Admirable film.

There are better movies of two hours length. I loved the actress'performance.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

If you enjoy movie parody, this send-up of Bogart classics will be right up your alley. The nods to "Casablanca" and "The Maltese Falcon" are plainly obvious, with more than a passing reference in the latter part of the picture to "The Big Sleep". You could tell the principal players were having a hoot of a time filming this; just watch Louise Fletcher as she caresses Peter Falk's shoulder in that scene where he tells her he has a bottle of champagne he bought for the honeymoon that never was. When he mentions that the bread and cheese got hard as a rock, she starts to crack up before gaining composure again.With the usual gang of idiots like Madeline Kahn and Dom DeLuise on hand, one might think this was a Mel Brooks production, but this one comes courtesy of Neil Simon and director Robert Moore. It's almost impossible to pick out a favorite funny moment because there are so many quips and sight gags it's hard to keep up. Every time Lou Peckinpaugh (Peter Falk) opens a nightstand or desk drawer he's pulling out a ready made drink, doing so with the greatest equanimity. Each of the female leads was a blast and a half, pulling off their impersonations perfectly, with both Eileen Brennan and Ann-Margret sending up Bogey's main squeeze, Lauren Bacall.While it's fun to play the match game with the characters here with those in Bogart's actual films, I guess my favorite would have been Madeline Kahn doing the Mary Astor thing from "The Maltese Falcon" with all the phony aliases. Scatman Crothers is also in fine form as piano player Tinker, reprising the Dooley Wilson role as Sam in "Casablanca". I would never have guessed that 'Jeepers, Creepers' was on Lou's forbidden song list the same way 'As Time Goes By' was for Rick Blaine. Not enough romance in it I guess.A couple years after this film came out, Robert Sacchi did a similar turn in "The Man With Bogart's Face", another parody heavy on the Casablanca and Maltese Falcon references. The one thing he did that Peter Falk didn't even try was Bogey's familiar facial grimace in a tense situation, although by the time that picture was finished he might have overdone it. So if it comes to making a recommendation between the two flicks, I'd have to paraphrase Rick Blaine from "Casablanca" or Marlene DuChard (Louise Fletcher) in this one - "Of all the cheap gin joints and film noir knock-offs in this world, I pick this one".

Why does a lady bring a bike into Lou's apartment? It must be a copy from another movie, but which one? I enjoyed this movie immensely! I could follow most of the action that is from other movies. Favorite character: tough to choose - but I go with Peter Falk. I also enjoyed Stockard Channing as his secretary. And the line where she says, "She's prettier, but I'm easier." And later when she wants Lou to "Thank her". I liked this much better than "Murder by Death". It was good but "The Cheap Detective" is better. I was looking for Phil Silvers, too, like many others. I have read he's in the last scene as the taxi driver. And there was a LOT of ladies in that taxi with Lou.

Hilarious spoof of Bogart's iconic roles. The jibes fly fast and furious, so best to keep a scorecard. I love it when Madelyn Kahn (I think) keeps piling on the aliases one after another in true mystery woman fashion. Frankly, I had trouble telling all the women apart, what with their big hats from the 1940's. Then there're all these great impersonations of iconic characters like Lorre and Greenstreet, only here they're "Damascus" and "Blubber". And get a load of fall-guy Paul Williams slapping himself silly in true Elisha Cook fashion. Okay, I'll probably never be able to watch Casablanca (1942) or The Maltese Falcon (1941) the same way again, but it's probably worth it. Anyway, the spoof's an iconoclastic treat for old movie fans, that is, if you don't mind seeing movie gods lampooned a bit for a good laugh.

Following closely on the heels of the hilarious "Murder By Death" and using a few of the same actors, is Neil Simon's classic spoof and tribute to the film noir detective pictures of Humphrey Bogart. With the comedy talents of Peter Falk, Madeline Kahn, James Coco, Paul Williams and many more the combined spoof of "Casablanca," "The Maltese Falcon" and "San Francisco" are a true screen gem. As always, the film features the witty dialog of Neil Simon, who captures the flavor and pokes gentle fun at those films. There are also several running gags throughout the film such as the miserliness of Falk's character, from which the movie gets its title. Falk perfectly deflates the characters played by Bogie in the afore mentioned films, while Madeline Kahn is over the top as the mysterious women with a different name each time he sees her. Louise Fletcher films in perfectly as the heroine from Casablanca, while Fernando Lamas is her resistance fighter husband. And John Houseman shines as the double of the Sidney Greenstreet Character. Finally there is Niccol Williamson as the Nazi colonel from Casablanca. If you love good comedy, or enjoyed those Bogart movies, this is the perfect film for you