Simply Perfect

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Wrong headed semi musical remake of Algiers which is missing all the ingredients that made the first film stand out. Whoever thought that Tony Martin(?!) could be an acceptable substitute for Charles Boyer was seriously misguided or just plain crazy. While he has a fine singing voice he has zero screen presence so starting out the film has a black hole at it's center. Then there's Marta Toren in the Hedy Lamaar role, while she is certainly lovely she does not possess that elusive star quality which Hedy, although a spotty actress, had in spades. Yvonne de Carlo, an effective actress when properly cast, seems a natural for the Hedy Lamaar role but is wasted in a secondary part although top billed. Peter Lorre is the best thing here but he is similarly underused. All in all a throughly forgettable enterprise.

There were no less than three remakes of the French classic "Pépé Le Moko" by Julien Duvivier: John Cromwell's "Algiers" could not hold a candle to it,but it was not bad and some of the lines of the original screenplay were preserved.It had nonetheless Charles Boyer sing a maudlin song ,which was not a really good idea."Casbah" did the same and had Tony Martin croon two bland songs (even De Carlo pulls a little tune)"Casbah" is a disaster ;the fact that it begins with a bunch of tourists visiting the Casbah with a guide did not bode well .But John Berry completely butchered "PEPE" .The hero is a handsome crooner,it takes lots of imagination to believe he is a thug .And Yvonne De Carlo is not even given the best female part!She has to be content with the part of INES -which was fleshed out whereas it was a secondary character in the original- the mistress the buck is not in love anymore with.She and Peter Lorre are the only positive elements of an appalling film noir. And if it were not enough ,the final ship is replaced by a plane,which is much less romantic .For the record,the third remake is an Italian spoof called "Toto Le Moko".

Pepe Le Moko is a great film role. Jean Gabin introduced the character to screen in the same named French Flick in 1937.Charles Boyer brought the moody mobster to Hollywood's ALGIERS in 1938.But in 1948, Tony Martin and director John Berry collaborated to create the most dramatic and entertaining version of the downfall of the exiled jewel thief in CASBAH.Casbah is a film very alive with energy, style, suspense and romance. Brilliant casting; Tony Martin plays the suave thief with easy conviction and delivers the Harold Arlen songs skill, charm and gusto.Marta Toren was arguably the most beautiful woman in films, prior to the arrival of Audrey Hepburn.Peter Lorre...I can't believe how powerful his complex performance is as the dedicated policeman, committed to the capture of the thief who became also his friend.Yvonne De Carlo, Douglas Dick, Katherine Dunham, acting, singing, dancing, love, passion, treachery...where is this great film on DVD? John Berry and Jules Dassin were contemporary artists and spirits. Their films even show a similarity of style and influence, possibly each upon the other.They were also fingered as American Pinko Fellow Travelers right about this time and both moved to England. Dassin prevailed and prospered, probably with some initial support from Darryl F. Zanuck. Berry also prevailed, but without achieving anything like Dassin's level of success or recognition. Still, CASBAH, for my money is, value for value, the most under-acknowledged film out of Hollywood.

I watched this years ago on TV with a friend who swore that was NOT Yvonne DeCarlo playing the spitfire Inez...I almost lost my mind! Yvonne is unintentionally hilarious in this campy musical remake of 1938's "Algiers", featuring big, bland Tony Martin as Pepe Le Moko (for those who don't know, Tony Martin was even more bland than Perry Como and Andy Williams, sort of a Dean Martin knock-off without any of Dino's naughty charm). Pepe is a jewel thief caught between two women, and he occasionally breaks out into song (not bad songs mind you, as they were written by the famous Harold Arlen). Still, viewers not familiar with the picture's background might think they've stumbled upon a musical version of "Casablanca". *1/2 from ****