the audience applauded

That was an excellent one.

Just perfect...

Highly Overrated But Still Good

Murder in the Air (1940) ** 1/2 (out of 4) Fourth and final film in Warner's Brass Bancroft series with Ronald Reagan in the lead. This time out enemy agents are destroying various sites and now they have their eyes on destroying the entire country. Reagan goes undercover and gets inside the gang to try and stop them before more damage is done. This is probably the second best in the series (behind the third film) and fans of "B" movies will certainly have enough here to keep them entertained. The film, running just 55-minutes, makes for some nice entertainment because it throws pretty much everything in except for the kitchen sink but then again that might have ended up on the cutting room floor. The entire movie goes at a very fast pace and it leads up to a very good ending set on a Dirigible, which of course has to crash into the ocean. I wish this sequence would have gone on longer but what's here is nice. Reagan is very comfortable in the role and manages to turn in his best performance of the series. His tough act is a lot more believable here than in the previous three films and Eddie Foy, Jr. is back for comic relief. John Litel and James Stephenson co-star.

The fourth in the "Brass Bancroft" series is the best. Once again, RONALD REAGAN plays the confident government man whose job it is to expose spies led by JAMES STEPHENSON, the accented villain. It has the flavor of an extended Saturday afternoon serial, the kind that movie fans came to expect as a steady diet during the '30s and '40s.All the ingredients for such an adventurous tale are here--a mysterious man with a tattoo on his arm; a ring of spies; good guys putting themselves into dangerous positions by posing as gangsters; and the inevitable conclusion with the spies efficiently disposed of by U.S. agents on their trail.And once again, one gets the impression that Ronald Reagan was indeed being groomed for stardom as an Errol Flynn type of action star in his early days. He once described himself as the "Errol Flynn of the B-films" and it's an apt description.Simplistic spy story made a year before Pearl Harbor, has its best moments when it uses actual footage from a dirigible disaster at sea with the footage blended evenly with studio scenes aboard the dirigible before it crashes. It's the last twenty minutes or so that makes the whole thing worth watching.Fortunately for Reagan, it wasn't long after this one that the studio began putting him in A-films where he eventually earned his leading man status and became a dependable fixture throughout the forties.

SYNOPSIS: Ronald Reagan, G-Men, Espionage, Airplanes....that about sums it up.CONCEPT IN RELATION TO THE VIEWER: American Government = Good / Foreigners = Bad. An entertaining propaganda film for its day. Supposedly, the 3rd in a series of G-Men pictures that Ronald Regan stared in. His character is named Brass Bancroft (Hollywood just doesn't use names like this anymore). Written and filmed during a time when the U.S. Government was never questioned and Communism was considered a mental plague and not a political view. It is easy to tell who the good guys are and you know the bad guys will be defeated in the end.PROS AND CONS: I have a soft spot for the old days. Back in the day when even second rate B-Movies had some art and talent to them. These films reflected the audience that they were marketed toward which was middle class white Americans before World War II. The concept of ethnicity hadn't yet come to light, segregation was the norm. The government was a benevolent autocratic entity that could do no wrong. The film centers around science aviation and espionage, which back in the day was about as gee-wiz as you could get. There are shades of the Movie-Serials of the 40s as well as the coming paranoia of the communist conspiracy. If you want to see the roots of Star Wars and the Indiana Jones films, see pictures such as this.One of the first things that was evident is that this film was produced on the studio lot. There is no location shooting and everything is shot on sound stage sets. What gives this away is the the lack of any ceiling on the interior shots and the shadows cast by the lighting. This gives the illusion that each room has 20 foot high ceilings that go up forever. This is pretty basic entertainment, meant to satisfy a pretty simple audience that didn't question much. Now, it is almost more entertaining for its simplicity and gullibility than anything else....and of course that the lead actor becomes president of the United States.

Ronald Reagan the actor is often panned, largely in my opinion because of his politics. Those who would denigrate his acting career should watch a movie like "Murder in the Air". It was designed as a B-movie, and barely reaches that level. But the reasons for that are not Reagan's fault. Reagan is saddled with a threadbare plot about saboteurs wanting to destroy a government weapon, and he's a T-man who has to infiltrate the ring. This is bad enough, but the climax is set aboard a dirigible, which, three years after the explosion of the Hindenburg, is wholly unrealistic. Worse, Reagan's cast alongside a bunch of near-nobodies (Lya Lys??); and, with a running time of only 55 minutes, there's not much time for a good story to develop. But Reagan tries his best, and succeeds in making the movie reasonably watchable.