The Phantom of the Opera at the Royal Albert Hall

NR 8.8
2011 2 hr 40 min Drama , Music , Romance

A disfigured musical genius, hidden away in the Paris Opera House, terrorises the opera company for the unwitting benefit of a young protégée whom he trains and loves. The 25th anniversary of the first public performance of Phantom of the Opera was celebrated with a grand performance at the Royal Albert Hall in London.

  • Cast:
    Ramin Karimloo , Sierra Boggess , Hadley Fraser , Nick Holder , Daisy Maywood , Gareth Snook , Earl Carpenter

Similar titles

Herra Huu – jestapa jepulis penikat sipuliks
Herra Huu – jestapa jepulis penikat sipuliks
Lonely ghost Mister Who goes around scaring orphan kids in this Finnish children's musical.
Herra Huu – jestapa jepulis penikat sipuliks 1973
National Theatre Live: Les Liaisons Dangereuses
National Theatre Live: Les Liaisons Dangereuses
Marquise de Merteuil, former lover of Vicomte de Valmont, incites him to corrupt the innocent Cécile de Volanges before her wedding night, but Valmont has targeted the peerlessly virtuous and beautiful Madame de Tourvel.
National Theatre Live: Les Liaisons Dangereuses 2016
Bram Stoker's Dracula
Bram Stoker's Dracula
In the 19th century, Dracula travels to London and meets Mina, a young woman who appears as the reincarnation of his lost love.
Bram Stoker's Dracula 1992
King of Thieves
King of Thieves
London, England, April 2015. Brian Reader, a retired thief, gathers an unlikely gang of burglars to perpetrate the biggest and boldest heist in British history. The thieves assault the Hatton Garden Safe Deposit Company and escape with millions in goods and money. But soon the cracks between the gang members begin to appear when they discuss how to share the loot.
King of Thieves 2019
Knickerbocker Holiday
Knickerbocker Holiday
The wild and woolly early days of New York -- when it was still known as New Amsterdam -- provide the backdrop for this period musical-comedy. In 1650, Peter Stuyvesant (Charles Coburn) arrives in New Amsterdam to assume his duties as governor. Stuyvesant is hardly the fun-loving type, and one of his first official acts is to call for the death of Brom Broeck (Nelson Eddy), a newspaper publisher well-known for his fearless exposes of police and government corruption. However, Broeck hasn't done anything that would justify the death penalty, so Stuyvesant waits (without much patience) for Broeck to step out of line. Broeck is romancing a beautiful woman named Tina Tienhoven (Constance Dowling), whose sister Ulda (Shelley Winters) happens to be dating his best friend, Ten Pin (Johnnie "Scat" Davis). After Stuyvesant's men toss Broeck in jail on a trumped-up charge, Stuyvesant sets his sights on winning Tina's affections.
Knickerbocker Holiday 1944
Music in Manhattan
Music in Manhattan
Frankie Foster and Stanley Benson are a pair of small-potatoes performers. Both try to make it to the big-time after winning an amateur talent contest. Though this leads them to a few professional gigs, something is missing from their act and they are not popular. Believing a little cash will boost their career, Frankie heads for Washington, D.C. to see if her wealthy father will help them. En route Frankie is mistaken for the wife of the well-known pilot Johnny Pearson and ends up in his suite having to pretend she is his spouse. When the pilot meets her, romantic sparks fly.
Music in Manhattan 1944
Love and Other Disasters
Love and Other Disasters
Flighty Emily "Jacks" Jackson works for the British edition of Vogue magazine. Rather than pursue a relationship, Jacks regularly hooks up with her devoted ex-boyfriend, James Wildstone, and lives with Peter Simon, a gay screenwriter. When Jacks meets Argentinian photographer's assistant Paolo Sarmiento, she assumes he is gay and tries to bring him and Peter together, unaware that Paolo is straight and in love with her.
Love and Other Disasters 2006

Reviews

Perry Kate
2011/10/02

Very very predictable, including the post credit scene !!!

... more
Odelecol
2011/10/03

Pretty good movie overall. First half was nothing special but it got better as it went along.

... more
Logan
2011/10/04

By the time the dramatic fireworks start popping off, each one feels earned.

... more
Billy Ollie
2011/10/05

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

... more
faimusic
2011/10/06

I got this DVD as a gift a couple of years ago. I mistakenly thought I had already seen it and didn't have a strong desire to watch it again. I was content with watching the 2004 film whenever I felt the need to watch POTO. It had it's problems, but I was content. Well one night I got bored and decided for kicks and giggles I would watch it. I quickly realized I had never seen this performance before. I got excited and curious to see how this version would play out. And I was not disappointed.Just a heads up to anyone curious - this is not a film version of POTO. This is a recording of a play performance. It's not shot like a film so if you hate seeing plays in film format, then skip this and go to the 2004 film. However, if you are curious to see what the heart of Phantom of the Opera is, I strongly encourage you to watch this production. It is stellar. The music is top notch - the live orchestra brings so much passion and warmth to the sound. The costumes are glorious and the excellent use of technology is well placed. The support cast is fantastic and made me all the more invested - fearing for them and laughing with them (though I am disappointed by the lack of an audience response at the humorous bits but that's nitpicking). But the real stars are Raoul, Christine, and the Phantom.First Raoul - Hadley Fraser has a different take on the childhood sweetheart of Christine. Fraser brings an energy and eagerness to the character. I always found Raoul in every performance to be fairly bland - he promises to protect Christine and shelter her. But aside from the dialogue, there is not much else to draw me to him. I loved Fraser because he brings a new energy and charisma to the character. He is a great contrast to the dark and passionate Phantom. Sierra Boggess portrays the innocent and charming Christine Daaé and Boggess is my favorite Christine by far. Her voice has such a sweet and warm sound to it. She captures perfectly both the innocence and sexuality of the young chorus girl as her world is turned upside down. But what makes her stand out is her chemistry with both Fraser and Karimloo (the Phantom). And finally, the Phantom himself, played by Ramin Karimloo. I am convinced that if Morgan Freeman is the voice of God, then Ramin Karimloo is the singing voice of God. Good Lord is his voice gorgeous. The way he goes from a growling baritone to a delicate tenor blows my mind. He is both very threatening and very vulnerable. He is both aggressor and victim. He captures the fragility of the Phantom's mind and the strength of the Phantom's will. His rage, his passion, his trepidation... it's breathtaking. His chemistry with Sierra Boggess is unbelievable. I could watch the two interact all day it's that good. By far, my favorite couple performance.This movie is wonderful. I can't express enough how much I enjoyed it. It actually made me cry. The only movies I have ever cried in where Schindler's List, The Pianist, and Les Miserables. The emotions are so raw and beautifully executed that it was impossible for me not to be moved. If you are a phan, then this film is a definite watch. Enjoy the magic and prepare to be amazed.

