Thanks for the memories!

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

I would definitely recommend this movie, if - and it's a big "if" - it is the one I am thinking of. I carefully researched this issue before posting and I am 90% certain this movie is the one I think it is since no others seem to fit the bill - ensemble cast, plot about American students studying in France, personal development.I had HBO as a teenager growing up in the 80s and remember watching an oddly engaging romance film (my normal fair back then was "Mad Max" and "Commando") about a troupe of US college students studying abroad and going through a series of personal contortions that held lessons on maturity. In 1989-1990, I actually went on a one-year study abroad myself and as I experienced life in Luxemburg, which is where I went, I kept remembering this movie.In a broad macro way it captured much of what I felt and perceived to be going on in my life and that of my fellow. There were romantic entanglements within the student body and with the locals - though there was certainly no "The Graduate" Mrs. Anderson-type of thing - and personality clashes and blossoming friendships. I have vivid recollections from my time abroad of seeing and experiencing events that caused my mind to hearken back to this movie repeatedly.The fact that this movie is so intertwined with my experience is, actually, what speaks out to me most. For me, the movie somehow captured the oddity of the overseas experience; that going far away from home forced us closer to ourselves. It prompted honest and clear introspection and, through that process, maturation. Time and again, I participated in or witnessed deep heartfelt and thoughtful conversations about personal development and insight that were almost entirely absent from what I had seen stateside. We discussed the ugly and the beautiful in people and saw both. Oddly, it built a durable sense of comradeship such that many of the friendships that began in Lux, as we called it, endured through the remainder or college and beyond.It is seemingly odd to attach so much meaning to a movie I saw only once and have never seen again but, actually, I think it is remarkable. I will say this, the movie put a lens on my experience that was very helpful to me.Putting aside the falsities that are inherent in any fictional enterprise, there is some essence of the truth of the overseas experience that is captured by this film that makes it worth viewing. Perhaps, it is the drama. That is what stands out. Passionate discussions in bars while surrounded by people who, to you, are speaking a foreign language."French Postcards" could be viewed as an existential allegory. We are separate and alone to a degree even in the midst of a crowd while simultaneously - in contrast to existentialism - the mere fact we are engaged in a dialog with another is proof that we are not alone. It is proof of a duality of aloneness and comradeship that makes up a person's life.Now that I got that off my chest, I want to get on Amazon or Netflix and see if I can lay hands on a copy to confirm the truth of my lamentations.

I think this is one of the best "coming of age" movies ever made. I think it was a victim of the US/Iran problems of 1979. Had the Iranian problem not happened, I believe this would have been more widely viewed originally, and more of a hit. The performances are excellent. Seeing Debra Winger before her rise to stardom is worth the price. It's sad to me to know that Valerie Quennessen died in 1989. I also loved the performance of Marie-France Pisier. Mandy Patinkin was so good in this movie. I love his comedy performances. Being filmed on location in Paris (and the surrounding countryside) along with the performances of genuine French actors gives this movie the realism necessary to believe all the characters. We all have had the wide-eyed innocence that makes this film perfect. I wish there would be a release on DVD. My VHS tape could run thin after a few more viewings.

Happened upon this movie on hbo and became a total sucker for it. What a great little movie. Why I never heard of this movie before now is something I can't figure out. It's one of those movies that stands the test of time, even if it's only twenty odd years.

It's funny how cruising the internet will take us off on some of the most trivial tangents! I just purchased a film ("Sleep With Me" with Eric Stoltz, Meg Tilly and a cameo appearance -- NOT to be missed -- by Quentin Tarantino) and thought I'd look for "French Postcards" . . . another of my long-time favorites.I thought I was the ONLY one who had even SEEN this film much less had such fond memories of it!!Like so many, I first saw the film via cable . . . either on Cinemax or HBO. I was in Michigan on internship and while visiting my future (now ex-) wife, I caught this wonderful little film on her VERY little b/w television. I liked it so much that I watched it at almost every opportunity as it ran its repetitive course.As has been posted already here, I saw a little bit of me in many of the characters (not so much in Sayyid, of course!!). I also found many of the characters to be very believable — as well as the story. My guess is that it was probably written by someone who'd had such an experience.I suppose that I related mostly to Alex, who -- despite being somewhat of a lech — was an utter romantic. Like him, I'm a songwriter AND hopelessly drawn to romance. The song he sings ("Paris") was in my head for days and weeks . . . MONTHS after watching the film.I was particularly attracted to Laura (Blanche Baker's character), who — much like Alex — was in love with romance and tried so very hard to experience her preconceived notions about Paris. While Alex's affair with Madame Tessier was rather titillating (I mean, isn't it EVERY young man's dream to have an affair with an older, married woman?!?), I rooted for Laura and Alex to get together.Many of us here can probably also relate with the dweeb-y (initially), socially clumsy Joel. That he was able to finally come to grips with his feelings for Toni and EXPRESS them was — IS — something we'd all like to be capable of doing all the time. We probably all initially took affront to Toni's brusque responses to Joel, but (sigh!) fell in love with her as well (if ONLY for her accent!).Although Debra Winger's part is so very small, her character was entertaining.And while we're speaking "French" . . . I highly, highly, HIGHLY recommend "Le Fabuleux destin d'Amélie Poulain" (Amélie) if you haven't yet seen it.