Very very predictable, including the post credit scene !!!

I have absolutely never seen anything like this movie before. You have to see this movie.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Starting from the beginning I wasn't sure if I could actually sit through the entire film. The special effects were bad, the dialogue was worse. The film failed to capture my attention. The plot, while probably better in other versions, did not come through properly. The acting needs works. The scenes looked like something I would see in a high school play and the green screen wasn't any better. The songs were, for the most part, unnecessary and didn't add anything to the film.I would advise people, of all ages, to avoid this film. There are so many more things you can do with an hour.

(mild spoiler in last paragraph)I first heard this tale many years ago as a radio narration with music, and I don't remember too many details. After watching this British production I looked up a summary of the tale on the internet. The original book was different in significant ways, not all of them for the better. I'm glad the filmmakers dropped the Christian preaching, but as it is the movie needs work in the basics of how to present the story.Fortunately this show has captivating visual artistry and production values, which will pull you in during the first part of the program. There is a bold, even experimental look to the film. The backgrounds resemble pop-up books, the live action looks jerky like claymation, and there are one or two abstract interludes that seem unconnected to the story but add further classiness. The look may have confused some viewers, but the stylized settings and special effects are meant to be weird; the filmmakers likely believed this would fit in with an unreal "fairy tale" tone, and I do indeed think it evokes magic. The visuals benefit greatly from Paul K. Joyce's provocative classical score, which has both old-fashioned and modern, almost minimalist, elements. I wasn't crazy about the simplistic songs, though.Unfortunately the story unfolds in a haphazard, stilted way over a short running time of 56 minutes, undermining the interest that the visual design initially inspires. Important plot events are rushed through; some scenes and characters with potential are quickly left behind. Some exciting set pieces from the arctic section would've benefited from more time -- e.g. Gerda hops across icebergs on a river full of leaping killer whales; then she passes through a crystal cave that makes sudden loud noises. But instead these obstacles are only seen in brief flashforwards. Then a fearsome threat from the Snow Queen's polar bears is built up, but dispensed with in seconds as Gerda's reindeer just jumps at them with his antlers and makes them disappear.Perfunctory characters include the two arctic women -- who are they and what are they doing each living by themselves out in the frozen north? Likewise the talking raven who gives Gerda tips on her journey is just "there", some sort of Good Samaritan bird. And very little is said about the title character, the Snow Queen. Though crucial to the plot, she is never fleshed out as a character. She is just some sort of witch whom some loyal swans pull around in a sleigh, a woman whose very reason for being is too vague. Is she the devil? What does she want with a boy? Is she trying to trap his soul or something, cause she gets malicious delight out of it? And what's with the creepy sensual overtones when she bends over the supine boy as if to kiss him? A feature-length treatment could've been a better way to address all these problems.Even the action scenes that the filmmakers add are done hastily. The coach robbery scene is quite incoherent; my guess is that some rival gang appears and fights off the first gang, though they all look identical. The climax shows the heroine and villain having a quick duel and shooting blasts of energy at each other a la Dark City. But my favorite was the silly Tomb Raider moment with Gerda running and leaping across a big chasm as if she was Lara Croft! A more unsettling bit of violence, one that will probably terrify many children (and adults), was the very scary part when the wind blasts a piece of the evil mirror into Kay's eye, leaving it a bloody mess. The next day his eye looks all right and shows no sign of injury, though.After finishing the show, one particularly awkward question remains. At least, I am pretty sure I finished it -- I watched this during a pledge drive on PBS, so the show occasionally took a break in the PBS phone bank studio where some staff tried to get viewers to call and donate. One such break came after the heroine returned home and the camera flew over the countryside, culminating in a big zoom-out into outer space where a piece of mirror floated in front of a view of the globe. I presumed the program ended here (to be followed by some credits), so I turned the TV off. But therefore the story ended with Gerda breaking her promise to the bandit girl! You may remember that she persuaded the friendless bandit girl to help her escape from the bandit camp, and promised her that she'd come back soon to play and do other friend stuff. For a show that promoted Gerda's moral uprightness and purity of heart, it is surprising that she'd lie to and ditch the bandit girl like that! So much for "A friends' promise is never broken"!

Every generation of directors and children's TV programmers seems destined to try their hand at Hans Christian Anderson's Snow Queen, this version is one of the best.Filmed with a mixture of animation and live acting, it manages to capture the spirit of early eastern-European animations and graphic novels, the unreal backdrops suggest a stage performance, and the jerky motion, marionettes. Combined with a wonderful score written by Paul K. Joyce (and performed by the Royal Philharmonic), this is certainly an adaptation children will love, and continue to be entertained by for years to come.Although some parts of the story which are skimmed over could have had more time spent on them (and it's possible some adults will be expecting Disney and fail to see past the computer imagery), it's good to remember that this is a story to be enjoyed, not studied, and its for kids who probably wouldn't want it to drag on.All in all this is a very worthy production, there are far worse ways to spend an hour of the holiday period.

The Snow Queen is one of Hans Christian Andersen's best fairy tales. However, there has only been a few adaptations of it, and most are mediocre and childish. This is no exception.The best thing about this TV special is the musical score; which is so beautiful and mystical it could have come from a classical music piece. I can't say the same for the rest.This made-for-TV special looks like it was made by a group of college film students. I'm not too sure how much of this is 'real', because it looks like every shot has been superimposed over an Adobe photo edit. Even worse, the motion capture has a weird, jerky style of action that really detracts from any 'magic'. This is proof that CGI can give authentic looking dinosaurs, and encourage some of the shoddiest special effects ever shot.The character development is so weak that neither sympathy, nor an understanding of personalities is felt. The story mainly skims and summarizes the plot of Andersen's fairy tale, giving the feel of headline news when compared to the original book.I would normally give an adaptation like this a three, but considering that this is a one hour TV special, a 'major motion picture' style cannot be expected. This gets a four.