Very very predictable, including the post credit scene !!!

Great Film overall

Excellent, Without a doubt!!

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

***SPOILERS**** Somewhat misleading title in that the star of the film Jack Nicholson as the misunderstood teenager Jimmy Wallace is not a killer, he didn't kill anyone, but defiantly is a crybaby who cry's up a storm that almost drowns the entire cast by the time the film is finally over. Jimmy who has a confrontation with Manny Cole, Brett Halsey, and his two friends Joey & Al, Ralph Reed & James Fillmore, over his girlfriend Carole Fields, Carolyn Mitchell, is later confronted by the trio again this time using brass knuckles and a revolver. It's then in trying to defend himself Jimmy accidentally shoots one of his attackers and runs for his life thinking that he killed him and may be facing life behind bars or a one way trip to the San Quentin gas chamber.Taking Mrs. Maxton, Brabara Knudson, and her 4 month baby girl as well as dishwasher Sam, Smoki Whitefield, hostage in a nearby diner Jimmy is ready to go down in a hail of police bullets until his girlfriend Carole as well as Sam, the real hero in the movie, talk him into surrendering to the police before anybody including himself ends up getting killed. Sacared and confused Jimmy feeling that the world is against him finds out that he's not the rotten teenager that most people think he is and deserves everything he gets-A rotten deal- in life. It's just when the cops are about to storm the place It's both Carole and Sam who end up saving the day, or night in that everything takes place in the dark in the movie, by getting a tearful Jimmy to surrender before he ends up getting shot by the police. As for Sam he gets no credit at all by the head of the police Let. Porter, Harry Lauter, not even a thank you for the great job he did by risking his life, unlike Let. Porter, to get Jimmy to surrender and releasing Mrs. Maxton and her infant daughter unharmed.Jack Nicholson's movie debut before he made it big 12 years later with his "Five Easy Pieces" as well as "Easy Rider" that made him a top star in Hollywood. Things didn't turns out so good for Nicholson's co-star in the movie Carolyn Mitchell who later married and divorced Mickey Rooney and was tragically murdered by her former boyfriend bit part Yogoslave actor Milos Mlosevice at the age 29 in 1966 in what was described by the local police as a murder suicide .

I sought out this film because it was produced by Roger Corman and I have long respected his ability to do a lot with very little. While some of his films are indeed ultra-cheesy, so often they ended up far better than if other had been given such limited resources and, oddly, his movie always seemed to make money (the one exception--a William Shatner film that actually was pretty good). So, while I was not expecting gold, I was expecting a low budget film that somehow is a bit better than you'd normally see.It begins with a group of punks working over young Jack Nicholson. They beat him within an inch of his life and you almost think they killed him. Well, it turned out the gang is controlled by a bit of a mobster and he ordered this because the two were arguing over a girl (who, incidentally, wasn't a very good actress). Later, after Nicholson returns to the restaurant where the gang hangs out, there is a mini-rumble and the gang (armed with brass knuckles and guns) are about to hurt him one more time--when the guy pulls out a gun and shoots two of his many attackers. They clearly had it coming and he was defending himself, but he foolishly panics--taking some prisoners and barricading himself in a store room. Most of the film consists of the police manning the barricade and trying to convince him to surrender. For what it is, it's quite tense and interesting and is about what I expected--good low-budget entertainment.By the way, maybe it's only a coincidence but two of the LA cop characters are named 'Gannon' and 'Reed'--two names of officers from later Jack Webb programs ("Dragnet" and "Adam-12".

This is really a bad movie, and it could have been so much better.Unless you're a Jack Nicholson fanatic, forget this one. It's his first film, and as such makes some fans want to see it. I was one of those.The story is not a bad one, but come on..let's get real. This comes across as a Hallmark Hall of Fame production, without the quality.I am also a fan of Brett Halsey, but even that doesn't help. His part in this is so small that you'll hardly notice it.The film starts out without a beginning. Why is the gang so upset with Nicholson's character? They beat him up, for no real reason.In a stupid mistake, the screenplay has one hood carry the gun and the director forgets which one has it in his possession later on.Two guys are shot, but we never see it happen. Why? We hear shots, and the injured parties are never seen again. Why? Nicholson's character shoots in self defense, but he's terrified that they will kill him. Why? The movie drags on and on and on, boring us all to death. By the time it comes to an end, no one is dead, and we don't care one way or the other.Nicholson is OK in his debut, but who cares? This is so lame I could hardly stay awake, and I was hoping that they would shoot the kid at the end to relieve my boredom.Unless you just have to have everything Nicholson ever appeared in forget this one.

You'd know why you'd want to find this film, as it's the ultra-low budget, barely-a-drive-in quickie that features the great Jack Nicholson in his feature debut at the tender age of 21 (he was a mailman at MGM in his previous years in Hollywood). He plays a youth out of control, though also under duress. He's taken a woman and kid hostage, and outside the crowd builds in anticipation as the cops struggle to find a compromise to get everyone safely out. The film is complete with a theme song that just repeats 'cry-cry-cry, cry-baby killer', and in a style that is as polished as a junkyard dog. The story itself, by the way, is told in a way that is so simplistic and with over-acting (or maybe too trying-to-be-realistic acting) that is typical of this kind of un-pretentiously kind of fare. '' But the reason in the end to reach into the recesses of ebay or elsewhere to find it is to see Nicholson in his early larval stage of a career, and somehow he does make the work fascinating to watch. Obviously not his best by a long-shot, and his first big break in the B-world would come later in Little Shop of Horrors and even later in Easy Rider. However I did like how he was keeping his scenes pretty well grounded, keeping to the situation at hand with all of the confusion and shattered rebellion that's in a youth of his real age. It's almost like checking out the Beatles when they were still the Quarry Men or something- it's not necessarily 'good', but you might be surprised at how it's not really bad either.