the audience applauded

hyped garbage

Captivating movie !

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

hmm... so surely someone who has fully trangendered wouldn't still be sporting a 'five o'clock shadow' under their thin layer of foundation... and of course it is also the transgendered character in the film who must die at the end... (you go girl... just don't live past the last frame)... tiresome... but perhaps this equates more to a comment or a quip than a film review... it could have had so much more power and bite especially in fassbinders (possibly the original source material for this film?) hands... a handsome cast of good actors in what felt like surface flash/titillation... and just enough 'get your freak on' quirks and a pastel/pop colour schematic tacked onto a copycat almodovar wanna be sensibility... ughh!

No, I didn't like it. There were some good scenes, but most of the story based on bad taste and unnecessarily spotlighted human squalor. (Just think of the episode with the dog-lover -- was this supposed to be funny?) Some of the actors were great -- Katja Riemann for example, or Moritz Bleibtreu, who was cast way out of character, but rather convincing. Anyway, the story didn't do -- I'm not even sure there was one. Director Roehler seems to be too angry with the world, The Family, and himself to tell a straightforward story or to cast any light of warmth on his characters. I left the theatre quite irritated and disgusted, but nothing to last long -- a day later all is forgotten. (3/10)

...but quality. This movie is short in every meaning. The story is not a story but the attempt to shock in times where even kids cannot be shocked by almost nothing anymore. What we see is a collection of different scenes some of them pretty good some awfully bad.We follow three brothers (a politician, a sex maniac who feels inadequate and a sex changed) looking for happiness in their own tragedy of life and especially the tragedy in their interpersonal relationships. Reason for their being what they are is their dominating father who became - oh wonder - gay after he might have abused his sons in the past...So far so good but beside the fact that the story is partly stolen, the writer and director did not decided if he wanted to make a comedy or a drama. What he definitely wanted to do is art, and that is by far not enough to make a good movie. Some critics called it a comic strip, some a satire and others called it a contemporary image of the German Republic. And there are the ones like me who just call it a big waste of time and money.If you don't like Lynch, Fassbinder and Aldomovar just sent them a copy of the film so they can see how they have been imitated in a small minded way. I promise that they will suffer a lot. At the end of the movie an ex porno-model and the still-sex-maniac agreed to drive from Germany into the Iraq (by car) and help the people over there... I am pretty sure that the movie meant exactly this, no ironic to be found in this scene.

I was very touched. This may be because marriage fight is one of the main topics. It was great how characters that have an obvious "flaw" or "tick" fight for their happiness but struggle and fail so much at times. Problem was the actors are so well-known in Germany that I wasn't completely convinced. Like Moritz Bleibtreu is just too warm and kind for a guy like that. Some questions were not answered. Especially about the wife, why didn't she love him anymore, why did she use to love him? Even the filmmaker didn't know what the persons could have changed to make it easier. (Even the filmmaker let one person completely alone in the movie). I wasn't so touched by the Agnes, because I cannot relate to such a CALM person but I liked her and followed with mild(er) interest.I liked it so much because it was REAL problems with an entertaining approach to present them.