Chronicle of a Summer
Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.
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- Cast:
- Edgar Morin , Jean Rouch , Marceline Loridan-Ivens , Jean-Pierre Sergent , Régis Debray
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Reviews
Terrible acting, screenplay and direction.
This movie feels like it was made purely to piss off people who want good shows
If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.
Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
Often cited as one of the greatest documentaries ever made Jean Rouch and Edgar Morin's "Chronicles of a Summer" takes a look at the lives of of ordinary Parisiennes over the course of the summer of 1960. It was filmed in a 'cinema vertie' style, using the people who appear as if they were actors 'acting out' their lives. There is no voice-over; their technique is to use interviews or simply silently film these people going about their business. What distinguishes this extraordinary film from others of its kind is that this is a work both sociological and deeply political, a piece of social history in which Africans are side-lined and homosexuality never mentioned.Rouch and Morin pick and choose their subjects, mostly workers, students and intellectuals, and back them into a corner where the politics of the proletariat becomes the benchmark. These people talk fearlessly about their treatment by the State and the drugery of their daily routine with white Parisiennes oblivious to their inherent racism. The film-makers fundamental question is, 'Are you happy?' Initially two women interview people on the street asking them if they are happy and as the film progresses this becomes its focal point while the level of intimacy Rouch and Morin achieves is extraordinary. Theirs is a technique other film-makers have used many times since, perhaps more skillfully as film-making has become more sophisticated but this masterpiece remains the granddaddy of them all. Unmissable.
this was fascinating and brilliant doc in my opinion ahead of its time compared to this generation of reality TV and social media. the film focus and the parisian working class in serious of interviews and a brief look at there daily lives and conducting interviews about happiness, the struggles and goals and dreams. i am 44 and i was fascinated watching this film and how life was, and how it has changed in over 53 years. The fascinating film is for an acquired taste for an audience that can appreciate this type of film. This Film won the international critics prize at the 1960 Cannes film festival at the time of its release it was not popular with most critics or audience.
This film is incredibly poignant and essential in understanding the history of documentary film-making. Set in 1960's France during the Algerian War (France's equivalent of Vietnam), the viewer is taken on the journey of the lives of some incredibly interesting young adults. The film begins by reeling interviewees in with the simple question, "Are you happy?" Of course this is only a spring board for the subjects to invite us into their lives. Race relations, holocaust memories, mental illness, and so much more plague our subjects, both creating fear and excitement within the viewer. Not to mention there is a very cool, very unique ending, ala Robert Flaherty. Not to be missed.
I stepped on a box of upturned cocktail sticks once, and would happily do it again if it would get me out of ever having to see this again. The art of watching paint dry seems like a spectator sport in comparison. At the mid point of this movie i seriously considered gauging my eyes out with a rusty spoon but i had been drained of the energy that would enable me to do so. This film was intended to explore 'life' however it made me question whether or not i wanted to keep living mine. On a serious note, in the screening i was in, i spotted 7 people sleeping and half the audience simply walked out. Do not operate heavy machinery while watching or thinking about this so called film, i call it a video that allows real people to experience the monotony of manic depression. Watch Stuart Little instead.