This movie was so-so. It had it's moments, but wasn't the greatest.

Clever and entertaining enough to recommend even to members of the 1%

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

While it doesn't offer any answers, it both thrills and makes you think.

There is a ton of movies about nuclear war that are actually haunting. Barefoot Gen, for example. Some of these war movies are actually really frightening and I had nightmares from them. When it comes to British production, Threads comes to mind.This movie is very different and not in a good way. The elderly couple talks and talks and talks and the only horror I have experienced is the fright that they just won't ever stop. Really. Seriously. After one hour of uninterrupted chatter I just wished the movie would end already.The movie plays strongly at the 'good ol' England" instrument but it is downright silly. The nice elderly gentleman tries to comply with information from the government leaflets even though they are obviously stupid. The elderly woman just behaves as a housewife and cares not a bit about the world or about anyone else. Both of them pretend nothing serious at all is actually happening.First and foremost: As a generation that has experienced 1945 and bombing of Hiroshima and Nagasaki they should know better. There was never ending flow of civil defense trainings and information at that era. Everyone was informed way way better about what to do in the case of nuclear attack. The approach of the old folks to the situation is not just silly, it is simply retarded. Both of them should have been in the nursing home already.Second: There is not a sign of any emotional reaction from these silly folks. It might be because of some British sort of parody, but really: Everyone in such situation experiences horrible stress. Take a look at the "The Day After" - everyone is shaken into the core and on the brink of nervous breakup. For these retarded folks it is just some form of inconvenience. They are cleaning the house as if they just had experienced some sort of wild house party. Do they care about their folks in London? Do they care at all about their neighbors, about their friends? No, let's have a cup of tea, dear! Do you want some ketchup with your sausage, dear? They are not humans. They are some sort of constantly mumbling self centered and almost completely ignorant aliens. This movie should NOT be shown to the children as a warning from the horrors of the nuclear war. They would be bored into the death as after visit of a nursing home. Grandpa Simpson had a couple of both more thrilling and more horrible stories about the war! Watch the Barefoot Gen, watch the Threads, watch The Day After and then compare it with this movie. You may discover the high average evaluation of this movie is just as silly as the elderly couple.

I remember seeing this movie on YouTube. I love the use of live action and 2D animation put together and the story was depressing to watch. During the Cold War, the Soviet Union were having a fight with the US and the whole of NATO and that includes England, the country that these two live in. When WWIII started, we see them dying from radiation sickness through the third act of the movie. What the movie was portraying this two couple saying that they'll survive a war if one is coming, as they did during the second world war, showing determination and confidence that they'll survive a nuclear war, which sadly they didn't in the end, it didn't show but you can tell that they were dead. The music sends a depressing chill down your spine and the story makes you feel sorry for the characters. However, despite it being animated, it is not suitable for young kids.

