It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

The movie really just wants to entertain people.

The thing that will surprise you most about Bremenskie Muzykanty is how such amazing music and voice work can be accompanied by such slipshod animation. There is no question, here is probably the best soundtrack in Soviet cartoons. All the songs are witty, masterful, fun, emotionally stirring, and life-affirming, and Oleg Anofriev's character work is unforgettable. Meanwhile the animation is amateurish and unsophisticated at best. It's flat, there's no personality or engaging style, and it really looks like a bad afterthought, the creators rushing to showcase the songs without giving due consideration to the visuals. So sit back, close your eyes, and enjoy the magic. Or better yet, get your hands on the soundtrack with Anofriev doing additional narration, which is a truly wonderful recording.

Despite the fact that the town in the film doesn't look like Bremen (since I live here now, I can compare ;-) ), this is a very nice cartoon, which I'd recommend to everyone. The music is superb! I wonder how it was allowed to be shown on Soviet TV in 1969, because the Donkey was always singing "Yeah! Yeah!... Yeah! Yeah! Yeah!", which is definitely an element of the western rock music banned in the Soviet Union. ;-)

This is a wonderfully done cartoon; every song is superb and catchy, highly recommended for those who don't even speak the language since every piece of dialogue is part of a song anyway, and you don't really have to know Russian to appreciate those.

Bremenskiye Muzykanty is an excellent children's/family animation story. The characters are universal and endearing, instilling a sense of diversity (a young man, a rooster, a cat, a dog and an ass) and cooperation. The story is universal, playing on a theme of its time: Freedom from rule by authority; And existentialism.Artistically drawn. Set in Victorian Europe (Bremen is in Germany).In the Soviet Union, where I grew up, this story was widely available on records and extremely popular with children and adults alike. It was occasionally shown on state run television. It was so loved that the toys of the characters appeared in toy store windows after its release.I always loved it, but thought I would never see it again. A few years ago I found a video tape version and a CD of the story in New York. I now play it for my new-born.I recommend it very highly.