One of the best films i have seen

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

One of the best movies of the year! Incredible from the beginning to the end.

Shirley Temple is so sweet, so picture-perfect in her cutesy act, that she is unbearable to watch in this.I could not get through much of this totally unnecessary remake of the far-better 1924 "Captain January" featuring silent-movies child star Baby Peggy.The latter was a heartfelt rendition of a deeply moving story. This piece of saccharine detritus is nothing more than a star vehicle for the cloying 8-year-old. I have not attempted to watch Shirley Temple in years so maybe it shouldn't have surprised me to hear Robert Osbourne, in introducing this on TCM, say many consider this to be Temple's best film.Oh, gag me with a spoon.I WAS intrigued to see that this film is based on a story by Laura E. Richards, who was the daughter of the female author of the "Battle Hymn of the Republic" lyrics.

Shirley Temple's films for Twentieth Century Fox aren't negligible because they're poorly-made (Darryl F. Zanuck supervised most of them, after all); they don't retain much of a "classic" stature among cinema aficionados mainly because they're weighed down with the syrupy optimism of Depression-era Hollywood. 1930s audiences were placated by the delight of seeing a dimply, often orphaned sunshine girl making the grown-ups look foolish by comparison (they fretted and wrung their hands while she danced her troubles away). Seen these many years later, Temple's vehicles barely get by on story (aided always by musical sequences to bolster the content), and her timing (always too-perfect) and exaggerated reactions might leave most modern viewers rolling their eyes. No one could possibly be blamed for their exasperation over Temple's performance here (shouting lines at the top of her lungs) or the perverseness of her dance steps, sashaying with a crowd of sailors to "At the Codfish Ball". Still, the fantasy aspect of this particular story, previously filmed in 1924 from the book by Laura E. Richard, is enough to captivate those in the proper saccharine spirit. Seems Shirl was pulled from a shipwreck by a government-appointed lighthouse keeper, but when a truant officer from the State Board finds out the tyke isn't in school, she threatens to take the kid away. It doesn't really matter if the prune-faced officer has a point that Temple isn't being raised properly (the woman is turned into the proverbial villainess almost immediately); one can see right away that Temple can hold her own, taking care of herself and her elderly guardian in the bargain (as well as the local widow who has her hooks in for the Captain). Temple isn't the only one overly-rehearsed; Guy Kibbee's January is cued for wide-eyed reactions so often you wonder if maybe if he didn't film them all in one day. The dialogue is steeped in waterfront metaphors ("You can't rush a trout!" ... "Well, don't give up the ship!), and something about the whole enterprise seems strangely pixilated. ** from ****

Here's another "cute" Shirley Temple movie with interesting characters and a decent share of good song-and-dance numbers. The story is similar to a few other Temple films in which a nasty person takes Shirley away from the good people but the good guys prevail in the end. It was a tried-and-true formula in the Temple movies.Here, the "villain" is truant officer (Sara Haden) who wants to take Shirley away from good guy "Captain January" (Guy Kibbe). Kibbe and Slim Summerville are fun to watch as peers and friends who squabble all the time. Haden is effective in her role because you just want to slap that woman!Shirley and Buddy Ebsen team up for a very entertaining song-and-dance routine to "The Codfish Ball," the best song in the movie.The film gets a bit uncomfortable when Shirley gets taken away but ends in the normal tearfully-happy Shirley, as always, back with her loved ones and the people who really care about her. Those include the "widow" played by Jane Darwell and the school teacher, acted by June Lang.All in all, it's the normal Temple movie that provides good feelings, something we viewers always need.

Actually, Captain January is one of my favorite Temple flix because of the music. For many years, it was out of circulation, not shown on the tube, and not available on video. I finally got to tape it on AMC several years ago, and it's still fum to watch. The score is especially warm and interesting. It's supposed to be written by Louis Silvers, but it was fine writing by whomever the arranger/ orchestrator was. Not my FAVORITE Temple flick, 'cause she did several that are better than this in terms of substance. The main attractions are the music, her dance episodes with a young Buddy Ebsen ( was there ever such a thing?), and the mushy relationship with the Cap'n. And the whole family can get in on the act !!