I love this movie so much

That was an excellent one.

Good movie but grossly overrated

Excellent but underrated film

Kundo is an odd but charming amalgamation of influences. While very strongly identifying itself as a martial arts film, much like The Good, the Bad, the Weird (2008) in its heart it's a western. Its hero, Dolmuchi certainly lends himself to western tropes; a downtrodden man turned outlaw seeking vengeance. Add to that a Robin Hood-esque sub-plot involving a band of larger-than-life rebels and you have yourself one of the most intriguing South Korean imports since Mother (2009).All is not well in Joseon dynasty Korea (approximately mid-19th century). There are consistent strife between the the ruling aristocracy and the poverty stricken farmers and artisans that struggle to survive. During this time Jo Yoon (Kang) is taken from the brothel he was born in, to the house of his father (Joo) and told he is the heir to his fortune; that is until his half-brother comes along. Thus, Jo Yoon slides into all-consuming evil and claws his way back up to power after the "death" of his brother. His brother's pregnant wife (Kkobbi) avoids harm so Jo Yoon hires a lowly butcher Dolmuchi (Ha) to finish the job. Dolmuchi refuses and his family is killed as a result. Thus the game of good and evil is set with Dolmuchi siding with a team of bandits who steal from the rich to give to the poor.Members of the the gang of bandits are introduced with flashy tile cards while riding in the saddle which emulates the slap-dash styling that defined Sergio Leone's most iconic westerns. You get a very clear sense of the personality of the bandits from the get-go and director Jong-Bin Yin wisely uses this short hand so we feel invested in their fate while concentrating solely on the struggles, both internal and external, of Jo Yoon and Dolmuchi. Dong-Won Kang is rapturous with his calm, concise words and demeanor. The concubine's son turned nobleman wears white and darts with the steady grace of a samurai yet his preening has a very dark and sinister side. Meanwhile Jung-Woo Ha's Dolmuchi is as coarse as a bag of rice with his constant swearing and Fairbanksian swagger. Despite receiving a burn on his head after the death of his family, Dolmuchi keeps a sense of humor and takes relish in relieving noblemen from their top knots. The commonality between the two is a seething anger that threatens to undo their progress.Despite it's epic sweep and solid acting, Kundo may ultimately have trouble putting butts in the seats due to its fighting sequences. The fights are well choreographed don't get me wrong, but there's nothing that stands out apart from perhaps the final showdown. Even then Jo Yoon is put at so much of a disadvantage one can't help but speculate that if he had the use of all his limbs and faculties he would once again be able to easily defeat Dolmuchi. In addition there are some scenes that seem to conflict in tone with one another for no apparent reason. Then again it might just be a product of film grammar from another culture I have yet to truly understand.All in all though, Kundo is a riveting Korean epic with a story that rivals the best of western mythology. There is some strong character work and directorial choices that sets it apart from others of its ilk and while the fighting scenes were short of spectacular, the bandits and their unique skills sets stop them from becoming monotonous.

''Kundo: Age of the Rampan'' is a South Korean period film which has become one of the country's highest grossing movies ever upon release. It has also won eight awards in five different film festivals. The movie is primary an action movie and costume drama in authentic locations. The film has a sinister atmosphere filled with tension due to a charismatic acting by Kang Dong-won who is playing an ambitious villain and Ha Jung-woo who portrays a sympathetic antihero who becomes an inspiration for oppressed citizens. The fight scenes are filled with both brutal tension and elegant aesthetics. Despite the coherently dark mood, there are a couple of more amusing and emotional scenes that keep the movie dynamical over an epic length of nearly two and a half hours.The story takes place during the late Joseon era and is partially inspired by authentic historic events. In a time of aristocratic tyranny, an illegitimate son strives for power and hires a poor butcher as assassin. Since the butcher is unable to complete his mission, he is terribly punished but manages to survive. He decides to change his life in order to protect those he was supposed to kill and fight those who have punished him. He changes identity and becomes a ferocious swordsman who helps the poor, persecuted and helpless people until the time is come to challenge his worst enemy to a final duel.The only negative points about this movie are the fact that the story itself is quite predictable and standard for its genre despite a couple of good conspiracies and intrigues and the exaggerated final fight that feels incoherent if compared to the rather realistic fight scenes in the rest of the movie.Still, ''Kundo: Age of the Rampant'' is a highly entertaining movie with lots of action and drama, great actors and characters and stunning locations and settings. Fans of historically inspired action movies can't get around one of last year's best Asian movies.

A great Kung Fu flick made by Koreans. Or should I say an Eastern, as the filmmakers used a lot of, what looked like American western tricks, like with the music and the sudden close ups, to give it that Western vibe. At the same time, cinematically it reminds me of a back in the day Kung Fu film like what the Shaw bros. would do. What an excellent martial arts flick this turned out to be, jumbled with everything you except to see from a film by the likes of Tarantino paying homage to the Kung fu genre. I've always been a fan of Korean Cinema and this movie just increased my fandom. This was a great movie I recommend everyone to see.

I have to admit that I am not well versed in Asian action films, nor Korean history but I love this film. YOON Jong-bin's "Kundo"is the story of a bandit clan that take on the tyranny inflicted on the peasant population during the Joseon Dynasty. The film is a Korean period piece, set in 1859, and brings together a modern vision to classic Asian action-fantasy with tradition dramatic passion. "Kundo" tells a very powerful saga between the impoverished people suffering at the hands of the ruling nobility. It is a tale that rings, not only in historical record, but in modern time around the world. Similar to the legend of Robin Hood, "Kundo" creates a wonderful narrative of one group of individuals standing up to the oppression, taking what they can from the rich, and handing it out to the poor. Something that is universally recognizably as true human heroism. Yoon brings the story to life in epic style, filled with both visual and emotional power that captivates. The special effects in "Kundo" are restrained and by no means rise as the star of this film. The story, with all its raw intensity, personable emotion, and hypnotizing sound effects are of equal status in this one. The choreographed fighting style is every bit as entertaining as Hong Kong's action films that match this type of film. However the character that develops in "Kundo" balances that fantastical ability of Asian martial arts and war with true passionate story telling that hits at the heart. It is relatable on so many levels. At times the film reminds me of the American westerns of the late 60's and early 70's that tried to give an honest voice to the First Peoples plight.Over all I have to say the "Kundo" is an affective film-creating a strong atmosphere than pulls you into the story completely. Yoon is brilliant in his ability to make a historical picture relevant to modern audiences while honoring the past. Elements of Western bravado show at certain moments, without spoiling the film I can only say that the film is truly entertaining, giving moments of Kevin Reynolds' "Prince Of Thieves" dramatically-Hong Kong styled fighting and action reminiscent of Tsui Hark's "Once Upon A Time In China". Ther is also a bit of wild west attitude in "Kundo" that reminds me of Christopher Cain's "Young Guns". And yet Yoon manages to keep a unique signature style that is what must be totally Korean, all the elements that make "Kundo" such a stellar film are balanced perfectly with out being overstated. It is a true cinematic gem.