Fantastic!

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Scene after scene of American idiocy and simple lack of decorum on the part of pretty much every character. A view of what people become when the refuse to live by standards of conduct or character.

This is not necessarily a laugh-out-loud comedy (save for a few moments), but it made for a really entertaining watch. The intriguing premise sets up a quirky, unique world with fascinating and memorable characters. Most viewers were probably drawn to this film because of Nick Offerman, and he did a fabulous job, but the other actors embody their characters so well that Offerman's isn't even the best performance. The writing of this film is great, always pushing the story to exciting and unexpected places. Dialogue was hilarious. I particularly loved the storyline with Kieran Culkin's character Ben, which got better and better as more information was revealed about Ben. I can't think of anything bad to say about this movie. If you're into simple, low-budget indie films, give this one a shot!

The unique premise of babies that don't age is an interesting side plot to provide an effective allegory for the main plot. The performances from the ensemble cast are appropriately dry and very entertaining and the cinematography adds a lot to the quirky yet formal tone. I would recommend this film to anyone in the mood to think. This film is a slow burn, but a very good, very effective slow burn.

Infinite Baby premiered at Austin's SXSW Film Festival. This local product was a failed attempt to satire something although it wasn't really clear what it was trying to do. The audience seemed confused and befuddled and asked the director – who seemed like he might be drunk – fairly gentle questions, because they didn't seem to know how to break it to him. There was some attempt to make fun of parenting and dating relationships. Some individual scenes were mildly funny and might have worked as SNL sketches. But the screenplay was a mess and the skilled actors couldn't really save it. There is no point in this film being widely released. Back to the drawing board.