A Major Disappointment

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Blistering performances.

(Minor spoilers!)Expecting an average comedy this ended up sky-high above my expectations.Starting up very lightly and making you crack a few smiles and laugh along the first third of the movie you wouldn't expect to be shedding tears by the end. Richard Dreyfuss and Tatiana Maslany are just as good as you would expect them to be, creating perfect chemistry between two characters that are complete opposites.Clever writing, great acting and a neat soundtrack to go with it coupled with great scenery makes this a MUST WATCH, don't miss this movie

There are two ways one can conquer a road-trip across the vast landscape of Canada: you can cram everyone and everything into an old, cramped vehicle with a shaky engine and tires that are just as worn out as the seat cushions; or you can travel in relative comfort in a brand-new RV. Sadly, Jason Priestley's feature film debut Cas & Dylan is similar to that moment on any road trip when the big, luxurious RV passes the tiny little excuse for a car, gaining a jealous glare from its passengers. Cas & Dylan is that small automobile, left way behind eating the dust of other infamous Canadian road-trip films using the majestic Canadian landscape as an additional character which adds to the arduous journey of its protagonist(s). Although its roots travel back to its motherland Canada, the film is ultimately a boring road trip. Cas and Dylan chooses to always travel smoothly on asphalt, without ever getting its tires dirty by veering off road for a real adventure. Despite the miles travelled by the characters in the film, the audience stays parked in the driveway.First time feature film director Jason Priestley, famous for his role as teen heart-throb Brandon Walsh in the 90s drama Beverly Hills, 90210, seems to abandon the use of any genuine additions to the narrative thanks to a lacklustre and very familiar TV-style script from writer Jessie Gabe. Struggling to find a connection between his two main characters Cas and Dylan, played by the up-and-coming Tatiana Manslany and the seasoned Richard Dreyfuss, the film is constantly on a bumpy ride with forced meet-cutes, predictable stereotypes and cheesy one-liners.After learning of his inoperable brain tumour and the sudden death of a very close companion, Dr. Cas Pepper (Dreyfuss) decides that his career as a doctor has reached its end and wishes to continue the rest of his life living amongst the beautiful landscapes of British Columbia, Canada. While picking up the last of his belongings from home, Cas decides to make a quick stop at the hospital, picking up some essential medicine for his travels, only to be hassled by a familiar face in one of his operating rooms, a young woman by the name of Dylan Morgan (Manslany). Desperate for a ride to her boyfriends house, Dylan pesters Cas until he gives in to her request for a lift. What should have been a simple stop, turns into a hit-and-run incident that finds Dylan and Cas fleeing for their lives on the gorgeous Canadian open road.The open road narrative is, in my opinion, one of the most sacred and profound pieces of soul- searching artwork anyone can produce. From masterpieces like Jack Kerouac's On the Road, to Walter Salles' 2004 gem The Motorcycle Diaries, deeply complex revelations of identity and the open road seem to share a stark similarity: it is not others that teach you about yourself, it is life! Cas & Dylan is a film that not only makes every obvious reveals of its characters front-and- centre and without any ambiguity or thought, but its as if each new, profound character trait learned by our protagonists (mainly Dylan), indiscreetly yelled at the top of your lungs, and at the pit of one's diaphragm. At times, the film's obviousness is insulting to the genre. It quickly becomes clear that subtlety is not Priestley's forte.Lacking any confident finesse on screen, Priestley relies heavily on his actors to make the words on paper work, without much luck. Despite enlisting the help of veteran actor Dreyfuss and blooming television actress Manslany, it is still plainly obvious that this is a television movie, made by television talent. Dreyfuss hints at scarce charming, but mostly blunt and ineffectively weathered acting techniques, while Manslany outshines her co-star for the entire film, even if you have to dig through amplifications and over-acting to find her ability.Missing focus and substituting its greatest asset (which is the indescribable Canadian open road) for clichéd stereotypes of iconic Canadian-ness (long-winding highways, mountains and sunsets, ferries, etc.), the film becomes more of an idealistic portrait of a moving postcard than it does a motion picture. Often times, as its male protagonist describes as "being too easy", Cas & Dylan could simply be described as a film that took all the shortcuts possible to reach its destination, without making any emotional stops for its viewers. Sentiment is thrown out the window as easily as a candy wrapper and Priestley can be happy knowing that he has directed one of the most obvious made for television films of his career, despite it debuting on the big screen. Every journey is an adventure, and Cas & Dylan is a valiant effort by a proud Canadian talent who needs to learn from this journey so that he can venture off into original and risk-taking territory on others.

As a Canadian, I have a soft spot for films that depict my country. Cas & Dylan is a remarkable film starring Dreyfuss who made his international debut in The Apprenticeship of Duddy Kravitz, another great Canadian movie. I feel that Dreyfuss should be given some Canadian award for the work he's done here, because Cas & Dylan is a great depiction of Canada as far as Canadian sensibilities to the issues that are brought forth in this film. This could not have been filmed in the US. It simply wouldn't have worked. Throughout the movie, you are brought along on a journey of discovery, a journey that culminates in a surprisingly positive vibe. This is a journey not only across my beautiful country, but a journey through the souls of two peculiarly matched characters. For fans of Dreyfuss, this is a treat. Overall, this film is geared toward filling your heart and soul. Highly recommended.

I saw this film at the Glasgow Film Theatre followed by a Q & A with the cast (bar Tatiana) and it made me cry.It is a road trip film following the relationship between a terminally ill doctor (Richard Dreyfuss) and a young carefree female (Tatiana Maslany). I wasn't sure what to expect from the trailer but the movie is funny and gets funnier as the dynamic between the two characters strengthens, however there are also some very emotional parts in the movie and it's hard not to shed a tear or two. As the film develops you learn a little bit more about each of the characters and how they could learn a thing or to from each other. It's a charming movie with wonderful acting throughout and a strong directorial debut for Jason Priestley.