SERIOUSLY. This is what the crap Hollywood still puts out?

Overrated

I like Black Panther, but I didn't like this movie.

It's an amazing and heartbreaking story.

I won't say this film is a pure masterpiece but it is definitely a good film noir. I admit it is slow, sometimes a little too long on some scenes, such as this one in the warehouse and borrowed from RESERVOIR DOGS, with a little too much talking. But the story, even foreseeable and cliché on some points, reminds me Phil Joanou's STATE OF GRACE, remember, starring Sean Penn, another film noir involving friends, brother and the gang, where Ed Harris could be imagined in the Harvey Keitel role. Yes, I definitely love this little unknown, at least, not known enough, feature very dark, gloomy and not for all audiences. I have seen many of this kind and have hundreds of those in my huge Library. I will never get tired of that. Never, over my dead body.

Set in Boston we meet Nick Tortano (Ben Barnes) he works for Salvatore Vitaglia (Harvey Keitel) in what is seen as the dying days of Sicilian mob rule – with the new eastern Europeans taking over. Nick just wants to be a 'made man' and in doing so has become estranged to his father, but has a best bud in George (Slaine) who sort of gives him a leg up – but he has more of a taste for wanton killing than does Nick.Throw into the mix a little illicit gambling, the ubiquitous lap dancing club and a stereotype Mafiosi or two and you have the general ingredients for a decent film. But this has all the pieces in the wrong place, the slow burn lacks any menace to keep you interested and when the violence does come it is so rushed that you could almost miss it. There is no exploration of the new wave of gangsters or the police doing a single thing – which is a bit odd but would have added something to an otherwise stagily linear narrative. No-one was dusting off the awards cabinet for this one either, but Slaine was good and Keitel can do no wrong. Barnes as a lead was just too nice to be convincing, but did a fair fist of it. This is one that is probably OK for a rental with some beers, as indeed I did, but it is no way going to be a keeper. If you love all things mob related then it is probably worth a go, but do not expect to be blown away.

Imagine if you will all the scenes in 'Mafia' films that have stirred your imagination or induced a sense of wonder at the 'mob' culture both at the internal structure of the 'family' and the loyalty that it demands, or, the dark and depraved levels of brutality that is served colder than yesterday's Ziti. Each film, and let's not forget the wonderful Sopranos series depicted more than their fair share of gruesome details. Now imagine hurrying to fill every scene, sub-plot and hard hitting moment into one film? Well, this is it. This film seems hurried, the scenes are empty and the plot holes and unbelievable relationships between characters are clear and awkward. This is a film that you think you've seen before simply because there's nothing original to the viewer. I did find myself saying 'no' at predictable story lines... I did say 'no' rather a lot!The best thing about this film was smiling at Harvey Keitels New Jersey? accent.

"You watched the first half of Goodfellas like a thousand times." That is an actual line from this film that feels more like a critique of itself. By the Gun is a Scorsese wannabe film that has terrible dialog and even worse accents. The only thing worse than being a Scorsese wannabe is being a Scorsese rip-off and while By the Gun does have moments of blatant plagiarism, it does quite fully embrace it. The dialog and screenplay feels like they are excerpts from better films in the same genre. It never quite gels coming out of any of these actors outside of Slaine and Harvey Keitel. The best part about this film is Slaine, he turns in a good performance but his character feels more and more like Jackie Boy from Mean Streets going into the third act. Harvey Keitel is...well, he's Harvey Keitel, this guy created the tough guy so he gets a pass just because he plays this part in his sleep. Leighton Meester does her best here and it is nowhere near enough to salvage the cast from being a complete disaster. My last and final complaint about the cast is more a question than anything, but what in the hell is Toby Jones doing in this film and what the hell was that accent? Furthermore, the film is too bright and vibrant. What we're seeing isn't doing the moments of grit any justice, they're glossy, crisp and hardly the vibe it wants to be going for. But, setting aside a terrible cast and poor cinematography, what is most important here is that this film isn't entertaining. It isn't interesting, it falls in line with being another poorly done mob film that was lucky enough to get picked up by a distributor.