Scanners III: The Takeover
A young scanner with extraordinary telepathic powers transforms into a lethal killing machine after taking one of her father's experimental drugs.
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- Cast:
- Liliana Głąbczyńska , Valérie Valois , Steve Parrish , Colin Fox , Daniel Pilon , Peter Wight , Michael Copeman
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Reviews
I love this movie so much
A Masterpiece!
I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
The film never slows down or bores, plunging from one harrowing sequence to the next.
Opening with a Christmas party in which a scanner shows off his powers with unexpectedly tragic results, this second sequel to David Cronenberg's 'Scanners' begins on a chilling note. Things only get more interesting as one of the party guests soon has to use her scanning abilities to fend off muggers, which results in massive headaches (having avoided scanning in so long) with a possible cure in an experimental nicotine patch style of sorts. After this promising start though, the plot soon derails as the patch as the side effect of turning her into a homicidal megalomaniac, similar to Raoul Max Trujillo in 'Scanners II'. Lead actress Liliana Komorowska manages to chew the scenery even more so than Trujillo though in such a wildly exaggerated performance that it is draining to watch. There are also a host of ill-defined supporting characters who inexplicably wear sunglasses all the time (to stop accidentally scanning??) and as she manages to control others through television sets, her powers end up more fantastical than pseudo-scientific as in the first two films. 'Scanners 3' does, however, deserve some points for presenting a more original plot than Part 2. There is also quite a bit of humour in the mix (forcing an obnoxious date to dance; waking up in a morgue) and the special effects are uniformly excellent, but this is a hard film to get excited about.
Scanners 3 could just be the most unrelentingly ludicrous film in movie history, no exaggeration. I'm actually surprised it doesn't seem to have built up a retro cult fanbase the way movies like Troll 2, The Room or Samurai Cop have. I think it could easily reach those giddy heights of 'so-bad-it's-ridiculous' acclaim if enough of the right audience saw it. It veers like a drunk on steroids from one totally demented set piece to another, never pausing long enough to ask itself wtf is going on. The acting is gloriously OTT, especially from the female lead who comes across like the ultimate pantomime baddie, cackling sneering and roaring her way through the film with a luminous green flashing circle stuck behind her ear (don't ask).It seems pointless describing much more. If you're a fan of the bizarre, the absurd, the bad, the twisted, the preposterous, the uncanny and the warped, then enter this way and bring a crash helmet. It's years since I saw Cronenburg's original and I can't even remember if I saw the first sequel, but Scanners 3 must surely stand alone as probably the most bonkers piece of cinema, of the 1990s at least, but possibly ever?
This movie is misunderstood. It caters to a very specific audience that enjoys seeing power abused to create injustice. Much like other movies of this type, much of the movie focuses on the main villain. The villain uses their disproportionately powerful abilities for pleasure and profit. People who look too deep into the plot will be disappointed for they didn't grasp that the movie is a pornography for power, affluence, and domination. If you enjoy seeing people struggle from the overpowering supernatural abilities of an immoral female protagonist disguised as an antagonist, then this movie is definitely for you. There are very few like it, and in that sense, this movie is a gem. Other movies that resemble to this on are Supergirl, Stardust, I Dream of Genie, Zap 3, and Matilda. All of which had a poor score because most didn't understand what the target audience was.
A young female scanner turns from a sweet young thing into a murderous, power-crazed villain after she takes an experimental drug developed by her father. Her brother, who is also a scanner, is the only one powerful enough to stop her.We start out with the standard good and evil plot, brother against sister... but, in all fairness, this is a plot structure that works. From there, it actually gets much more creative, introducing the use of Eastern meditation to control the scanning and the use of TV to more widely broadcast scanning.Some memorable moments are here, too, including the mind-control dance scene, the Taiwanese boxing and plenty of firefights and explosions, including an arm that flies off.As with "Scanners II", this definitely could have been a series, even more than the last film. The ideas developed here really set up a broader picture of good scanners against bad ones, and how such powers could be used not just on a combat level, but to actually infiltrate and dominate society. There is much potential.