A movie that not only functions as a solid scarefest but a razor-sharp satire.

The film never slows down or bores, plunging from one harrowing sequence to the next.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

In 19th Century India, a vicious cult dubbed the Thuggees is terrorizing their own countrymen, robbing and killing with impunity. Harry Lewis (Guy Rolfe), a captain with the East India Company, knows that there's a problem. He's noted the mass disappearances of citizens over time, but his superior officer (Andrew Cruickshank) doesn't take him seriously. Harry gets personally involved when his faithful servant, Ram Das (Tutte Lemkow), goes missing while in search of his brother.Hammer stalwart Terence Fisher directs with his customary efficiency. Fisher keeps the entertaining story moving along nicely, taking advantage of the exotic setting and creating some truly wonderful atmosphere. Many of the popular Hammer talents strut their stuff, including the cinematographer, Arthur Grant, who shoots "The Stranglers of Bombay" in beautiful widescreen black & white. Bernard Robinson also works wonders with the production design. Written by David Zelag Goodman ("Straw Dogs", "Logan's Run", "Eyes of Laura Mars"), this is a reasonably absorbing adventure. Some viewers might take offence at the portrayal of the Thuggee cult (just as people did when "Indiana Jones and the Temple of Doom" came along 25 years later). But the suspense is undeniable at times and it's cute to see a mongoose play a part in the action when Lewis's life is threatened by a cobra. It's a truly chilling moment when Ram Das is murdered in cold blood by someone close to him.Excellent performances are a real plus. Rolfe is a highly engaging hero, and among the other Hammer repertory players here, George Pastell shines. Pastell has one of his most substantial roles as the villainous High Priest of Kali. Allan Cuthbertson is amusing as the arrogant, ineffective Captain Connaught-Smith. Marne Maitland, Paul Stassino, Roger Delgado, John Harvey, Warren Mitchell, Michael Nightingale, Ewen Solon, and David Spenser all do fine jobs in their respective roles.Some viewers may also be put off by the rather vivid violence, but this film still sizes up as an agreeable diversion for Hammer fans.Seven out of 10.

If the British did accomplish one good thing in India it was getting rid of the strangling cult Thugee. It took years to eradicate them and there are some who would say they've not been completely eradicated. But if India had been another planet and the British were operating under the Prime Directive it would have made for some interesting history.As it was this particular film, The Stranglers Of Bombay takes place in the early part of the 18th century when India was ruled not by the crown directly, but through the British East India Company. The soldiers you see report to them in London and the idea of course is take care of whatever is slowing down company profits.Guy Rolfe who has played some really nasty villains in such films as Ivanhoe, Taras Bulba, and King Of The Khyber Rifles is a time serving captain in their army who has spent twenty years in India and is rather steeped in their culture. He's the right man for finding out what's at the bottom of a lot of mysterious disappearances, but Colonel Andrew Cruickshank selects the arrogant and fatuous Allan Cuthbertson, newly arrived in India for the job. Kind of dumb, but if he had given Rolfe a free hand we wouldn't have had much of a film.Classic movie fans recall Eduardo Ciannelli as the Guru of the Thugs in Gunga Din who had some really ambitious goals for followers. The head of the cult here is far more local and a man not quite of Ciannelli's vision of eradicating the British and sweeping the world for Kali.There were some plot holes in the script or otherwise I would have given The Stranglers Of Bombay a higher rating. Still it was an unusual subject for Hammer films, no unworldly demons or monsters to deal with, just some very human villainy.

THE STRANGLERS OF BOMBAY is included on a DVD of another Hammer film, THE TERROR OF THE TONGS. Both films are very similar, though STRANGLERS is definitely the better of the two despite the absence of big name actors. This is because the film did a great job of making the sets look like India and using actors that might be Indian--whereas in TERROR, English actors almost exclusively played Chinese parts (making the film look really cheesy).Amazingly, THE STRANGLERS OF BOMBAY is based on a true story, though I am pretty sure the names and a few details were fictionalized. In the nineteenth century, a bizarre cult dedicated to Kali (the goddess of death and destruction) was ultimately destroyed by the British in India. This cult not only adored Kali, but was dedicated to murder and robbery--and it was apparently a pretty serious threat.The film gets very high marks for its script and direction. The film is exciting, well-paced and engaging. Despite having little of the cache of many other Hammer films (no Christopher Lee or Peter Cushing) and being in black and white, it's as solid and exciting a drama as you can find from this studio.

Great directing enhance this tense film about a religious cult who go around murdering and stealing just for the sheer pleasure of it. Even for our times it is still an interesting and gripping horror film. Guy Rolfe (as tall as ever) did a remarkable job of the dedicated soldier who no one will listen too. Lots of fun.