The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Father Goose is a brutal movie with a very poorly developed plot and a cast that lack any sense of dedication. I wanted to watch this movie initially because I am a big fan of Cary Grant, who was an amazing actor and terrific in the majority of what he has done. However, there is no sense of him wanting to be in this movie, it is as if he lost a bet or realised early in to production that he made a terrible decision, and when the lead actor does not seem to be having fun, you will not either. There is essentially no plot, a man investigating air crafts during World War II is forced to look after a teacher and several students who crash land on his island. It is a Odd Couple- type of set up, but the gags that ensue between these two very different people are not one bit funny, and as a result of Leslie Caron's irritating performance, is a bit painful to watch.It is also a complete drag, a two hour movie that should not have stretched beyond ninety minutes, it never uses the war theme to add any sort of emotional depth and build up characters' relationships, instead going for one lazy gag after another. Dull, unfunny and poorly acted, I could not, under any circumstances, recommend Father Goose. A man spying on Japan's naval movements for the US has his life turned upside down by a shipwrecked teacher and her pupils. Best Performance: Cary Grant / Worst Performance: Leslie Caron

Cary Grant's effortless screen charisma was the primary selling point of a 1964 comedy called Father Goose.Grant lights up the screen as Walter, a beachcomber who lives on an isolated south seas island who has been recruited by the military to spot enemy aircraft during World War II, where he is allowed to pretty much live like a hermit and drink to his heart's content who finds his quiet existence disrupted by the arrival of a teacher (Leslie Caron) and seven young girls who have become shipwrecked on the same island as Walter.Peter Stone's screenplay, which seems to have been tailored to Grant's comic sensibilities, actually won an Academy Award, but it's not just the screenplay that works here, but the offbeat choice of character for Grant as well. Grant was always known as being suave, urbane, and sophisticated on screen, but Grant took a calculated risk here playing a character the polar opposite of his traditional on screen image...Walter is unshaven, slovenly, crude, self-absorbed, and a bit of a sexist and having such a character interacting with a straight-laced teacher and a group of young girls turned produced comic gold.Grant offers one his best performances here and his chemistry with Caron is surprisingly solid, considering the vast difference in their ages. I guess it isn't an issue here because the relationship between the two characters is more combative than romantic and Caron somehow manages to hold her own against a cinematic legend who, even though he would make his final film appearance three years later, proved that he still had the chops to carry a movie by himself, but he gets help here from an offbeat character, an unusual story, and breezy direction from Ralph Nelson.

Father Goose is a great film, with a great story, great characters, and great actors. Walter Eckland (Cary Grant) is a man who ran away from society on a boat. He is pretty much aimless and does almost nothing for anyone else's benefit. But during World War 2 Royal Australian Navy Commander Frank Houghton (Trevor Howard) pushes Walter to become a watchman on a desolate pacific island so he just searches for Japanese planes. One day he comes across Catherine Freneau (Leslie Caron) a snobby school teacher and all of her female pupils who inadvertently end up on Walter's island. The writing in this movie is great. All of the characters are fantastic, Walter, Catherine, Commander Houghton are all enjoyable. And all the acting is stellar from top to bottom. I can definitely recommend this movie. You will not be disappointed.

I know the plot sounds awful -- Cary Grant marooned on an island with Leslie Caron and half a dozen young girls -- but I found this pretty consistently funny. Of course you can predict just about everything that happens but it's so well written and the cast good enough that it should entertain most people.Grant is a grizzled, irritable, hard-drinking loner in New Guinea at the start of World War II and is finessed by the local Navy Commander, Trevor Howard, into manning a coast watcher station on an isolated island. Howard and his crew have buried bottles of whiskey around the thatch-roofed hut and arranged for the location of one bottle to be revealed with each confirmed sighting of Japanese aircraft or ships.Before long, circumstances force Grant to accommodate Caron and her diverse little charges -- two French, one Australian, and the rest British. There follow innumerable conflicts, small and large, as the unshaven, slovenly Grant is forced to sleep on his boat and does his best to avoid the kids, grumbling at their disruption of his unique life style and Weltanschaung.Largely because of Grant's superb comic timing and his expressive features and body language, the encounters are far more often funny than silly. Nor are they over-written. Example: While the others are out somewhere, Grant sneaks back into the hut to search for the whiskey that Caron has hidden from him -- again. One child has been left behind and she stares at him silently as he rummages through the junk. Balked, frustrated, he glances sideways at her, there is a lengthy pause, then he speaks: "Beat it." Example two: Believing Caron to have been fatally bitten by a venomous snake, Grant cuts the wound and sucks on it, then gets her drunk to make her death easier. Caron: "What did it taste like -- my blood." Grant: "How would I know? I'm not a vampire." Caron: "Was it salty?" Grant is nonplussed: "Well, a LITTLE salty." Caron: "OHH, was it TOO salty?" Grant (at his wit's end): "No -- it was JUST RIGHT." Caron sobs a little and says: "No, I know it was too salty." On the screen, with Cary Grant at his best and Caron doing a fine job, it's not nearly as ridiculous as it sounds. Grant delivers exactly the right measure of chagrin.It's not an important film, not enough to go on about, but it's largely effective and should keep the kids laughing as well as the adults. The alcohol abuse we see is genteel. Grant swigs it straight out of the bottle but it's good Black & White scotch and he's never drunk. He is naturally reformed at the end. He even drinks a non-alcoholic beverage at dinner. "Coconut milk. Mmmm. Young coconuts must love it."