Don't listen to the negative reviews

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Story: It's very simple but honestly that is fine.

At many a time throughout the film, the storyline seemed like another cliché of a sports film about a talented kid from a rough background being trained by an old grumpy harsh coach trying to relive his prior glory days. This was true in a sense, but was pulled off well enough to cover that up. The director and cast were descent for being not very well known. They did a good job in making the situations realistic showing how Drew (our main character) was torn between his loyalties and stuck in his predicament. He was faithful to his brother yet at the same time was used, abused, and put into dangerous situations by his illegal and harmful practices. Thinking that running track could take him to college and a better life, he is mentored by an old coach and neighbor who pushes him to his limits through unusual training methods and teaches him life lessons along the way. Just when you think this couldn't get any more typical, the plot takes an unexpected twist in a Gran Torino Sort of way.I didn't quite like the high school romance that they threw in there with much of it seeming out of place and corny. While the story was inspiring, I thought that the attempted climax of those feelings failed to get the desired effect. The most touching moment of the film, where Drew breaks through his inner barriers and mentally pushes past the problems in his life, came across as cheesy with too much crying for my taste. The actual physical running and form in the film looked believable and accurate (unlike some sports films I have seen) which always makes it more watchable for people who have been involved in running.As an avid runner I like the idea of this being brought to audiences not familiar with the sport of track. It shows them that there is more to running than just running like Drew learns in the film from Coach Colman.6.5/10

This film tells the story of a young man who takes up running as a way to get a college scholarship, so he can leave the undesirable social situation he is in.The story of him forming a bond with a older coach, striving to win could have been touching, but "4 Minute Mile" doesn't achieve the emotional intensity that I hoped for. Mostly it's too do with the ineffective delivery of the plot. I watched the first ten minutes three times but I was still not entirely sure who was who. In addition, how the young man and the coach bond is unconvincing and poorly explained. And I think Cam Gigandet is under utilized in the film. Fortunately Richard Jenkins is there to save the day, but it still doesn't save this film from being rather flat and uninteresting.

I anticipated this being a typical, high school sports movie and was geared up for that sort of simple entertainment. Some aspects remained typical: conflict in the protagonists' life stemmed from family, some sort of important death would occur that would make him want to win more, and that the protagonist had a bit of a temper. HOWEVER, the two major unexpected aspects of this film is what pushed me to give it a 7 and not a 5, which I rate as a film that's just average in all ways. The way in which Coleman died was thoroughly unexpected for me and I was shocked! Which I appreciated because I had no real emotional ties to the film until that point. Secondly, the fact that Drew never even made that last state championship meet was a perfect choice for the script and again, I was pleasantly surprised. I figured he would somehow make the meet by the skin of his teeth, and because it's a movie, he would not only be warmed up to race but also win for Coleman! The subtle creation of a relationship with Lisa was a nice touch. Their low key love never distracted from the point of the film, but I do think it added to the tone of learning patience and understanding that it's all a process. In another random side note, as a former 4X4 sprinter that was just as averse to moving up to the mile as Drew, I truly believed in the dedication and passion that was perceived as being a high school athlete. When you're banking on yourself to get an athletic scholarship, and it's just you and the clock, not you and a team backing your skills, you HAVE to be all the things that Coleman tried to teach Drew. I respect the ending of the film, where it's up to the viewer to decide the outcome of the D1 championship because you want to believe that Drew has taken those lessons in and is not only a great runner, but a quality man. At the end of the day, this film is more about learning to navigate life as opposed to just high school athleticism.

As a sports film (of which there are many each year, mostly in the B-genre, most you will never hear about) this little gem has more in common with Eastwood's Gran Torino. In other words -- oh this sounds so cliché, but sometimes only a cliché will suffice -- this really isn't a film about winning, or a film about running, but a film about life. Life. The one sport we all have in common. The one sport we compete in each day, whether we want to or not. The 4-minute mile becomes a metaphor for merely living your life with integrity, with impeccability. With its sights set so high, this would be such an easy film to mess up. The balance is so delicate. Heavy-handed direction would make the viewer feel manipulated, or "Disneyed." And too light a touch would miss the mark completely. Canadian director Charles-Olivier Michaud, with very few credits in features, simply nails it. I mean nails it. Pitch perfect direction. About as far from Michael Bay and the Transformers as the Earth is from the Moon. And the cast is uniformly excellent, especially veteran warhorse Richard Jenkins -- who steals his scenes so subtly you don't realize it until the film is over -- and Analeigh Tipton, who has to simultaneously be provocative enough to attract a boy who wasn't looking for a relationship in the first place, yet practical enough to cement that relationship as the seismic tremors in the script come one after another. A gem. A perfect gem.