Pretty Good

Please don't spend money on this.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

I am speechless how to praise such a real gem of movie..Uma Thurman has given a greatest performance never can be given by any other actress ..Such a fearless fighter never been portrayed ever before ..Never will be on screen .. standing ovation for both uma Thurman & tarantino .... Great movie.

I do not understand how people like it. If this film had been directed by someone else, it would never be so much liked.

A masterpiece! Perfection of filmmaking. This is how movies should be. This film is the best Tarantino movie! I am so excited about it. The best film i have ever watch.So impressive with beautiful fight scenes. It was gory, fun, feminist, full of action sequences, with high level music and incredible direction and cinematography. Best revenge film ever! Along with Vol.2 is my favorite film ever! It deserved at least an 8.5 in imdb, also Vol.2 an 8.4.

Movie Review: "Kill Bill Vol.1" (2003)Making no prisoners, director Quentin Tarantino returns after a six year break from directing with his fourth motion picture, distributed to the last by Bob & Harvey Weinstein run Hollywood Label "Miramax Films", the director and his leading lady actress Uma Thurman bring action thriller beats to the maximum, when "Kill Bill Vol.1" unfolds a revenge story of a woman left for dead after a bullet to her head from her lover as father-like mentor, the character of Bill, portrayed by match-making actor Keith Carradine (1936-2009), once leader of a "Death Squad", which then just betrayed one of their own.Supporting cast, which then build the Bride character's infamous "Death List" by the one-by-one confrontations are stunningly translated into visual film language by director/writer Quentin Tarantino, who centers each characters' background story, the resurrection of "The Bride" and a uniquely-received, highly-stylized as accurately-researched Japanese production design by Yohei Taneda in the razor-sharp, ultra-violent action sequence at a Tokyo restaurant that the MPAA (Motion Picture Association of America) needed to insist on some on-screen color corrections towards color-forces in blood-splashing reds turn suddenly black-and-white in an blink of an eye that furthermore only the "uncensored" Asian Market Version of "Kill Bill Vol.1", especially in Japan, came into the full splendor to watch actress Uma Thurman, in a Bruce "Enter The Dragon" Lee (1940-1973) homaging yellow-black training suit, fight presumingly eighty-eight yakuza opponents with a samurai sword.There is only left to lift the hat on director Quentin Tarantino's dedication for the original writing, well-researched source material that is just an amazing joy to watch "Kill Bill Vol.1" in its pitch-perfect as accelerated 105-Minute-Cut by Tarantino's editor of the first "Reservoir Dogs" minute Sally Menke (1953-2010), making utmost use of cinematographer Robert Richardson's excellent shot 35mm raw footage alongside a pumping musical score by RZA, member of the 1991 New York based band the "Wu-Tang Clan".Copyright 2018 Cinemajesty Entertainments LLC