Pretty Good

Clever, believable, and super fun to watch. It totally has replay value.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

A psychopath wearing camouflage with a hunting knife as his weapon, commences in slaying female majorettes across the throat while bathing their bodies in water "purifying their sins". A reluctant county detective is placed on the case with a sheriff who doesn't want his company. A nurse, whose son is the high school janitor and resident idiot with a vent opened up in his supply closet so he can spy on the majorettes removing their clothes in preparation for the showers(..while also taking snapshots of them, for his private collection), hopes to gain a great sum of money from her employer's will..the employer is an invalid, pretty much a vegetable unable to speak due to a stroke that has left her practically a zombie in a wheelchair. The nurse informs the poor woman of her diabolical plans while injecting her with heavy doses of insulin. Meanwhile, a gang of drug-dealing hoodlums selling their dope to underage teens cause problems towards a high school quarterback and his friend(..she's the granddaughter of the invalid the nurse plans to kill, and also a victim-to-be set up for execution due to what she'd receive in the will at the age of 18)which culminates in two tragic shoot-outs leaving quite a many dead. The nurse, thanks to her voyeur son's taking photos of a victim as she's being mutilated by the killer, blackmails the serial killer, wanting him/her to execute her employer's granddaughter to keep their silence.While I give a lot of love to the "Russo camp" for keeping it real by investing the film with local folks, this film is burdened by the cast's inabilities to adjust to acting in front of the camera. The screenplay is uneasy as the film moves from one scenario to another, with nearly everyone winding up dead. Though, everything ties together somehow, the glue is running and so is the audience for the eject button. I did think the twist regarding the identity of the killer was nifty and the final scene I thought worked really well. The slasher portion of the film I felt was rather clumsily staged and dragged out a bit too long removing the power these are supposed to bring when we are being led through a building murder sequence where the killer is about to strike his prey. The attacks are rather uninspired and typical of the genre. I feel the convoluted uneven story will leave many slasher fans frustrated and the killer's identity is revealed a bit too soon. The shootout belongs in another film(..although, I did enjoy both shootouts I must admit)and feels tacked on..although, the first shootout spoils the nurse's initial plans and shockingly some important characters wind up dead a lot sooner than one would expect. There's some nudity, particularly in the majorettes' locker room. As far as the attacks, most of the violence, except a few throat slicings, is off-screen. Kevin Kindlin, the quarterback who wages war with the nasty bikers, would later return as the lead "vampire" in Russo's flick, "Dark Craving."

A killer is going around in an army camouflage jumpsuit slicing up the desirable high school majorettes with their trusty knife and leaving their bodies immerse in water. Lt. Roland Martell is put onto the case with the help of the local sheriff, but the body count is rising. There are some punk bikers and their leader is a prime suspect, but could it be the perverted school janitor or maybe his deceiving mother who plans to take over the inheritances of the old lady she's looking after.What in the name?! This is one extremely patchwork film that has so much going on in its heavily plotted premise that it feels like everything has been chucked into a blender. Yummy camp that's frightening for all the wrong reasons. I was rubbing my eyes in disbelief in how ridiculously stupid it gets! What starts off as your conventional copy and paste high school slasher turns into an embarrassing revenge action story. Huh? Where did that come from? We watch one of the characters go "Rambo" on us. It's raining down gunfire and unnecessary explosions. Pure anarchy! These sudden incomprehensible shifts in the fitful story truly made it one unpredictable smörgåsbord of gratuitous 80s cheese. The slasher element is poorly done, but sticks to the main gruel. Vixens who get their clothes off when they can. A POV shot with heavy breathing to inform us it's the killer. Bloody murders (although they are mostly the same old repetitive kills; knife to the throat routine) on "unexpected" victims. And red herrings around each corner. The banal nature of this segment suddenly turned moronic in falling by the wayside. The a-wire action is plain bizarre, and rather guilty entertainment. A lot people bite the dust and there are unexpected surprises in who does too. Sounds complicated… well no, just messy and padded out.Some of the key players in Romero's "Night of the Living Dead" are who to thank for this shamble. The premise is taken from writer John Russo's own novel and the script he dragged off it is completely insipid and dank across the board. Is the novel that bad? The amateurishly leaden acting makes matters even worse and there's no real central figure rounding it off. The ladies in the picture look nice, but do little else. Bill Hinzman (zombie in the graveyard in the opening scene of "Night of the Living Dead") is in the director's chair, but you wouldn't know it. One or two decent stalk scenes are there, but there wasn't much control and direction seemed quite non-existent. Being plastered with a low budget immensely brings it down and leaves a lot to be desired. The off-kilter story just didn't make too much sense or did the other pointlessly out-of-left-field sub-plots to the bigger picture. It feels fairly longer than it actually is and this erratic mood swings enhanced it even more. A tacky one-note music score is especially jerky and the stale camera-work only hurts your eyes. Mindlessly idiotic and mundane accurately sums up the hack-eyed presentation and feeble production.This z-grade stinker entertains in its unintentional wackiness, but you can find yourself doing it tough in a glut of unbearable shoddiness. Be afraid… be very afraid.

I actually know someone who liked this movie, but I'm with the other users who didn't care for it. To my mind, it would only be somewhat worthwhile to watch it if you'd first read John Russo's Making Movies: The Inside Guide to Independent Movie Production, where he goes into some detail about some of the aspects of making The Majorettes. Incidentally, in that book he states that the budget was about $200,000. That seems about right. It certainly didn't look like it was made for any more than that!In the movie, someone dressed in camouflage and wearing a camouflage hood is killing (primarily) high school majorettes with a knife. He leaves their bodies in whatever water is nearby: a lake, a pool. There are plenty of red herrings. There's a dope dealer and his gang, a peeping-tom retarded janitor, the janitor's sinister nursemaid mother. The killer is revealed about an hour into the movie, and it largely turns into an action film from that point on.

Spoilers herein.Yeah all the usual production values are horrible. And the setup is along the lines of Jess Franco, but with adolescent body types. All is pretty dreary until two thirds of the way through when the slasher is discovered and blackmailed. The thing quickly disintegrates into a battle among evil groups. It is an incompetent film, but a pretty interesting collection of events in that latter third, of a scope worthy of Tarantino.Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.