Very very predictable, including the post credit scene !!!

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Exactly the movie you think it is, but not the movie you want it to be.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Czechoslovakian screenwriter, actor and director Jirí Menzel's sixteenth feature film is an adaptation of a novel from 1971 by Czech author and frequent collaborator of the director Bohumil Hrabal (1914-1997) which was shot on various locations in the Czech Republic and written by Jirí Menzel. It tells the story about Jan Díte, an old retired man who reminiscences the time when he as an ambitious young man encountered a successful business man who inspired him to become a millionaire and the time when he began working as a waiter at a high standard hotel in Prague for Skrivanek, the headwaiter who once served the king of England.This brilliantly directed Czech, German, Hungarian and Slovakian co-production by Czech New Wave director Jirí Menzel, a character-driven journey through a cheerful and ambitious man's eventful life, depicts a multifaceted study of character about a very determined, articulate and good-hearted man who has numerous relationships with various women on his way towards fulfilling his dream. Shifting from past to present with an efficient narrative structure, this well-paced, imaginatively written and humorous drama, which functions well both as a period piece and a social-satire, creates a visually beautiful and adventurous story about life, destiny, dreams and love.This moving comedy which Jirí Menzel got to direct after waiting ten years for the settlement over a rights dispute, is finely photographed by Czech cinematographer Jaromír Sofr, has some notable production design and some wonderful acting performances by Czech actor Ivan Barnev and German actress Julia Jentsch in a role which is significantly contrary from the one she played in German director Marc Rothemund's "Sophie Scholl-The Final Days" (2005). A romantic, charming and life-affirming film which gained, among other awards, the FIPRESCI Prize and was nominated for the Golden Bear at the 57th Berlin International Film Festival in 2007.

Watched this off one of the freebie sites. Initially thrilled to have found what seemed like an engaging quality foreign film. But come the 2nd half the shiny show-offishness starts to wear a bit thin.Apparently, one of the biggest budget Czech films ever made, its got a Hollywood style razzmatazz dazzle about it; all lavishly set and costumed, glamorous locations, audacious production values, It gets to feel like a musical minus the songs; lots of choreographed set-pieces and sequences: a waiter drops a plate – and every head in the restaurant turns (for example) I'm not used to – or actually like that much – this sort of grandstanding farcical theatricality.The intention is to satirise the decadent hedonism of 1920′s Czechoslovakia through to the communist 1950′s (decadent impulses continued, albeit hidden inside a socialist propaganda blanket) Menzel did another adaptation of a Bohumil Hrabal novel back in the 60′s, "Closely Observed Trains" (I've reviewed it here), and i liked the small scale small time quirkiness of that. This film feels a bit too big for its boots, too drowned out in its own excess to really bring off those minor moments of offbeat irony i seem to associate with Hrabal's absurdist take on the world (I've read some of his fiction)Overall, it feels like a glossy entertainment, a self-conscious amusement. Dripping with naked ladies. Trying hard to be delightful.

I got a bit of a shock when I saw this film. It doesn't seem to follow the rules of contemporary film-making--in other words, women aren't shown as fully equal to men (although they can be very resourceful in dealing with petty tyranny) and the hero shows no sign of resentment for the way he is treated. I felt a lot closer to the great works of the heyday of classic film by Cukor, Ophuls and Lubitsch. The story unfolds calmly and logically, whether the events take place in the 30's, 40's or 50's of the last century. Ivan Barnev as the young Jan is superb: funny, roguish and balletic (just watch how gracefully he swoops around the restaurant with that heavy tray; wonder how much rehearsal time that needed.) Jiri Menzel made Closely Watched Trains, then saw his career go into eclipse after the Soviet invasion in 1968. The work he has done since hasn't come to my attention until now. This may be his swan-song, since he is 70 now, but I hope not.

Menzel's film is a modern masterpiece. It tells the story of one man's fate, as seen through the mythical pen of Bohumil Hrabal, one of the greatest Czech writers of the 20th century. The film is interspersed with documentary footage of the occupation of the remnants of the Czech republic in 1939. It tells how one man grows up in one system, survives another, and willingly submits himself to a third (Communist). The slogan "my happiness was always in the fact that some unhappiness overtook me" belongs to the East European theater of the absurd. For those of you who have seen the amazing performance of Julia Jentsch in "Sophie Scholl - The Last Days" it will come as a surprise, if not a shock, to see Ms. Jentsch play a character exactly opposite to the one which brought her such fame -- a true blue Nazi! But that's what great actors are made of -- anti-Nazi heroine this year, Nazi lover of the main protagonist the next. She learned some Czech for this role, but when she speaks in German, the screen shows Czech subtitles. Some scenes are really priceless, as when Dite is escorted out of his hotel (presumably in 1948), by two members of the Communist people's militia who at first are inclined to allow him to stay on as administrator of his now nationalized enterprise, but when he keeps insisting he is a millionaire and needs to be arrested, they willingly oblige. Irony stays with us through the film, starting with the opening scene when the elder Dite is released from a Communist jail in Prague and he explains: "I was sentenced to 15 years (for being a millionaire), but because of the amnesty, I only had to sit for 14 and 3/4."