Amarcord
In an Italian seaside town, young Titta gets into trouble with his friends and watches various local eccentrics as they engage in often absurd behavior. Frequently clashing with his stern father and defended by his doting mother, Titta witnesses the actions of a wide range of characters, from his extended family to Fascist loyalists to sensual women, with certain moments shifting into fantastical scenarios.
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- Cast:
- Bruno Zanin , Armando Brancia , Pupella Maggio , Nando Orfei , Magali Noël , Alvaro Vitali , Ciccio Ingrassia
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Reviews
Great Film overall
I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
Fellini's love for his home, hometown, family and cinema, it's all on display here. He takes us down the memory lane, down to his first wet dream. Gradisca! The most beautiful woman in town. He tries to get close to her in a dimly lit cinema. No wonder he went on to become a film director. If all of these characters, like the tobacconist who tried to smother him with her enormous boobs, were really around him while he was growing up, we can thank the circumstances for producing such a personality. Fellini's story is warm and humorous. There's a lot of self-humor in there, not only in the form of fart jokes. He mocks Italian mentality, fascism and family life, but at the same time, this is no anti-fascist propaganda, nor is his story set to disparage 'patriarchy' or male lust. He loves Italians and Italian food. Amarcord is a celebration of life, with very interesting female characters, unapologetic about their sexuality and sex life. And the same goes for men - the group masturbation scene is unforgettable!
It's 1930s Fascist Italy. The movie follows the odd quirky villagers of a seaside town. The fascist local government takes control of the eager villagers with comical ridiculousness. The village is obsessed with sex which the Catholic Church tries to suppress.There are some great memorable characters and memorable scenes. The one missing thing is a good compelling lead character. Titta needs to have more scenes as the lead and he needs to be played by a charismatic actor. The vignettes start to get scattered without that central cohesive glue. Some are more surreal than other. The harem in the hotel goes a bit over the top. Otherwise I really like the quirkiness.
Fellini explores the lives of the residents of a coastal Italian town. Although it looks at lives of numerous people in the small town, the focus is on a family that presumably is based on Fellini's own family. Apparently Fellini grew up in a family of Italian stereotypes. The mother fusses. The father screams. It's like a sitcom except that there are hardly any laughs. This is not high art. The humor is on the level of "Porky's" and "American Pie," with lots of emphasis on flatulence, bodily fluids, and the female anatomy. The cinematography is colorful, but there is no plot here to sustain interest; it's a series of disconnected episodes that soon become tiresome.
Amarcord, Italian for "I Remember," is a colorful and artistic film from famed Italian director Federico Fellini. It tells the story of a small Italian coastal town under a fascist regime before World War II. The film paints a grand imaginative portrait of this town as recalled by its spry director who possesses a keen knack for creative and spirited storytelling. We grow to love the characters in the film and we watch their larger-than-life stories unfold before our eyes in a beautiful and enticing way. This film makes its own rules and paints itself up as an incredibly spirited tale of joy, love, and even bittersweet remorse for a town that only could have existed the way it did in the time period it did.It isn't difficult to see the personal level of this film that Fellini includes. It is apparent how much of the story was taken from his own childhood and then injected with a wistful and almost make-believe quality of storytelling. The town in the film is based on Rimini, the town where Fellini grew up, so it is a given that this is a personal film, but you don't even have to know that to see the personal connection coursing through this film's veins. Fellini has created a nostalgic story for himself that others can also enjoy to great extents. Amarcord isn't self indulgent and it doesn't lose track of its heart and soul which makes it such a pleasurable experience.Fellini takes some liberties with the narrative style of this film as it is told in a very free-form way. It is almost a collection of short stories thrown together in a playful and creative way. The town and its strong heritage, affecting each enjoyable character, is the thread which ties the scattered pieces of the narrative together and keeps it from being uncohesive or confusing. Amarcord is the study of a town, as well as the study of people and family. It weaves all of its stories and characters in and out of each other, never losing its loving and colorful mood. The film boasts a lot of fun style throughout with plenty of humor thrown in. The film is very funny at times, but it displays a smarter and more sophisticated humor without being pompous or self important. The film's humor is an excellent display of sarcasm, irony, and cleverness all rolled into a bundle of entertainment.For everything Amarcord does, it does right and it does well. It is simplistic in its motives and care free in its narrative. It isn't anything complex or serious. It only seeks to entertain, while also provide a glorious, imaginative, and often times nostalgic look at the simpler times of life and what joys they bring us. While Amarcord isn't a film I would watch over and over again, there is absolutely no denying that it is an excellent film well worth the watch.