Such a frustrating disappointment

Instant Favorite.

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Bistritz, Hungary, May 1897: Natives in Transylvania seem afraid when they learn solicitor Jonathan Harker (Murray Brown) is going to Castle Dracula.Who thought that Jack Palance would make a good Dracula? Clearly director Dan Curtis, who had previously worked with Palance on "The Strange Case of Dr. Jekyll and Mr. Hyde", saw the potential. He has a very distinctive look, different from what might be called a traditional vampire look. And yet, Palance is amazing. The rumor is that Palance turned down offers to play Dracula again. True or not, it would be no surprise if he received such offers -- his performance is incredible, and he really threw himself into the role. (He reportedly said he felt that he was "becoming" Dracula more than he wanted.)The director? Dan Curtis. Already famous for "Dark Shadows", he would go on to become legendary. This film played no small role in that. Curtis is a horror legend that we were unfortunate to lose. Along with Bob Clark, these two directors came from a generation we cannot replicate."I Am Legend" novelist Richard Matheson co-wrote the script with Curtis. Matheson may be the greatest horror screenwriter ever, having done a fine job adapting Poe stories for Roger Corman, among others. While many adaptations of Dracula have been written and filmed, Curtis and Matheson still found a way to make the story fresh and new, focusing on a love interest that is not present in the source material.All in all, this may be the best adaptation up to that point, most likely. A bold claim given the dozens of versions from Bela Lugosi to Christopher Lee and beyond, but Palance delivers and the costumes and scenery really set the tone. Francis Ford Coppola's "Bram Stoker's Dracula" (1992) is now the benchmark and overall superior, but even that does not match this film's tone.MPI released the film on DVD in 2002 and again on Blu-Ray in 2014. The difference is unclear. If the picture and sound have been improved, the package makes no mention of that. The running time is decreased from 100 minutes to 98, which is probably a print clarification rather than an actual cut. The Blu-Ray adds outtakes and TV cuts, as well as a French audio track. Apparently, however, the French subtitles have been removed (or they still exist but are not worth mentioning). Both feature vintage interviews with Jack Palance and Dan Curtis.Generally speaking, Blu-Ray releases are superior to older DVD versions. And if you own neither, the Blu-Ray is the only choice. That being said, if someone already has the DVD, an upgrade may not be in order... this is not a "special edition" and fans will gain little by buying the film again.

A lot of folks I imagine will kind of giggle at the mere notion of Jack Palance in the role of Count Dracula, but I persist that he's one of the most fierce and menacing I've seen to date. Even as die hard a Palance fan as I am, he even surprised me because his Dracula is absolutely intense and quite passionate. One superb sequence has Dracula throwing men around like rag dolls while moving through a hotel looking for Mina, it completely works because Palance simply towers over his opposition. The final confrontation, as Van Helsing and Arthur intrude upon his castle("You're now in my domain, gentlemen. And, you shall not leave"), Dracula lifts Van Helsing in the air, hurling him into a suit of armor! While director Dan Curtis' version of Dracula, based on a screenplay written by the great Richard Matheson, doesn't relish in bloody heart stakings, it does feature Dracula casting those that stand in his away to the side, clutching their throats with benevolent intent, moving them out his way. What I liked about this Dracula was his determination to achieve his aspirations in regards to finding and recovering Lucy(Fiona Lewis), who resembled identically a former love from his days as a mighty Hungarian warrior fighting armies..many attribute this romantic sub-plot(..nowhere even near as overbearing as it was in Coppola's film)to Curtis' own Dark Shadows, which he even admitted in an interview regarding the similarities of a vampire desiring to attain his true love through any means necessary.There's a magnificent scene where Dracula calls for Lucy to come, not knowing that she had been put to rest by Van Helsing who relieved her vampire curse by ramming a stake into her heart, the result showing the Count going berserk, destroying objects in the mausoleum, including turning over her casket! Matheson's screenplay avoids major emphasis on Jonathan Harker's(Murray Brown)time with Dracula, opting instead to move from Transylvania to England where the Count eyes Lucy, Arthur(Simon Ward), her fiancé, calling on Van Helsing(..an impressive Nigel Davenport, who remains restrained and contained, not going over-the-top or creating a too eccentric scientist, firmly grounding his character into a dedicated pragmatist)to assist in determining what exactly is contributing to her anemia and sudden sickly nature. Penelope Horner's Mina isn't as richly presented, more of a supporting character whose endangered life(..Dracula, as revenge against Van Helsing and Arthur for the loss of Lucy, has Mina drink from his blood so he can control her)will need rescuing. What I truly love about this production(..and the BBC version, featuring Louis Jordan as a more sophisticated, aristocratic Count)is the location shooting, evoking a totally different period by shooting in England, particularly the Castle Dracula, where Van Helsing and Arthur discover a pit and Iron Maiden, not to mention the coven of vampire brides in their coffins. Great jump scare where we find out about Harker's fate after being left behind by Dracula to become fodder for his brides. Unlike the Hammer Dracula films, this version shows that sunlight only paralyzes the Count, not burning his flesh. Another element not seen in other Dracula films is how the Count uses a mad dog to attack those he doesn't wish to bother with, and I was amused by how irritated he would get with those who would start up a row when he'd appear on the scene, trespassing, a contempt for mortals who thought they could harm him with pistols or fisticuffs.

The reason why I say that is because I remember the apartments we were living in in Atlanta, Ga. at the time I seen this movie on television. My father was working at the Television station and called home to tell me to watch it on the afternoon, "Dialing for Dollars" show. We moved yearly when I was in grade schools and these apartments were the ones we lived in when I was in the third grade. The third grade was 1970-1971. I dug out my VHS copy of this same movie and it shows a 1970 Copy-right. I wonder how anyone could double check this? But anyway, this has to be the best Dracula yet. Jack Palace snarling like an animal and seemed to have that aurora of evil about him. Then there is Dan Curtis only wanting to do one take of each scene so that the actors had to recover from their goofs like normal people would in a normal conversation makes this a very enjoyable event.

This version was my first Dracula movie. I was a sheltered, impressionable young girl at the time I watched it on TV. I didn't know about Dracula or Jack Palance--or horror. I stayed awake that entire night expecting Dracula to appear in the bedroom doorway. This movie should have scared me then; I was 10. After I saw this movie, I felt different about things. I know that in the oncoming decades other versions were made; I've seen some of them. I had the opportunity to see this Dracula for the second time in my life a few months back; it scared me as it scared me decades ago. There's something about the way this movie 'tastes' that enables the horror within it to remain pure and palpable. The cast and crew captured the pure essence of Dracula's horror on film for future generations to experience. From the music to the surroundings to Jack Palance, everything about this movie lends itself to the viewer's experience of a true horror classic. Jack Palance's portrayal of The Count is sheer perfection. From the top of his black patent leather hair to the bottom of his black patent leather boots, he's diabolic horror personified. So, I invite you to get your hands on a copy of this version; sit down and let this movie wash over you. Just make sure it's in the middle of the day and all the lights are on in your 'pad'. Oh, this version isn't perfect, but--the--horror--within--it--is. Bela, watch out!