It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Return to the heady days of the 1920s, when the strategic bombers of World War I were still seen as a viable alternative to the rickety airplanes of the day. While the acting is wooden and stereotypical (brave fly boy, conservative large "ship" commander, frail stay at home wife), just seeing the footage of the long-gone rigid airships is worth the tariff.The best shot is near the beginning, when the camera pans upward, past round naval observation balloons, surprisingly modern non-rigid 'blimps' flying in formation, and then (above them all) the massive (larger by a factor of five or more) dirigible of the title.Scenes of the real dirigible flying, landing, dropping naval "parachute men", and hooking up to the mooring mast are also worth the time.Not so much the rest of the movie. Period special effects do not hold up well under modern scrutiny, and the silly pining away of Fay Wray really gets in the way.(Odd too is the fact that the Review Board passed on a plot line involving an obviously cheating on her husband woman, including a racy scene at the beach where the two have been sharing an afternoon swimming, barely clad by 1930s standards). Perhaps this was during the Hays to Breen transition period, and it slipped under the radar.)Note that the poor USS Pensacola (a mythical Navy airship; there was a cruiser by that name but never an aircraft) doesn't catch fire, despite the dramatic breakup of the structure. US airship were filled with helium (due to the almost monopolistic corner of the world's supply of helium by the US), and although they suffered through a series of dramatic crashes (Shenandoah, Akron, Macon), none of them caught fire a la the Hindenburg.Buy it in the newly released DVD for the flying, and try to ignore the rest. (Oh, and Fay Wray looks far better as a brunette than she ever did as a blonde.)

Dirigble (1931) ** 1/2 (out of 4) Frank Capra directed this disaster flick about a hot shot pilot (Ralph Graves) who tries a daring expedition to the South Pole but ends up crashing. Back at home his wife (Fay Wray) is having an affair with his best friend (Jack Holt) but when news gets back to them about the crash the friend decides to go after him. Capra, Holt and Graves teamed up for Flight two years earlier and this film has some of the same greatness as well as some of the same weaknesses. The great stuff deals with all the action and some of it is among the best stuff I've ever seen. I'm going to guess that a lot of miniatures were used but they look terrific and come off very realistic. There's one brilliant sequence where a blimp gets caught up in a tropical storm and slowly begins to break apart. However, the love triangle thing is really, really boring and very unrealistic. Holt and Graves are good in their parts but Wray comes off pretty weak but this is due mostly to her part being poorly written. In the end the film is still worth seeing for the amazing action scenes.

As we watch the Twentieth Century disappear in our wake, we're going to find films like this more and more precious. I mean, can you imagine? -- Here's a film that takes the airship absolutely seriously as an equal partner with the airplane. Here's a film that shows you basically how an airship was constructed and what it looked like inside, and all that as part of the plot! And if you're going to interrupt the main plot with a soap opera, who better to put in front of your eyes than the beautiful Fay Wray? And what a great way to get out of the romantic sub-plot's basic dilemma -- nice, clean, and fast. All things considered, a more than satisfying way to spend an evening.

The great Frank Capra manages to make a melodrama in a nice piece of escapist entertainment. Of course, you wish that they put Faye Wray on the dirigible! Both have an ethereal quality that rise above the mediocre script. The aerial shots remind me of the magic of Hells Angels.Can you imagine the fascination for an audience unused to radio let alone air-flight? The shots of her on the beach are simply insufficient for this beauty. I guess you have to be satisfied to ogle her along with King Kong!The scene with the aircraft taking off from the aircraft carrier is definitely prescient, coming at a time when Billy Mitchell was being courtmartialed for pushing air-flight. And yet the Hindenburg with its giant swastika tail changed everything. There is a gritty quality in this movie toward life and death that seems to elude modern filmmakers. This is not a great movie, but give it a chance and it will hold your interest.