Abilene Town

NR 6.2
1946 1 hr 29 min Western , Romance

Marshall Dan Mitchell, who is the law in Abilene, has the job of keeping peace between two groups. For a long time, the town had been divided, with the cattlemen and cowboys having one end of town to themselves, while townspeople occupied the other end. Mitchell liked it this way, it made things easier for him, and kept problems from arising between the two factions. However…

  • Cast:
    Randolph Scott , Edgar Buchanan , Ann Dvorak , Rhonda Fleming , Lloyd Bridges , Howard Freeman , Richard Hale

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Reviews

Acensbart
1946/01/11

Excellent but underrated film

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Fairaher
1946/01/12

The film makes a home in your brain and the only cure is to see it again.

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Arianna Moses
1946/01/13

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

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Francene Odetta
1946/01/14

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

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Uriah43
1946/01/15

Five years after the end of the Civil War the town of Abilene, Kansas serves as the end of the trail for the cattle drives from Texas and is dependent upon them for their economic well-being. However, times are changing and farmers are moving in from the East to start new lives in this area. Randolph Scott, as the town marshal named "Dan Mitchell" realizes that the cattlemen and the farmers cannot mutually coexist and trouble is about to start. He also has another problem (which most men would envy) which is that two beautiful women are in love with him. The first is a saloon dancer by the name of "Rita" (Ann Dvorek) and the other is the daughter of one of the town merchants named "Sherry Balder" (Rhonda Fleming). Neither wants him to risk his life by getting involved in the violence that is likely to occur. At any rate, rather than divulging what happens next I will just say that this is a fairly good western which manages to entertain for the most part. Now, normally I don't mind a film in black and white, but there was a reason Rhonda Fleming was nicknamed "the Queen of Cinemascope" and although she still looked great, black and white just doesn't do her any justice. But that's just my opinion.

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drystyx
1946/01/16

There is a lot going for this Western.Randolph Scott, of course, is one thing that stands out in any Western.But this one is extra clever. At first, the viewer feels it's going to be pretty mushy, but we're given surprise after surprise. There is actually a lot of cleverness in this plot, and it actually becomes very credible, even for this era, and certainly more credible than the ridiculous spaghetti westerns of the sixties and seventies.The wit and banter is great. This is one of Edgar Buchanan's shining roles. And the women are the ones who save the day. There are three focal women who become more and more important during the story. There's the older lady who truly becomes the catapult to make things work, there's the gorgeous girl singing in a church next to Randolph (but later it is Lloyd Bridges we realize who will get her), and there is the relatively plain dance hall girl who does have a great pair of legs. Each of them does their part to make things work.But it is the cleverness of the story that in amazing. There is bloodshed, but it is believable bloodshed. All that happens is very credible, and Scott's character is very crafty.What is most "original" and ground breaking, and even "risk taking" is that this movie shows three women performing heroine heroics that actually outdo the three males they are linked to. And in the end, Edgar gets the brave old lady, Lloyd gets the gorgeous girl, and Randolph get "Legs" in stage play style.

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Arlis Fuson
1946/01/17

Scott plays a marshal in a town thats being over ran by both farmers and cattlemen. The farmers wanna settle down and build a life and the Cattle ranchers just wanna use the land for their cows to roam on. The town becomes one big feud and the marshal is right in the middle trying to keep peace, even though most wanna leave it alone, including county officials.I am a huge fan of spaghetti westerns and even some of John Fords work, but these older American westerns with their happy go lucky good guy heroes have never been my thing.It's pretty basic and the acting is okay, I liked some of the bad guys best. Lloyd Bridges is always good and it was nice to see him in an older movie. The actresses in these old movies are so dramatic and are so difficult to watch. This movie had a bit of a comedy side and that made it more appealing.This movie had some laughs, some good fist fights and good actors (except the women), but it couldn't please me in the slightest. I would suggest it to people who like older westerns, but no one else. 1/10

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weezeralfalfa
1946/01/18

An unpretentious but,in fact,epic rendition of the classic conflict between open range cattlemen and wire-fencing homesteaders, between rowdiness and vice and the enforced rudiments of civilized town life. Iron-jawed no nonsense Randolph Scott, as town marshal Dan Mitchell, has the dangerous job of trying to keep the peace between 3 factions: the cattlemen and entertainment side of Abilene's main street, the merchants and bankers on the other side of the street and the rather newly arrived homesteaders in the surrounding region. Naturally, the cattlemen resent the intrusion of the homesteaders onto formerly open range. When gentle persuasion fails, the cattlemen try to burn out the sod busters in a scene reminiscent of the previous classic "The Westerner". When this fails to drive them out, they stampede their cattle through the homesteader's territory. Scott must serve as the main gun and mouth defending the interests of the merchants and homesteaders against the gun-totting lawless cattlemen.Edgar Buchanan's unbelievably cowardly and incompetent character as county sheriff is my main disappointment in this film. Ironically named Bravo, presumably, he is supposed to add some humor to Scott's stone-faced demeanor. But, he comes across as mostly pathetic rather than humorous. Let sleeping dogs lie and run from barking dogs is his ethos. I don't understand why perfectionist Scott puts up with him as his main ally(but sometimes antagonist) in carrying out his duties as town marshal. Scott even gives him bogus credit in a capture, so he won't lose his job!In the romance department, Scott has a bit of a thing going on with flamboyant dance hall queen Anne Dvorak, representing the wild west side of town, as well as with straight-laced Rhonda Fleming, representing the merchant's side of town. About half way through the film, we think we know which one will ultimately win Scott's heart, but we may get surprised. Most of the limited humor in the film relates to the obvious love-hate relationship between Scott and Anne. Rhonda appears to be a brunette in this B&W film, but in "Alias, Jesse James" for example, we see her famous flaming red hair.Anne gets to sing 3 songs: the enthusiastic opener on stage: "I Love it Out Here in the West", then "All You Got to do", and finally "Every Time I Give My Heart". The focus is often a bit fuzzy on my DVD copy. There are several newer DVD releases which may have used better copies? Try to get one of several double feature DVD releases. Mine also contains "Santa Fe Trail".

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