That was an excellent one.

Expected more

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Certain films travel just below the radar. "Return from the Ashes" is such a film. The ones who've seen it never forget it but somehow it's nowhere to be found. Never on video and so far not on DVD. I'm not going to tell you about the devilish plot because that's most of the pleasure of seeing it for the first time. Just let me wet your appetite by saying that Maximilian Schell plays a young amoral polish guy who seduces a French, older, wealthy widow, played for real by a great Ingrid Thulin. The action takes place at the dawn of the German occupation. She is Jewish he is not. When Schell asks her to marry him, she laughs it off as a surprisingly conventional request but he means it saying "At this time is not convention but defiance" So he marries the older Jewish woman...that's all I'm going to tell you about the story. Samantha Eggar, beautiful and skinny gives a powerful performance of seductive evilness. She is a stand out of major proportions. The ending seems a bit of a commercial concession but it doesn't spoil the cleverly tailored plot. If you see it announced on late night TV, set up your VCR or whatever contraption at your disposal.

In a flash of incredible foresight, I recorded this gem as I watched it for the first time (maybe like 2 years ago...) The signature music has a waltzy, hypnotic cadence that completely draws you in, & a fascinating story unfolds in "post-war Paris", shot in appropriately atmospheric black & white. >From the very opening train scene, I was riveted. This one is on my shelf of films that I watch over & over again. Maximilian Schell is brilliantly handsome/wicked, as Stanislaus. I'd never even heard of Ingrid Thulin before -- someone on here mentioned her character, Michele, as "middle-aged" - that's not the impression I got. Michele is a jaw-droppingly gorgeous, dazzling blonde Swede{?}, who was married to a much older man, with a daughter. So she appears to be a young widow with a step-daughter in her late teens. On top of her late husband's sizable estate, Michele is also an X-ray technician. Ingrid Thulin is wonderful as Michele, combining just the right balance of high intellect yet vulnerability - very believable central character. Herbert Lom & Samantha Eggar also give stand-out performances. I'm completely amazed that this incredible film has never "made it to video".... I'd really love to know who/how/why these decisions are made - seems like some really great work is allowed to sink without a trace.

Actually the advertising gimmick was "No one will be allowed to LEAVE the theatre" once the "shattering" bath scene has begun - with an illustration of theatre doors being locked (I'm pretty sure that would have been against the law even then!). At the time this made me think the movie was a slightly highbrow gore thriller of the "Hush, Hush, Sweet Charlotte" or "Whatever Happened to Baby Jane" stamp - if not far, far worse. Seeing the film years later . how on earth did anyone think up such a cheesy marketing gimmick for a respectable drama?

This will keep you confused till the end. Written in classic theatrical play/film style of Agatha Christie. Excellent performances by Maximillian Schell and Samantha Eggar illustrates why they can be called stars. Herbert Lom is far removed from the Inspector Clouseau comedies.