Winnie the Pooh and the Honey Tree

G 8
1966 0 hr 25 min Animation , Family

Christopher Robin's bear attempts to raid a beehive in a tall tree.

  • Cast:
    Sterling Holloway , Junius Matthews , Sebastian Cabot , Howard Morris , Hal Smith , Barbara Luddy , Clint Howard

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Reviews

Incannerax
1966/02/04

What a waste of my time!!!

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Tayloriona
1966/02/05

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

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Sameer Callahan
1966/02/06

It really made me laugh, but for some moments I was tearing up because I could relate so much.

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Sarita Rafferty
1966/02/07

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

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Tashtago
1966/02/08

Sorry to be the spoil sport here but even as a 7 year old child when this came out I didn't like it. First I thought Pooh was a fat greedy pig , eats all Rabbit's honey and get himself stuck. After he should have been kicked out of the hundred acre wood for theft, selfishness and overall being a big pain. Second the other characters are mostly annoying and at best as in Owl just okay. How about Piglet, a nervous wreck, Rabbit another nervous wreck, Eeeyore a manic depressive, and Christopher Robin a wimp. Third and most importantly and something my kids comment on even today, why oh why is he called Pooh? Given that I've become more forgiving in recent years and definitely enjoy the animation.

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MisterWhiplash
1966/02/09

Like the other three Pooh shorts that made up the feature film of the Many Adventures released in 1977 and on video in the 80s, the Honey Tree short was one of those works I've watched countless times. It does have its 'valuable lesson' for the kids, but it's also just very silly, cute entertainment that ranges from jokes so absurd they work for some adults ("You messed up my moose" is a line I still quote today, the Gopher material is also rather off-key for a children's short), to the suspenseful moments that, for lack of a better description, capture kid's imaginations. And the whole structure of it being a book-as-animated short give it an inventiveness that don't come with other adaptations of books to Disney animation. Here, Rabbit becomes irate and near impatient as Pooh gets stuck in his rabbit-hole after consuming more honey than needed. Pooh then is stuck for a week until he can loose the excess baggage, where a very climactic and momentous pull of Pooh is lead in song and action. All of this is very clever, and even for little kids its got nothing at all complicated about it- even if all the points and little jokes aren't caught the thrust of the storytelling and joyous nature even in the safer moments are near-perfect. And unlike what apparently is meant for current pre-K programming today (Teletubbies aren't on anymore at least), the whole mood is very pure without being pandering. There's no overt vulgarity, and the over-the-top moments don't get old ("Don't feed the bear" is another quotable phrase). Highly recommended.

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directoroffantasies
1966/02/10

If memory serves, the original Steiff toy belonging to the late Christopher Robin Milne, "Winnie the Pooh", now resides in Manhattan, either at the New York Public Library or at publisher E.P. Dutton's headquarters. The symbolism is obvious: a British children's classic has made the transatlantic leap. Disney scriptwriters have been heavily criticized for de-emphasizing the Britishness of Pooh, beginning with this first film in what became a series of theatrical short subjects. Most of the voices - Christopher is an exception - are American. Sterling Holloway became so identified with the title role that it is hard to imagine anyone else, British or American, taking it over. The best thing about "Winnie the Pooh and the Honey Tree" is that it is adapted directly from Alan Milne's printed work. As I did in 1966, a child today seeing this film for the first time could ask for the book version and receive something unusually congruent with the screenplay.Christopher Robin Milne, bookshop owner and authors' rights heir, had notoriously mixed feelings about his father's creation. In particular, he had his doubts about the effect Disney's version might have on the original.Not to worry: the Disney machine has generated far more positive attention for Pooh than a global army of publishers.

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consortpinguin
1966/02/11

The "Winnie the Pooh" cartoons from Disney are classics. This is the quality program that you would want your children to see. And it makes you glad you have children so that you have an excuse to see it too.They did a wonderful job of adapting the A. A. Milne stories to the screen. It's good clean fun with no "undesirable" elements such as violence or bathroom humor. All the characters are brought to life faithfully and their casting of the voices is perfect. Sterling Holloway IS Winnie.The story line of this cartoon revolves around Winnie, the honey-loving bear trying various schemes to get his golden delight. He is so funny, stopping at nothing to get some honey, regardless of the practicality of the effort. He uses a toy balloon to float to the bees' nest high up in a tree, but is foiled by the bees.Each different character has a unique trait. Eeyore shows the depressed side of human nature, always finding the down side of anything. The other characters succeed in cheering him up. Owl is the "educated" one who loves to hear himself talk. Tigger, happy-go-lucky tiger bounces around exuberantly on his coil-spring tail, greeting everyone, and sometimes accidentally knocking them over. The cartoons say a lot about friendship -- friends helping friends.Very enjoyable -- worth seeing, whether you're a child of 3 or 93.

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