... more
mmunier
2011/10/07

Ha ha ha, I just read in one of the reviews about a "spoiler" warning! Don't fret, it is impossible to spoil this film/show, You just have to see it regardless of what you've heard. The bad memories of my trip from Sydney to Melbourne where we were ripped off to see this show after booking "A reserved" ticket and where I was half hidden behind a pillar up there in the pigeon's nest looking at the actors resembling ants on the stage...We've been told it would not come to Sydney, but it did although not in a proper theater... Then the movie came and my wife and I were blown away by its quality! We played it again and again and we shared it with close friends and relatives at any occasion. I'm a little sad to read some feel or think it was not very good but I'm glad it worked very well for us. Then comes March 2015, glancing through the TV prg I spot the 25th anniversary show at the Royal Albert Hall, we need to go out so I set the recorder on... OMG, yes we watch it a couple of day later and what a reward it is! We are fortunate to have a rather large screen with a sounds system that usually we don't use but for the occasion it was perfect! 2011, how did it escape us for four years? It is absolutely magic. And yes with a bonus a the end, this is not a spoiler this is a promise quite a few of these original people will appear at the end so enjoy it. I don't put all the fine details about it that many others have already included in their review and apart my comment regarding the 2004 movie, I do agree with all I have read before my entry.

... more
ihab-azar
2011/10/08

Andrew Lloyd Webber's the phantom of the opera is the world's most successful entertainment event of all time to date grossing about 5.6 billion dollars worldwide and seen by over 130 million people. i personally love this musical, having seen it in London last year and became a "phan" i went on to check the 2004 film adaptation starring Gerard butler as the title role. and absolutely hated it. luckily for me i heard about this special royal Albert hall production released on DVD celebrating the show's 25th anniversary and when i saw it i absolutely loved it. it was spectacular in every sense of the word. the thing that matters most in any production such as phantom is the cast, since one cast member that isn't rightfully cast can ruin the entire show (for instance, butler's casting in the film), but here every cast member was brilliant. ramin karimloo's phantom was exactly what the phantom character needed, having a voice that is intimidating yet caring and tender at the same time, and his acting was also superb. sierra bogges was also perfect as Christine, with a great voice that completely blew my mind away. all the other cast members were also brilliant in their roles, and the casting was ideal in my opinion. the scenery and effects were good, but not perfect. the sets for example was replaced by screens (due to the fact that the royal Albert hall is a concert hall not a theatre, and the sets of phantom are enormous) which was okay, but not as jaw-dropping as in the original London production, also the chandelier effect was barely believable here, instead of rising over the audience like in the original production, the chandelier simply shoots some fireworks and move a little, and at the end of act I instead of crashing down the stage, it shoots fireworks again and turns off it' lights, which might have been effective for the audience sitting in the royal Albert hall, but not very effective for the DVD viewer. still those flaws didn't bother me from enjoying this tremendously. at the end of the show the composer Andrew Lloyd Webber (whose music is nearly perfect in every way no matter how much criticism it received over the years) says a few words about the show and introduces the creative teams and original London company to the stage, which was very exciting. the grand final consisted the original Christine daae, the wonderful Sarah brightman performing the mesmerizing title song with 4 phantoms from the past, present and future was wonderful despite the fact that you could hear her breath a little during the first part of the song, but she hit those really high notes at the end perfectly, then the phantoms performed the iconic "music of the night" for one huge encore. all n all this production was awesome, and the next best thing to seeing the show in person, it proves why phantom is so loved and appreciated around the world and why it celebrated 25 years. a huge recommendation to fans of the musical and i think people that aren't familiar with the stage musical will like it too (not everyone though, if they don't like musicals and don't like this kind of repetitive musicals, which doesn't bother me). Andrew Lloyd Webber's the phantom of the opera: the most successful musical of all time is as timeless and haunting as ever in a sweeping breathtaking production. well done to all the ones involved in it.

... more
megoobee
2011/10/09

This wasn't the best rendition of the venerable opera that I've seen but for a stage to video presentation, it's pretty good. While obviously nothing beats being there in person, watching on a big screen TV has it's advantages as well. For instance, different angles, views, zoom ins, zoom outs, no one talking behind or around you, the list goes on.The sets are beautifully done and costumes are top notch. While no Davis Gaines, Ramin Karimloo does a fine job as the Phantom. Sierra Boggess seems a bit wooden as Christine but I may be a bit jaded by previous castings. Hadley Fraser in my opinion did not come across as a good Raoul. He appeared pompous and overbearing, not someone who would charm Christine.The above being said, the overall performances by the cast were enjoyable but a bit underwhelming for a production staged in the Royal Albert Hall.

... more