Elaine Stritch at Liberty
Judy at the Palace. Sinatra at Carnegie Hall. Streisand at the Garden. Stritch on Broadway. Legendary performances come along so rarely. Elaine Stritch At Liberty is an autobiographical one-woman show written by Elaine Stritch and John Lahr. The show consists of spoken monologues from Stritch following her life and career, interspersed with showtunes and pop standards which compliment her stories. Many of these songs had been originated by Stritch in major Broadway productions, such as "The Ladies Who Lunch" from Company and "Civilization" from Angel In The Wings. Her experiences and relationship with show business are focal points, but she also explores more intimate, personal themes like her alcoholism and romantic relationships.
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- Cast:
- Elaine Stritch
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Reviews
Very very predictable, including the post credit scene !!!
Such a frustrating disappointment
This is a must-see and one of the best documentaries - and films - of this year.
Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
I was lucky enough to see this show at The Old Vic in London (where, albeit not on the night, this live recording was shot) so I was pre-disposed to like the DVD (the clue is in that word 'lucky') and if anything it eclipses the show if only because the camera can do what I couldn't from my mid-stall seat, namely close in on the eyes which is where it is all happening. What we have is a great blend of reminiscence, anecdotes and vocals and I for one would have been happy with twice the two-and-a-half hours she delivers. Okay, nobody is going to accuse her of being a great vocalist, least of all herself, but no one accused Mabel Mercer of being a great vocalist but no one gave a big rat's ass because Mercer, like Stritch, had a lot more going for her, the ability to 'live' a song and act it out to a fare-thee-well. As a rule my taste in female vocalists favors the 'cool' i.e. June Christy, Peggy Lee; the 'warm', Dinah Shore, Ella, and the vulnerable, Judy, for the brash, belter, Merman, Bassy, who think subtlety is to come down to high C. I have no time at all. Stritch can and does on occasion, belt with the best, but, like the finest vocalist working today, Marlene VerPlanck, she can also do wistful, a word that Merman and Bassy were incapable of comprehending. So, here we get Broadway Baby, I'm Still Here, Ladies Who Lunch, but we also get the ultra wistful I Must Have Done Something Good. You sure did, Elaine, you did something VERY good. In spades.
I know, I know - Elaine Stritch is a "legend" - she makes sure you know it, believe me... Maybe I'm the only one in the universe who felt like smacking her, but I did feel like smacking her. She does have some interesting stories about Old Hollywood, however the rest seems like a never ending, self-congratulatory vanity piece. I got the feeling that she's been practicing these "naked" little soliloquies for her audience of one, in front of the mirror, for years. Maybe that is the point of the show, I don't know. Perhaps some think she should be humored because she's 80, but crikey, I just found most of it insufferable. Sorry Elaine...
While she is a familiar face to younger viewers;(she has played many cameo parts; ""The Cosby Show"", etc.) they would benefit to catch this show on cable; or rent the DVD.I recall seeing Ms. Stritch in the Woody Allen movie, "September", but her stage career, which was quite extensive, is well documented here, even for those of us of younger generations.If you don't have a chance to visit Broadway, this is your next best introduction to it. Ms.Stritch talks about Marlon Brando, her drinking problems, Rock Hudson, and her early stage career; all at once. The camera follows her to London, shows the extensive preparations and rehearsals; the anecdotes are all real; and more interesting than the dreck which is reported today about Hollywood couples; Brad and Jen; etc.; ad infinitum; I for one would rather hear about past mega-stars who had REAL talent, like Ms. Stritch. Do yourself a favor and see this performance; you will see real talent and diversity on stage; original comedic and musical routines; and you will learn what a real star is.
Gut wrenching is one of those descriptive throwaways too often used insincerely to pump up the ego of some mediocre talent. Not so in the case of Elaine Stritch: At Libery. I defy any lover of the theatre to remain in his seat at the conclusion of this two and a half-hour journey of theatrical brilliance. The experience truly is gut wrenching! Ms. Stritch is that rare bird who makes the stage a living, breathing organism. Without props or scenery we are privileged to hear her express her incredible love for life and the spotlight through songs, musings and memories of her six decades in show business. When she is finally able to put down the bottle and begin her career anew, we breathe easier, with the same joyous simplicity that she faces her life sober. This is a once-in-a-lifetime journey that makes the whole world look right. That Ms. Stritch is in her mid-70's means the incredible feat is all the more special.