Absolutely brilliant

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

This is a fairy tale, but, as fairy tales go, quite a nice one.It's interesting to see Hollywood's take on Britain under the Blitz - lots of chirpy cockneys cracking jokes as the bombs fall and irascible tea shop proprietors laying down the law.Most of Hollywood's ex-pat Brit community turns out in roles that must have been bread-and-butter to them - Gladys Cooper as the snooty old patrician lady, Nigel Bruce in amiable-oaf mode, Queenie Leonard as the tart-with-a-heart, Melville Cooper as the dopey uncle.Joan and Ty look gorgeous and do a professional job with the script, even when it gets a bit sticky (Joan's cliché-ridden eulogy of England is particularly painful).If you can swallow the stereotypes and suspend your disbelief, there are worse ways of spending 110 minutes!

Anatole Litvak's engrossing romantic drama, "This Above All," takes place in the early years of World War II, before the United States had entered the war. Like "Mrs. Miniver," the film was intended to boost sympathy and support for England, which was already engaged in a desperate battle with Nazi Germany. Set on a back-lot England with Academy-Award winning sets, the movie has a coziness associated with black-and-white Hollywood studio films of the Golden Era. Prudence Cathaway, a strong-willed young woman from a privileged background, played by 25-year-old Joan Fontaine, joins the WAF, a women's paramilitary group, over family protests. On a blind date one inky black night, she meets Clive Briggs, a moody mysterious man with a dark secret. When she subsequently sees her date in the daylight, he is the impossibly good looking Tyrone Power, and romance inevitably ensues. Despite Brigg's criticism of her own aristocratic background, Fontaine tolerates Power's cynical nature and his ambivalence about fighting to retain the English class system that supports the rich and privileged.Although breezily entertaining, little occurs during the first half as Fontaine and Power become increasingly involved. The couple flirt, date, and go off for a week's holiday at the seaside, where they encounter some of Briggs's buddies. However, as Briggs's secret unfolds, the film turns darker, and the pro-English propaganda surfaces. Fontaine waxes eloquently about all that England means and why they must fight to preserve the country; meanwhile, Briggs denigrates an economic system that rewards the moneyed aristocracy and oppresses the poor; why should the lower classes fight and die, while the wealthy sip tea and dress for dinner. Veteran actress Gladys Cooper appears to embody the haughty side of undeserved privilege, while Nigel Bruce and Thomas Mitchell ably portray Powers's working class buddies. While the dark-eyed Tyrone Power plays Clive Briggs quite well, Joan Fontaine captures her every scene and turns in a lovely, delicate performance as the rebellious Prudence; her glowing face wordlessly expresses the young woman's growing affection for the handsome Briggs. The Oscar-nominated photography by Arthur C. Miller captures Fontaine's delicate complexion and underplayed expressions and highlights Power at his tall, dark, and handsome best.Despite a dated message in R. C. Sheriff's screenplay, adapted from a novel by Eric Knight, "This Above All" moves at a brisk pace, and even those averse to romances will be drawn in by Fontaine's radiant performance. If 20th Century Fox wanted to convince American audiences of the importance of supporting a loyal ally against the Nazis, they could have done no better than enlist the aid of Joan Fontaine to do so. She and Power make a romantic pair, and "This Above All" rises above propaganda to be an enduring romantic entertainment.

Although the English born, Laurence Olivier, Richard Greene, or Robert Donat would have done the part of Clive Briggs great justice, there was nothing wrong with the performance Tyrone Power gave in This Above All. Power does not even attempt an English accent, yet his performance is every bit as good as Robert Taylor's in Waterloo Bridge. Eric Knight's novel was a big seller and the film is a serious examination as to why this is the people's war. In a curious way Power's views which do undergo a radical transformation are a mirror image of what Marlon Brando said in The Young Lions about class distinctions.And in the same year of This Above All, Teresa Wright in Mrs. Miniver upheld the tradition of the upper classes. One of my favorite scenes from that film is Wright telling Richard Ney about the things she's involved in to make her corner of the world better. Joan Fontaine feels the same way, before she meets the cynical Power she tells her family that she feels she has to get in and do her bit. She joins the Women's Auxiliary Army Force as an enlistee, not even an officer. She feels as did Wright that class also carries responsibility.Power and Fontaine are a perfectly matched pair, she just coming off her Oscar and him at the height of his box office draw. Hollywood's English colony fills out the rest of the cast with the exception of Thomas Mitchell who is inevitably Irish.This Above All won an Oscar for Best Art Direction and it was nominated in several other categories. The film holds up remarkably well because it is both patriotic, but a very atypical and cynical film for its time, not your normal flag-waver.

This is a wonderfully acted, compelling love story set during WWII in England. Joan Fontaine's portrayal of an aristocratic woman who joins the WAAFS and falls in love with a deserter (Tyrone Power) is superb. She is beautiful, tender, courageous, and quite believable as Prudence. Her speech on what England means is eloquent and is one of the highlights of the film. Tyrone Power is awesome as Clive, too. Joan's character is steadfast in her love for Clive and the chemistry between Joan and Tyrone is wonderful. With the resurgence of patriotism in America this film should be shown more often on the movie channels. Maybe they will catch on soon. A not-to-missed film.