Far from Perfect, Far from Terrible

Expected more

an ambitious but ultimately ineffective debut endeavor.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

A likable cast and and decent location photography make this low budget horror film watchable. Jenilee Harrison (Suzanne Somers' replacement, Cindy, on "Three's Company") plays a 1950s great white huntress in Africa who interrupts a sacred tribal ceremony, so the tribe unleashes a demon-like creature to torment her. To add a bit of gravitas to the low budget cheese-fest is the great Christoper Lee, still in his career slump before Peter Jackson sparked a late career revival for Lee with the Lord of the Rings trilogy. I also noticed in the credits Gavin Hood as a supporting actor, who's now better know as the director of "X-Men Origins: Wolverine," "Enders Game" and other big Hollywood projects. This film's director never directed another film, but he didn't do a bad job. He was actually the editor on some pretty cool movies including "Quadrophenia" and "Return of the Jedi." Overall, this is nothing to go our of your way to watch, but it did have a scrappy, entertaining Charles Band/Full Moon Features kind of vibe that was enough to hold my interest.

A group of westerners disrupt a religious ceremony involving a goat that is about to be sacrifice. In doing so it makes the voodoo priest very angry, so he summons a demon to take revenge on those people.This was one very peculiar b-grade film with voodoo/slasher/monster elements, but with those features it's still basically a poor run-of-a mill horror film, that takes itself far to seriously. I haven't watched the first two films, so I don't know if this film relates back to the others.There's not much to recommend- but the saving grace of the film is Christopher Lee, in which he brings some added class. Also the beautifully lush and exquisite African setting / atmosphere makes it a bit bearable.While whenever Lee graced the screen it added some interest- but I can't say the same about the rest of the cast. It was to bad that the main female lead was annoying and stupid, that you wished that the demon would just finish the job. And the bloody demon seems to takes it's sweet time to finish off its victims by dragging out the scenes (especially towards the end). While Christopher Lee and Jenilee Harrison characters had 'SOME' depth, the rest of the supporting cast were too one-dimensional and lack any detail of any sort, by being pretty much stereotypical and waiting for their turn on the chopping block.The special effects were inferior. The demon looked like a stupid rubber lizard from a Godzilla film, while carrying a machete in it's hand just looked bizarre. The movie had some blood and a tad of gore, but still it's minor stuff.The story was very odd one, but it didn't stop it from being quite tiresome in parts and cliché ridden. Really, the characters just got on my nerves… especially the heroine and the dumb little girl (you would know what I mean when you see it). Like I typed early there is a mixture of horror elements: the first half of the film feels like a slasher, as we are to think that somebody from the group is possibly the killer, with red herrings thrown in and we don't see nothing but machete doing the damage. While the second half (the part that lost my interest and boredom followed) plays the heroine being stalked by an unknown creature and she is frantically looking for help. In which case we actually see the menace and I found it incredibly bad and laughable. While, the voodoo element gels the other two together.1.5/5

Who knows why I went to the trouble of hunting down this 1990 B flick, but expecting nothing, I settled in for a less than ordinary "thriller" about African voodoo, gratuitous nudity, and electrical storms. Watching this movie is all about letting yourself go for 90 some-odd minutes and appreciating that someone took the time to construct an offbeat little thriller that takes itself way too seriously, and almost pulls it off. Completely devoid of the tongue-in-cheek humor that the Scream movies and Psycho Beach Party laid on us, Curse 3 painstakingly takes us through a couple of days of hell for the inhabitants of a 1950's African village. It's truly a horror relic of the pre-Dewey days. (I'm talking David Arquette, not the president!). Jenilee Harrison acquits herself nicely (I'm surprised she hasn't had more of a chance to stake her claim in Hollywood) and Christopher Lee chews the scenery like he's auditioning for Hamlet. All in all, odd enough to be a fairly interesting little diversion. 2-and-a-half (out of 5) on the Corkymeter.

Curse III: Blood Sacrifice is quite an entertaining film. As of yet, I have only seen this one and Curse I in the series. I hated "The Curse", because I felt it was one of those "quick films" to try and make Wil Wheaton a star. I had read that none of the sequels had anything to do with the original, so I figured that I would enjoy this. I did. I figured the budget was low, and I always enjoy when filmmakers work well on a shoestring budget. A women interrupts the sacrifice of a goat. The leader of the tribe summons a curse from the sea to pay her, her friends, and her family back. The movie was well done, and the East African scenery was a nice addition to an already well done film. Christopher Lee was in fine form, and the film made some sense unlike the original. The "sea creature" was a little cheesy, but the mystery and suspense made up for the cheesy, low budget special effects. It's one of those films that leaves you guessing about what might happen next. "Curse III" is definitely one of the best purchases I made. See this film, I guarantee you that if you don't like it, you won't hate it!