Why so much hype?

The Age of Commercialism

A waste of 90 minutes of my life

By the time the dramatic fireworks start popping off, each one feels earned.

Who is Christopher Abbott and will someone give the boy an Oscar? The acting by Nixon and Abbott are so real it's like being in the room with them.This movie is for anyone who has been in a caregiving position for a loved one, and knows the anger, frustration, pain, depression, anxiety and fear that comes with it. It's for anyone who has been on the receiving end, who has battled cancer or otherwise felt their death to be imminent. It's for anyone who has had friends or relatives described above.FINAlLY - a realistic portrayal of a cancer battle and the struggles of those who love them deepest.But overall, this is about overcoming life's greatest hardship - fear of losing the person you love more than anyone in the world. Oh - and the poor kid has no job, no help and has just lost his Dad, by the way. Yes, let's see how much more someone can take before they crack - although not all will crack. Some will go on and be okay. And nothing can hurt you after that kind of pain.

James White is presented as a twenty something young man with leanings towards hedonism and is currently living on his mothers couch whilst 'looking after her' – this is along with the news that his father has died. The film tracks his life over a number of months and it soon becomes clear that his mother is seriously unwell and needs him to step up to the plate.What this is though is a reflection of his journey and how he deals with it. His hedonism is shown as someone who wants to go out and have a good time – sometimes too much of a good thing turns bad and that is also the case here. It is all parts of life's rich tapestry. Christopher Abbot as White ('A Most Violent Year') carries the role perfectly; he has smouldering good looks that are underplayed by his apparent lack of panache. This leads to an enigmatic and at times powerfully realistic performance.Anyone who has had to deal with great personal loss will find it easy to empathise here and also the understanding that it affects us all differently and at different times. That raw essence of feeling and emotion is captured extremely well here. Having said all of the above this is still a hard film to watch in places – and that is a good thing in many respects. If you like your films to be more honest and deal with things too often 'glossed over' then you may very well find something to like here.

First-time writer-director Josh Mond has fashioned a cinema-verité style drama based on his own experiences of losing his mother to cancer. During a recent Q&A, I learned that he bonded with noted actress Cynthia Nixon who plays the mother of the title character James White, and who also lost her own mother to cancer.What I liked about Mond's protagonist James White, is that he's no sad sack—he's a character that basically likes himself despite tussling with a few demons deep down inside. One critic described James White as an "antisocial delinquent." Others might refer to him as a "Ne'er do well" but I think "sociopath" is a more appropriate moniker.I've met a few people like James White in my life and I'm struck by their narcissism, aggressiveness and almost complete lack of a sense of moral responsibility or social conscience. Still, as we see in Mond's somewhat compelling portrait, James has an honorable side too, manifested in his devotion to his mother, who leans on him for support in her last dying days.When we first meet James, his father (who left the family years ago), has just died and his mother is holding Shivah, the traditional Jewish mourning period, for the family of the father's second wife at her apartment. James appears disheveled after a night of carousing at a nightclub and inappropriately throws everyone out after taking offense at his non-relatives watching a video of his father's wedding to the second wife.Soon afterward, to make matters worse, Nick, a friend of his, gets into a fight at a bar and James also joins in and almost provokes a complete free for all. James promises his mother Gail that he'll look for a job but he needs to take a break first, so he goes down to Mexico with Nick, who recently obtained a job as a clown at a resort. You might wonder how a guy with no prospects like James can so easily find a girlfriend but he has no troubles picking up a woman who he meets down in Mexico, employing a series of glib and subtle pick-up lines. It's a sad commentary that women often are attracted to "bad boys," all the while ignoring the obvious signs that the guy they've become interested in, has little moral conscience.At the midpoint, James suddenly gets a call from his mother that she's experienced a relapse with her cancer, which is now Stage 4. Dutifully, James returns back to New York City where he becomes more unhinged due to his mother's rapid decline and it appears that he's now taking some kind of drugs (he almost gets into another fight, this time with Nick, and accidentally cuts himself). James is unable to fool Ben, a family friend, who interviews him for a job as a writer. James comes to the interview again disheveled and hands in his poetry, scribbled on loose leaf pages, as a writing sample. Ben tells James that he can come back and interview again, if and when he gets himself together. Nonetheless, James tells his mother that he got the job.The rest of the film focuses on James' noble effort to assist and comfort his mother as she succumbs to the ravages of cancer. Despite James' unhealthy co-dependent relationship with his mother, his actions reflect a positive side that we haven't seen earlier. In this respect, we find that James attains a measure of redemption in the good deeds he performs for his mother. Mond's unflinching portrait of a cancer victim (as well as Nixon's startling performance) is quite commendable as there's no sugar coating of this terrible disease.Christopher Abbott's performance is also quite convincing. Nonetheless, Mond's script feels truncated and the denouement, abrupt. I wanted to see what happens to James White—how he turns out. Despite the underdeveloped nature of Mond's story, he's a talent to watch and I'm convinced there are good things to come with future offerings.

James White (Christopher Abbott) is caught in an endless cycle of self-destruction. He has just lost his father and fears losing his ailing mother (Cynthia Nixon) who he has been taking care of for years. He spends his days drinking, sleeping around and lashing out at others, doing anything to avoid confronting his grief and emotions, which he keeps under the surface, bubbling and waiting to burst. Life has been unfair to him, and this behaviour that manifested sabotages any chance of career or personal growth. He might be using his mother's condition as an excuse not to step out of his comfort zone and try harder in life, which is reasonable to some extent, but he can't seem to change. In his prime, he is jobless and taking his mother's couch as a bed.This narratively loose drama doesn't offer anything particularly new in giving us a glimpse into the struggles, both internal and external, faced by James. There is not much closure or emotional reward to be given. This is summed up perfectly in one of the very few scenes in which we see James surrendering to his emotions, crying while repeatedly yelling "I don't know what to do".The best aspect of the film is the acting. Nixon gives an authentic, heartbreaking performance that's understated. Abbott, on the other hand, is given a character that requires patience and sensitivity to sympathize with. James internalizes many complex emotions throughout the film and what goes on in his mind is not always clear to the audience. It's a tricky act to balance but Abbott pulls it off. Their mother-son relationship is the only thing that's certain in their lives and is the core of the film.The film could have very well ended during its most powerful and stirring scene with James and his mother in the toilet. She can't get up, so they sit and talk about what their ideal life would be like and the future they had hope for. They feel at peace as both of them stay in this moment, still and smiling. This is when the bleak reality of the film truly sets in, as we see these people, both kind and full of dreams and desires, trapped in an unfortunate life.