Touches You

Expected more

It's entirely possible that sending the audience out feeling lousy was intentional

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

I was extremely pleased with Netflix for carrying this title on its stream. Brave choice. It is ironic that a film shot from the opposite perspective, that of an old man who might pursue sex and love with a receptive much-younger man, would still be considered too taboo to stream on a conventional site. As a gay man who was once courted aggressively at 50 by a 25-year-old, I can attest to the validity of the subject matter.That is what makes this film worthy of an audience. The acting is not its strong point, despite veteran Katie Boland's contribution. Pierre-Gabriel Lajoie as Lake has moments of protagonist charisma, but they come and go. He comes across as more confused than his character's behavior suggests. It would have been nice if his behavior was played as a form of more confident self-acceptance. I can't imagine what it took to get this project funded. So I understand it was a shoestring production. With that in mind, it is amazing to me that it was able to portray the core theme with sensitivity and humor without seeming like a high school play. It was, however, unfortunate that Walter Borden's Mr. Peabody was played to stereotype. This was a constant reminder to me that it was a low-budget indie.

"Gerontophilia" was a very difficult film for me to watch and I am sure it would be for most viewers. This isn't a criticism--just a statement about the sort of topics you'll see addressed in this odd film. It's very challenging and isn't the sort of movie I could strongly recommend nor is it something for kids, but it is worth seeing if you are a patient sort of person and don't mind being shocked.This Canadian film is a creepy story about a young man who works with the elderly. Why is it creepy? Well, over time Lake finds that he's become sexually attracted towards some of the elderly men in his care...and this isn't really the creepy part. However, his interest soon goes far beyond a passing fancy. Lake begins to not only fantasize about them sexually but even peeks at a naked man while he's sleeping and he pleasures himself while doing so. Clearly, this is NOT just about sexual attraction but crosses over the border...a very uncomfortable one indeed. After all, even if his love interest were younger or a woman, such behavior would most likely get Lake arrested! Fortunately, the film doesn't dwell on this too long...but I am sure that many viewers will be turned off by this. It's a shame really, as the film seemed to have too many interesting ideas but all together it just made the film confusing. In other words, having a young guy fall in love with an elderly person (male or female) could have been very good in a film that isn't a comedy like Harold and Maude. After all, while a taboo, what is wrong with a May-December romance? Most films that broach the topic give us the message that the younger partner must be a woman, so it is nice for a young guy to fall in love with an elderly person in a movie. But the film goes far beyond just love...and that is what is troubling. The bottom line is that while I did think the plot was overly complicated and muddled by Lake being what many would consider a sex offender at the nursing home, the film dares to be different. More importantly, however, the film has some excellent things going for it. The music is just terrific and really works well with the movie. The directing (aside from a bad edit where Lake inexplicably changes sides of the bed in the same scene without getting up) is also very sweet and deliberate. I'd really like to see more from the director and I wouldn't object to a gay or gerontological theme- -just not these AND a creepy guy who goes way beyond friendship or even love.

I think it helps a lot to be an old man to fully appreciate "Gerontophilia" in all its affective and humane dimension. In a condition as old age, in which we become invisible (something Mr. Peabody expresses in one scene), if invisibility does have its advantages at times, in others it becomes very dramatic because our dilemmas seem to have no space in the young people's perception and, as the evaluation given to this motion picture demonstrates, they only perceive half of its implications. A lovely little movie, maybe quite necessary, in which a young Canadian man who works in a geriatric clinic discovers his attraction to very old men and that it is not only a sexual attraction, but that he is capable of feeling love for them. A rarity in audiovisual production from all over the world and a highly welcome one.

Bruce LaBruce's 'Gerontophilia' exists on one level as a bold and thoughtful exposé of the shocking treatment of geriatrics in some care homes, whereby they pass their days under heavy sedation so as to make them less of a problem to handle. Though well-scripted and acted, this theme is hardly novel, having been seen in many earlier films, including Henry Koster's delightful mixture of the tragic and comic in 'Mr Belvedere Rings The Bell'. What makes 'Gerontophilia' unique is its other level - an unusual account of the developing relationship between the octogenarian Mr Peabody (Walter Borden in a complex and completely convincing performance) and a youthful student, Lake, who decides to intervene and improve Peabody's quality of life. This decision is not, however, completely altruistic since Lake is one of that minority of young males who are turned on sexually by old men. It is to LaBruce's great credit that he treats this controversial subject with just the right amount of restraint, avoiding the lurid, but not being afraid to call a spade a spade. There are no actual lovemaking scenes in bed, but sufficient moments where Lake's attraction to old flesh is made manifest, at the film's ending through the medium of humour, earlier in a poignant scene where Lake sketches Peabody with, as one might say, no holds barred. The film of course has its flaws: Pier-Gabriel Lajoie as Lake is just too impossibly good-looking, though this is to some extent offset by the charisma of his performance and his unerring sense of fun. Also there's the suggestion, inferred rather than stated, that his curious sexual preferences stem from his relationship with his drunken mother, but this comes over as a trite rather than illuminating idea. These, however, are small matters. This movie is a charming and unpredictable insight into a sub-world which is not just French-Canadian but universal, and will be a welcome addition to the programmes of those art cinemas brave enough to show it.