The Tracker
Somewhere in Australia in the early 20th century outback, an Aboriginal man is accused of murdering a white woman. Three white men are on a mission to capture him with the help of an experienced Indigenous man.
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- Cast:
- David Gulpilil , Gary Sweet , Damon Gameau
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Reviews
SERIOUSLY. This is what the crap Hollywood still puts out?
Clever, believable, and super fun to watch. It totally has replay value.
Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
This is one of the great Australian films from one it's most interesting film makers. The story telling is concise. Not a frame is wasted. Gulpilil is simply brilliant as The Tracker and Garry Sweet delivers his best ever performance as The Fanatic. The landscape and music performed by Archie Roach are superbly integrated into the drama. The use of paintings to convey the confronting violence is pure genius. The sense of place is palpable and the commentary on the cultural impacts of colonialism on indigenous peoples is starkly direct without being preachy. Above all, it's a crackin' tale effectively delivered by a ensemble at the top of their game.
This film just oozes 'Australia'. It excels on several levels - the storyline itself, a great suspense thriller in its own right - the commentary on the treatment of the indigenous peoples at the hands of the whites - and finally, but certainly not least, the incredible natural beauty of the Australian outback. Intertwined in this is a fabulous sparse dialogue at ofttimes delivered with biting humour. David Gulpilil is nothing short of a national treasure - you won't see better than this anywhere, period! Gary Sweet needs no introduction and is, as always, brilliant. Damon Gameau gives an truly outstanding performance as the 'wet behind the ears' new recruit. The soundtrack features many haunting songs by Aboriginal singer Archie Roach - some may find it a little harsh and invasive at times. It would certainly be interesting to experience this movie with nothing but the sounds of the Australian bush. Without any doubt one of the best best Australian movies ever made!
Many movies choose topics so that they can't be attacked or questioned: racism, the Holocaust, genocide, pederasty, the heroes of 911, Hitler, etc. This is about one of them: extreme racism in Australia. Nevertheless, the movie sucks.The characters are one-dimensional (this is probably intentional - the characters are named for their traits). There's no character development at all. Gulpilil is great, as always. The rest are flat.Far and away the worst thing is the soundtrack. Remember when John Wayne tells the woman that he's a loner, gets on his horse and rides away while she cries and looks pained? Just then some music comes up. Some weak ballady thing "He rides alone; his heart of stone; he knows the path; the wayward wind; ..." whatever. It's an RCH away a lounge song. Tracker has music at this level throughout. It's not just intrusive or weird. It's completely out of phase with the movie. And it's so bad it's painful.Tracker much like a high-school film project about racism: you know you're not going to get an A if you defend it; you know it's bad; so you have characters with names such as Mr White; Mr Black; Mr Bigot; ... And your parents are really proud of you.See the brilliant "The Chant of Jimmie Blacksnmith" (1978) and don't waste a minute on this one.
The Australian landscape and brilliant use of the light made this a stunning movie to look at. I thought the use of art work to depict the violent scenes worked very well but the soundtrack was a bit too much sometimes. One Night The Moon which came out about the same time does the musical thing much better. It is also hard not to compare this movie to Walkabout, I found that Walkabout was much more atmospheric and made a lasting impression on me, only time will tell if The Tracker does the same (De Heers's Bad Boy Bubby certainly made a lasting impression on me).As for the plot, it was good but, the ending was too simplistic for my liking, it gave it a bit of a 'spaghetti western' feel. I didn't think Gary Sweet was right for this role or it might have been that the dialog wasn't quite right for the period portrayed. Gary Sweet was much better in De Heer's movie 'Alexandra's Project'.Overall, a very good movie with a few flaws but still a 'must see'.