Fire Over England
The film is a historical drama set during the reign of Elizabeth I (Flora Robson), focusing on the English defeat of the Spanish Armada, whence the title. In 1588, relations between Spain and England are at the breaking point. With the support of Queen Elizabeth I, British sea raiders such as Sir Francis Drake regularly capture Spanish merchantmen bringing gold from the New World.
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- Cast:
- Flora Robson , Raymond Massey , Leslie Banks , Laurence Olivier , Vivien Leigh , Morton Selten , Tamara Desni
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Reviews
Very well executed
It is both painfully honest and laugh-out-loud funny at the same time.
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
I admit not knowing much about the part of British history conveyed in "Fire over England." The main interest for me was seeing the two young lovers, Vivien Leigh and Laurence Olivier, who began their affair during this film. What a beautiful couple, what a great love, and what a sad end to it. You'd never dream looking at these two what life had in store for them on the personal front."Fire over England" is a 1937 Alexander Korda film that takes place in 1558. Relations between Spain and England are terrible, with the British capturing Spanish gold from the New World. When a scheme to get her off the throne is uncovered, the Queen (Flora Robson) sends a young man, Michael Ingolby (Olivier) undercover to the court of Philip of Spain. Pretending to be a traitor, he is able to get the names of the actual Brits in the pay of the Spanish and learns they want to send the Armada against England.He goes to battle, leading an attack by night on the Armada ships. Meanwhile, he is in love with one of the Queen's ladies in waiting, Cynthia (Leigh) and has the affection of the Queen herself."Fire over England" is an early acting film acting assignment from Laurence Olivier. He is super-handsome and an exuberant, energetic Michael Ingolby, perhaps a bit overdone in spots. This, however, can be forgiven because of the nature of the role. Leigh really doesn't have much to do. Though Selznick allegedly was introduced Vivien Leigh by his brother Myron when Atlanta was burning, a historian made something of the fact that he evidently saw this film beforehand. If he did, there's no way he would have a) remembered Leigh and b) thought of her for Scarlett.All in all, a very interesting film.
This is a great movie with excellent production values, performances and exposition. These were very complicated times and neither Elizabeth nor Philip was a simple ruler. Neither was good nor bad and both were permitted by the mores of their times to be outrageous. Given that Flora Robson did not resemble Elizabeth in the slightest and was far, far younger at the time of her portrayal, she presents the great Queen as she should be portrayed except that Elizabeth was a beauty in her youth and permitted the illusion of beauty to continue long after it was lost. See it, hear it and enjoy it. It is a mountain beside the current portrayals of these people and their times as a bland pageant of farthingales.
The facts:- Charles Howard, later Earl of Nottingham, commanded the British Fleet with Sir Francis Drake and Sir John Hawkins as secondary command. When the Armada was sighted, beacons were lit, as in the movie. (It was demonstrated at the pre-wedding party for Prince Charles prior to his marriage to Diana, that it was possible to get a signal from Hampstead Heath, London, to Lands End, the furthest point west, within some extraordinarily short time by this method. If my memory serves me, the time was something like 7 minutes to Lands's End and about 40 minutes to the outer Hebrides. This is why Drake was able to famously claim that he had time ti finish a game of bowls before he thrashed the Spaniard.)The Brits met the Armada at Plymouth and fought them in the Channel to Calais, where the Spanish expected more ships to join them from the Netherlands which was in Spanish hands at the time. The battle in the Channel lasted about a week, with the smaller and much more maneuverable English vessels whipping in close to do damage, but out- numbered by the much larger vessels. The Armada anchored at Calais and waited. It was there that the British sent in the small fire ships which, assisted by a rising wind, created havoc among the anchored vessels. When many of the ships destroyed, the remainder could not sail westward out of the Channel to return to Spain, because of the winds. They were forced to sail northwards up the east coast of England and around Scotland, where they ran into foul weather. The weather worsened as they sailed south and many of the remaining vessels were wrecked on the Irish coast.
This is a dramatic B/W film made just before WWII was begun by Adolf Hitler. The British Empire-based filmmakers draw a distinction between the theocratic Spanish Empire of Philip II, ably played by Raymond Massey, and the somewhat parliamentary government of England's island under the Protestant governance of Tudor Queen Elizabeth I, portrayed by Flora Robson with yet-unmatched power and skill. The distinction is important; although the misuse of their powers by neo-imperial-U.S. and post-Empire British governments have lessened our perception of the difference between the two regimes, that difference is in fact real and cleverly presented. The vehicle for the storyline was a novel by A.E. W. Mason. Clemence Dane's screenplay follows the adventure of young Michael, agent of the Queen, as he tries to uncover the nature and extent of a Spanish spy-ring operating in England. This requires him to pretend to be one of them and present himself to Philip; but his pretense fails for lack of a missing password. He is imprisoned in Spain, falls half in love with a lovely Spanish girl, daughter of his jailer, although he really loves one of Elizabeth's ladies-in-waiting; but she allows him to escape when she sees what Philip's evil is doing to her country's people, and he hastes back to the court in time to uncover the plot and save Elizabeth. Elizabeth then give her famous speech that rallies the English to defeat the Spanish Armada and save England, to become another empire and finally in our century a country again. The plot is fairly well-done, but the beauty of the film lies in its characters and dialogue and the way these are brought to life by an excellent cast. Laurence Olivier is Michael, Vivien Leigh is the girl he loves, Leslie Banks is the Earl of Leicester, Morton Selten is Lord Burleigh ;and Robert Newton heads the villains with Tamara Desni as the Spanish girl, plus many other fine British stage actors. The music was composed by Richard Addinsell, William K. Howard directed, cinematography was by the legendary James Wong Howe and camera-work by Wilkie Cooper. This is not a great film, but the restored B/W version is beautiful; the characters memorable, the villains intelligently unethical and some of the actors, especially Robson, superb. This is also a very good film about the era of Elizabeth and the meaning of tyranny--and what honorable men need to risk to avoid having its shadow fall over their lives; and what one group of men in the late 1580s dared to do.