above--singing and swimming that get in the way of the comedy. The second is that the ending is incredibly ludicrous with everything working out just fine...almost as if an intertitle card popped up and said "Ignore the mess they've gotten into....PRESTO...it's gone". Third, and the previous two problems contribute to this, is that it just isn't a particularly funny film. Agreeable but nothing more.
There was some great talent here but not all of it is fully utilised. Texas Carnival has great moments but other ways it was underwhelming as well. Texas Carnival has some lavish Technicolor and colourful sets and costumes, so visually it's pleasing, and the incidental score is lovely. Texas Carnival does have some memorable scenes, standing out in particular were the imaginative dream water sequence, Skelton's hilariously nutty drunk routine, Ann Miller's dance with the xylophone in It's Dynamite and the riotous slapstick finale that has some very impressive stunt-work. Of the performers, the one who comes off best is Red Skelton, who is just fine and very funny while Ann Miller is sassy and dances a dream in It's Dynamite. Esther Williams is beautiful and pert and does wonderfully in the water sequence but for a film that was intended to be a vehicle for her this was not really great use of her talents. On the other side of the coin, Keenan Wynn is annoying and badly underplays the comedy at the same time and Howard Keel is wasted, he sings with such richness and beauty and he is a handsome presence but he deserved more songs and better ones too. The songs were pleasant but forgettable also, the most memorable being Deep in the Heart of Texas. The script was in serious need of sharper wit and the story is tired in concept and rambling in pace. The film is much too short as well and feels incomplete, with a feeling that a lot of the film was left on the cutting room floor. If that was the case that means we would most likely have seen more of Williams and Keel as we ought to have done. The ending is rushed and with little sense of surprise and Charles Walters' direction is sadly lethargic. All in all, has good moments but a very odd film that does waste some of the talent it has. 5/10 Bethany Cox
This musical comedy stars Red Skelton as Cornie, who teams with the ever attractive Esther Williams as his partner Debbie, who work a dunk tank at a carnival...not successfully. Cornie comes to the aid of an oil baron Dan Sabinas(Keenan Wynn), who has had too much to drink and takes a cab to Mexico before giving his car keys to the carnival worker. When Cornie tries to return the car to Dan's hotel, he is mistaken for the tycoon. This is when the fun really begins. Howard Keel plays Dan's ranch foreman; Texas CARNIVAL now becomes a legitimate musical. (At some point you will think this could have been just as good as a straight comedy). Others in the cast: Ann Miller, Tom Tully, Hans Conried, Thurston Hall and Glenn Strange. One of the highlights is a water ballet sequence. Ms. Williams couldn't look any finer.
How to get ESTHER WILLIAMS wet and still have an entertaining musical must have finally gotten to whomever dreamed up this lackluster, shoddy script for the MGM swimming star. She seldom dips a toe into the water and when she does her swimming scenes are brief.In fact, the whole story is told in little more than one hour and seventeen minutes--and even then, it's exasperating to watch so little happen. The story is the tired old mistaken identity theme taken to ridiculous heights by RED SKELTON, who's mistaken for an obnoxious and wealthy oil baron (KEENAN WYNN) at a luxury hotel with a deluxe size swimming pool. HOWARD KEEL ambles into the story via horseback singing just one of several unmemorable songs and is soon ogling Esther poolside in a manner designed to get her to take a dip (for the sake of her fans).ANN MILLER pops up to add some breezy Texas charm to the proceedings, but even her lively dance numbers lack the usual splash MGM gave to its production numbers. Esther is supposed to be a carnival girl who gets dumped into water by any man who can throw a curve ball--and she's hungry, or so we're told, to the point where she faints in the arms of Howard Keel who then chases her until she's caught. Esther has to be one of the healthiest gals ever supposed to be suffering from malnutrition that I've ever seen.The hazy plot plods along until the predictable ending with the stolen identity cleared up and Esther is ready to melt into Keel's arms--none too soon.Summing up: At least Esther had MILLION DOLLAR MERMAID in her future--but this is one where she's just killing time. Very unworthy vehicle for the swimming star par excellence.