Good concept, poorly executed.

It's entirely possible that sending the audience out feeling lousy was intentional

It's easily one of the freshest, sharpest and most enjoyable films of this year.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Surprisingly there is only one review for this film from the UK.I can say that I knew Soho well at the time this film was made when the protection rackets were controlled by the Krays and they really made the characters in this film seem like choirboys.Unlike Connery in the climax,witnesses were either to terrified to talk or were nobbled.I happened to be at the Old Bailey and was in court when the judge found the Krays not guilty.It was only their desire to match each other for killings that finally got them put behind bars.It is interesting to note that this film only got an "A" certificate so obviously the censor did not believe that it was that tough a film.Connery was third billed but clearly the star of the film.Alfred Marks ,one of my favourites,plays against type as a slimy crime boss who has his ambitions spiked in a painful way.A scene I have always remembered.This film was indicative of the direction in which the film industry was headed.

'The Frightened City' is an interesting crime drama set in a pre-Beatles England featuring a strong performance from Sean Connery, the year before he became a movie legend as James Bond. Connery plays Paddy Damion a thief who is recruited by a mobster (Alfred Marks) to oversee his money collection. Paddy is no thug but takes the job because his partner (Kenneth Griffith) has been injured in a robbery and he feels obligated to support him. Marks is actually the puppet of criminal mastermind Zhernikov (Herbert Lom), who has the image of a respectable businessman, but is in fact manipulating the local mobsters for his own ends. Add to this mix the beautiful Anya (Yvonne Romain), wanna be singer and Zhernikov's mistress, who Paddy immediately takes a shine to, and Sayers (John Gregson) the dedicated cop trying to crack open organized crime and you've got yourself a pretty cool attempt at Brit Noir. Connery is terrific, Lom even better and I enjoyed seeing Kenneth Griffith and Yvonne Romain again after their supporting roles in the classic shocker 'Circus Of Horrors' starring Anton Diffring. 'The Frightened City' is worth a look.

Just pre-Bondage, I find it beyond incredible that in all the years the IMDb has been around, only ONE person thus far, has commented on this film! True, it was no groundbreaker even in its time - a bit of the old "know wot I mean?" crime drama, but hell it was a solidly made little piece and carries what I believe is an appropriate rating here. One that would probably gain it an inclusion in the top 4000 movies which is better than many can claim! (the greater majority actually)You may note the film score here was in the capable hands of top Brit musical director (at the time) Norrie Paramor. Now Norrie was the musical arranger in 1961 for somewhat popular pop icon Cliff Richard, whose backing group THE SHADOWS (hands up anyone remembers Hank Marvin and Jet Harris!) had a huge hit in 1961 with....you guessed it - THE FRIGHTENED CITY! I even have a copy!A slimmer Connery but he delivers the goods here along with veteran Brit great Herbert Lom, both of whom were previously seen together in 1958's HELL DRIVERS!As withnail-4 (New England) correctly observes...gives nostalgia a boost, if nothing else!

The film is above average, well made, but lacking the style or brio that makes a good US or Italian crime film really fun. Sean Connery is great to look at in his leaner, pre-Bond form, and Herbert Lom is excellent. Connery plays a low-level mobster, and Lom is the criminal mastermind behind the mobs. It's interesting to contrast the portrayal of violence in this early 60s British film with American or other later portrayals. The approach here is so banal, and the mobsters are obviously pulling their punches in the fight scenes. The director seems completely uninterested in making the violence realistic or exciting. The final fight, however, has some choreography to it and a few interesting touches. In summation, a paint by numbers job, competent British B film, uninspired film making, but good nostalgic fun.