Absolutely the worst movie.

A Masterpiece!

A movie that not only functions as a solid scarefest but a razor-sharp satire.

While it doesn't offer any answers, it both thrills and makes you think.

I'm a pretty big fan of Sion Sono, with "Love Exposure" (2008), "Strange Circus" (2005), and "Hair Extensions" (2007) being amongst my personal favorites from his portfolio. Even his more recent exploitation-style films like "Cold Fish" (2010) and "Guilty of Romance" (2011) have enough to hold interest, despite their skittish foundations. "Noriko's Dinner Table" (2005) is a dramatic spin off to the gruesome "Suicide Club" (2002). I read up on the film before seeking it out, so I knew what I was in for in terms of style: a slow-paced, character driven art-house flick that was very different from its predecessor. What I got was a boring movie that outstayed its welcome within the opening hour, then dragged mercilessly for another hour-and-a-half.The plot is bland, the acting is spotty, and the primary psychological elements are unfocused and sloppy. They say a picture is worth a thousand words, but this film abuses narration to such an extreme that massive amounts of superfluous verbiage are used when only a few mere images would suffice. What results is an unbearable series of events that seem to exist for no other reason than to show something during the unending narration. The dialogue is drawn out yet somehow empty – virtually nothing of interest is said. Even after 159 minutes of characters constantly yapping (they literally cannot keep their mouths shut for more than 10 seconds at a time), the viewer inexplicably comes away from this movie with almost no additional understanding of the primary themes behind "Suicide Club", a film that also suffered from meaningless psychobabble but overpowered its flaws with horrific imagery.Subsequent to my initial disappointment, I attempted to rewatch "Noriko's Dinner Table" on two separate occasions, but simply could not make it past the opening hour. I'm frankly amazed that I made it the whole way through the first time around.

Well. Its a very long film; at around 3 hours I guess, and at times it does feel like ...it could have been a little sharper. But I don t begrudge the length: unlike some movies, where the coyote syndrome starts to cut in, I didn't t feel like chewing off my leg once. The movie is a companion piece to the very excellent Suicide Circle But those expecting the same extraordinary images of the first film might be disappointed: this is a (mostly) slow moving and introspective study of identity, the roles that we play, and that others and society impose upon us. 17 year old Noriko runs away from her seemingly loving family to Tokyo where she meets the chilling Kumiko; a woman with no individual existence. What follows is profound and, at times highly unnerving as the personalities of Noriko, her younger sister Yuka, and their family are all annihilated. The performances of all of the actors is outstandingly committed; I cannot believe that the last set piece of this movie could have been shot in more than one take; the strain on the actors must have been unimaginable. This is big, grownup cinema, don t expect explanations, don t expect to understand all of what takes place I sure as hell don t. Do however expect to be awed by the sheer daring of this wonderful piece of work and the brave actors, who are called upon to give performances of such extraordinary power. You might love this move, you might hate it, but you sure as hell won't forget it.

I used to think of myself as (among other things) a cinephile, someone who had a taste for good cinema, whose Favorite Movies list was topped by some little known films. But I had seen nothing until Noriko's Dinner Table. I haven't seen Suicide Club yet. I hope to see it soon, but in truth it doesn't matter: right now I consider Noriko's my new absolute "best movie ever" and that doesn't depend on what it's part of or what other films has ever directed its author.There are personal reasons behind that election, of course, but then, isn't every election personal, and what other meaning could hide behind the word "My" in "My Favorite Movies"? Of course my familiar history or situation is or was extremely confusing, unstable, unhealthy, and unusual. But, maybe roleplaying is more than Japan's main existential issue. Maybe it's our entire culture's main existential issue. "The actor behind the mask", as in "Riding Alone for Thousand of Miles". The hidden heart, clouded in fat and entertainment and busy-ness, entangled in meaningless liasons that produce meaningless families; the confused heart that can only be brought out (exorcised) using a knife. And a camera. The movie is divided into chapters, one for each of the main characters. And thus the viewer can achieve what the characters themselves can't: understand other people's motives and feelings. This is my first review BTW, and will probably be the last. I'm not into sharing my views or anything like that... But in this case the impact was extreme and the reviews here weren't doing it justice so far.

Noriko's Dinner Table is quite possibly one of the best films I've ever seen.I will not give away any spoilers about the movie, but I will say that it is beautifully done. Each scene seems as if it were painstakingly and obsessively done, paying attention to the tiniest of detail. As with all of Sono's films, the camera angles and shots are unique, and make you feel like you're a part of the story that's unfolding.Many people consider the length of the movie to be it's downfall, and with good reason. 2 hours and 30 minutes is one long movie, but it holds together very well. In the end, you'll feel like you were a part of what was happening, and it will affect you, for better or worse.What many people are concerned about, however, is it's connection to Sion Sono's cult classic Suicide Club. There is a definite connection, and it does explain a little of what happened throughout Suicide Club. But it still leaves some small questions unanswered. Nothing is left unanswered in Noriko's Dinner Table, but there's still a little we don't understand from Suicide Club.This brings me to the meaning behind family in Noriko's Dinner Table. Sion Sono's ideas and meanings are portrayed, and excellently, through sometimes complex symbolism that may take a few watches to understand. The movie is separated into chapters, and the story, how it's told, is broken into pieces and presented to you at little bits at a time. You wont get the full picture until the end of the movie.Noriko's Dinner Table is an amazing film.I ordered it from Japan for about 30-some-odd bucks, and I can say it was worth the money and the two week wait to receive it in the mail. I've had it two days, and already watched it three times. It's amazing, not what I expected, but amazing.A quick note, do not expect what we saw in Suicide Club. A little of that same horror-esquire feeling is there, but it's really a drama at heart. An amazing drama.This is the mature, grown-up Suicide Club.Everyone should watch this movie.