Pretty Good

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Cinema and theater are two different things. I think it has something to do with your attention. On stage I am sure this would be gripping, especially with McQueen as Roy, because you are forced to pay attention to the actors. On TV it's OK, a bit too long and with a fairly obvious twist, but it holds your attention. However, if I had paid to watch this in the cinema, I might have walked out. I loved the characters and McQueen is perfectly cast as Roy, a middle-England birdwatching cannibal.Its a good play, a reasonably TV movie, but would make for a very boring evening on the big screen. I think it might have worked better as a black comedy.

It's not my scene to write reviews of films and such though I couldn't help but leave a comment here.In my opinion this film is a refreshing slap round the face for directors, actors, and viewers alike. The actors' screen presence is terrific, and accentuated by a fantastic script which is punctuated by a perfect amount of sub-script to let the viewer form their own opinion of where the film is going to go.Perfectly paced and beautifully shot in its own macabre way I recommend this film to anyone who wants to see how a film should be made, showing that you don't need to have a lot to give a lot.

Roy, a somewhat retentive middle-aged loser, hunkers down in the eponymous hide --a birdwatching shed on the marshes -- apparently hoping to spot the one rare bird that has eluded him so far. Into his little haven comes lurching Dave, a towering, laconic figure with a secret. The two men warily circle each other as their respective pasts slowly unspool.This is a wonderfully low-key little film with a wonderfully simple set-up that slowly but surely ratchets up the suspense as it goes along. What powers it so beautifully is the acting, which is just stunning. Phil Campbell, new to me, at first exudes weary menace which gradually gives way to a greater sadness, and Alex MacQueen, as Roy, deserves awards to be showered upon him for the performance he pulls off here. Better known for playing stuffy and/or supercilious characters on TV, here he plays Roy with a dweebishness and deadpan humour but keeps a deeper vein of underlying tension bubbling under before it erupts entirely. He manages to be both irritating, vulnerable, clueless, tragic and frightening all at the same time, and delivers some real laugh-out-loud moments amid the suspense.Unfortunately, when the truth comes to the surface, the film begins to lose its power: The motives, once revealed, are outlandish and unconvincing and the film subsequently slips into the melodramatic. But, even then, the acting from both of them is never less than top-notch, the chemistry between them lights up the screen, and the finale, deftly delivered, stops the heart.

I just watched this movie on Film4's British connection season and was surprised at how little recognition this film has received. The message board is bare, only 12 votes and no comments have been made so far, so I thought I'd make a deserved contribution.I'll be honest: I was expecting something fairly mediocre and cheap-looking but I was very pleasantly surprised. It didn't look cheap at all with great cinematography of the Suffolk countryside and the general colour and tone of the film was perfect and felt really authentic.Both actors do very well - especially considering the whole cast consists of just them. Phil Campbell's performance was occasionally quite wooden and unnecessarily clichéd as the 'mysterious dark stranger' character; but "occasionally" is a key word there, as he - with MacQueen - really shines toward the end. I was impressed with Alex MacQueen, especially as I've only ever seen him in very minor roles in various sitcoms such as "The Inbetweeners", but his character is complex and brilliantly pulled off.The film starts off well and captivatingly with great dialogue in the interaction between the two leads, with mystery and suspense surrounding the two as 'Roy Tunt' is clearly intimidated somewhat by Dave. Unfortunately, the film then becomes rather slow until the last half an hour or so - and the clips of the crows feasting on flesh become tedious after a while. But "The Hide" climaxes with a surprising twist and a great dénouement revealing why both characters find themselves in this remote mudflat. The very final scene is a particular favourite of mine, ending on a sharply shocking note.Overall, it's a decent little film, which is slow in parts but ultimately rewarding. A solid debut from Marek Losey.7.5/10