SPOILERS May be included in my review:It takes a truly gifted film and TV maker to mix humour and light hearted dialogue with utter heartbreak. These talented geniuses reel in their audience and lull them into a sense of light hearted expectation and then sucker punch a hole straight through their soul leaving them feeling like they've hit by an emotional freight train. Paul Whitehouse could do it the 'The Fast Show' (Rowley Birkin QC comes to mind) - as could Sir David Jason's character Derek Trotter in 'Only Fools and Horses' The finale of Ben Elton and Richard Curtis' 'Blackadder Goes Fourth' where they go over-the-top to be shot down instantly in the fabulous last scene ever to be shot in the Blackadder series. You know that you have been laughing real hard the whole way through the show and you know you absolutely should not be laughing now.As I say, a tough thing to do successfully. This animated masterpiece does the same. 'PinHead' from the movie Hellraiser claimed he was going to 'tear you soul apart' - well scriptwriter Raymond Briggs, director Jimmy Murakami, voice actors John Mills and Peggy Ashcroft, Soundtrack contributors Pink Floyd - David Bowie - Genesis - Paul Hardcastle - Squeeze and the hundreds and hundreds of animators do just that..... Who doesn't recognise their Aunts and Uncles, Mothers and Fathers, Grandmothers and Grandfathers in the two elderly main protagonists Jim and Hilda. With their British stiff upper lip, their almost romantic notion of war dating from their experiences in WWII - 'we'll teach the Hun like we did in 42' as an example of their utterly misguided hopes that it will all be OK. It's not OK. It's as far away from OK as it possibly could be. Jim and Hilda are expecting a few bombs and so hide under the makeshift shelter they have built. They built the shelter because the government told them to. The government knew it was pointless to do so but they lied about the survivability of the 300-400 megaton attack the United Kingdom would suffer and Jim and Hilda believed them. Touchingly, during the build up as the mood darkens slowly - relentlessly - Jim calls his son in London to make sure he is prepared for the attack and that his 'inner core or refuge' is built and they are ready to get into it, only to find his son on the end of the telephone in a state of utter mental overload/breakdown. Jim assumes his son is drunk and even though we only hear the conversation from Jim's side it is obvious to everyone *except* Jim that his son has simply lost his mind. Jim almost thinks it's funny, the viewer knows it is anything but.... As the pace quickens and we find our lovable (and we do love them) Jim and Hilda in their inner core or refuge, we witness an amazing animated piece depicting the end of the world as Jim and Hilda know it. The dust settles and the second act is an abject lesson in horrific despair, with an almost clinical breakdown describing and showing stages of the breakdown of the human body and the breakdown of Jim and Hilda's everything. A breakdown of the breakdown of everything ... 20 minutes ago the film was showing us a dear old couple arguing like only those who've been married for 50 years can argue. Good natured banter with Jim pointing out to Hilda that very large thermonuclear weapons are on their way and now is perhaps not the time to be bringing the clothes in off the washing line and finishing cleaning the pots and pans. 20 minutes ago Jim was reassuring Hilda that everything will be just fine once the bombs had gone off and that they can get the mess cleared up when the all clear signal is broadcast.20 minutes ago Hilda was not passing blood in the toilet. 25 minutes ago Jim wasn't vomiting blood. 30 minutes ago Jim and Hilda had a full head of hair instead of the clumps that are falling out now. 35 minutes ago Hilda wasn't breaking out in awful blistering and hemorrhaging from every orifice. At this point the viewers mind is utterly shattered with the complete hopelessness of their situation. As I watched them trying to survive the unsurvivable I found myself hoping against all hope that this lovely pair of old timers would live, somehow survive.....long enough to be killed by the leukaemia and bone cancers that are a near 100% guarantee after their level of exposure I guess... I didn't want them to die, nobody wants them to die, except maybe the crazy bastards with the launch codes tucked away under a mountain somewhere safe and air-conditioned. Hollywood tries to condition movie watchers to an often wishy-washy happy ending.... 'Oh no hold it there sir - there'll be none of that nonsense in this film .... for Christ's sake this is not Hollywood dear viewer, they've just been exposed to so many roentgens that their internal organs are turning into liquid sh|te'Talk about mixed emotions. Just f****** hardcore. Glen Lewis

You'd think today's kids would have some measure of respect for their own mortality - so why do they apparently remain so fearless? Well, unlike the 1970s and 1980s generation, they aren't continually being scared stiff.Consider the evidence: scary kids' telly with scary theme tunes; the potential for drowning in a pre-Thames Barrier London; the daily possibility of being blown to bits by the IRA; icebergs with the voice of John Hurt giving us Aids; heroin screwing us up (or at least giving us unsightly acne). And the granddaddy of all bogeymen: da bomb.Permeating all aspects of pop culture, from 'Two Tribes' to Threads, the ridiculously real threat of nuclear annihilation gave us all the screaming abdabs - not helped by Jimmy T Murakami's adaptation of Briggs' graphic novel 'When The Wind Blows', a darkly satirical riposte to those fatuous 'Protect And Survive' leaflets (and an exact photo negative of Disney's 1957 propaganda cartoon Our Friend The Atom).For Jim and Hilda Bloggs, taking a few doors off their hinges and climbing into a brown paper bag should be enough to ensure their post-holocaust survival. After all, the government wouldn't lie to us. Would they?