Black Bread

NR 6.9
2011 1 hr 48 min Drama , Crime

In the harsh post-war years' Catalan countryside, Andreu, a child that belongs to the losing side, finds the corpses of a man and his son in the forest. The authorities want his father to be made responsible of the deaths, but Andreu tries to help his father by finding out who truly killed them. In this search, Andreu develops a moral consciousness against a world of adults fed by lies. In order to survive, he betrays his own roots and ends up finding out the monster that lives within him.

  • Cast:
    Francesc Colomer , Nora Navas , Roger Casamajor , Lluïsa Castell , Marina Gatell , Laia Marull , Sergi López

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Reviews

Lawbolisted
2011/04/29

Powerful

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Borserie
2011/04/30

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

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Donald Seymour
2011/05/01

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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Guillelmina
2011/05/02

The film's masterful storytelling did its job. The message was clear. No need to overdo.

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juanpide
2011/05/03

This movie is a little bit overrated. In my opinion it received the Goya award NOT for its quality but because of political reasons and string-pulling, like many other things here.The movie is not too bad, sometimes boring, the best thing it has is the gracefulness that comes from the kids, whose acting is just right, maybe overacting, and the scenery and customs are right too. Sometimes you feel you are in a theater instead of watching a movie.The story is absolutely not original, we are tired of always the same, the dictatorship. Spain suffered from a civil war and a dictatorship that clashed different social classes and political convictions. But nowadays some people tries to rewrite it and show it as a war against Cataluña, a region of Spain that has never been a nation or state before, though some try to distort history.We had a bad period but we need to go on.

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Armand
2011/05/04

dark movie. about truth and its price, about illusions and the need of lies. the scene - Civil War shadow who represents perfect arena for a kind of story. like many Spanish films about same period, it is an exercise of exorcism. a child front to reality. the fall of veils. the cruelty of discoveries. it is not easy to say if it is a good or bad movie. because the answer is not on screen. the theme, the acting, the images, the chain of symbols, the final are only a circle. a frame. the real answer, one of them, is work of viewer experiences, memories, impressions. Francesc Colomer has an admirable work and the Balkanic layer of story is almost seductive. but something is more important - the large shadows, the heavy air, the powerful emotions, the force of each detail.a film like a string of answers. in skin of a question out of words. only the ash of images. and traces of a deeper war than one from a history lesson

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jotix100
2011/05/05

The world of Andreu is shattered, as the story begins, when he comes upon a wreckage where a neighbor and his son were involved. The almost unwatchable beginning marks the young boy forever. This was the Catalonia of the post war. The small town, in an impoverished rural area where a drama that began a few years before the initial tragedy, serves as the setting for this tale about the coming of age of Andreu. Farriol, the father of Andreu, has a lot to be afraid. He wants to flee to France, but ends up at his old mother's house where a lot of widows share the space with the bitterness of their lives. Andreu is sent by his mother, Florencia, to stay with his relatives. It is hard for her to keep working at a small factory and tending her young son without the husband that has gone away.In the new surroundings, Andreu, unravels secrets that are long buried. The defection of his father Farriol weighs heavily on the boy. The atmosphere is oppressive at best. School is not a pleasant place to be either. The only teacher is a man who should not be near children. Andreu discovers his father's role in a horrible act of castration performed on a young man whose only fault was to be a homosexual.The well-to-do family of the Manubens, where one of Andreu's aunts works as a servant, are the key to the well kept secret the whole town knows, but do not dare to speak. Florencia's only alternative is a sacrifice: she will let the rich Manubens take Andreu away so he can be educated. Florencia coming to visit Andreu at the catholic school, is shocked to find a totally changed Andreu as the story ends."Black Bread" was the winner of last year Goya for best film has its merits. Based on a novel by Emili Texidor and adapted for the screen by its director, Agusti Villaronga, it presents the oppressive era of the post civil war era in that part of Spain. The story is complex. Seen through the eyes of the impressionable Andreu, he watches the adult world around him, not being able to absorb the bizarre story behind it. Loving his father, Andreu feels betrayed as he finds out about an ugly episode in which his old man was involved, as well as his mother being sexually abused by a cruel mayor of the town. It is Asuncion who makes the ultimate sacrifice in order to see Andreu get an education, only to be met with his scorn.Young Francesc Colomer is Andreu. We have never seen the actor, so our impression is that his experience is mainly from working in television, not a guarantee to make a good performer in another medium. The best thing in the film is the Asuncion of Nora Navas who gives an excellent performance as the mother of Andreu. Sergi Lopez and Eduard Fernandez have done much better before. They are seen basically in supporting roles.

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JvH48
2011/05/06

I saw this film at Noordelijk Filmfestival 2011 (in Leeuwarden, province of Friesland NL). We know very little details from the Spanish civil war, and the period after that under Franco. Our history lessons did not cover it at all. But we could deduce a broad overview from the ingredients that were offered to us throughout the developments in this film. History lessons were passed to us along the line, piece by piece.A lot of characters are introduced in the story, none of them redundant, even the minor roles have their place and cannot be left out. Their evenly dosed appearances were always understandable, never letting us feel overwhelmed. I was very happy this to be different from some costume dramas, where the viewer looses control and cannot remember how all these persons relate to each other and how they fit in the plot. No problems like that in this case.Our sympathies with the main characters had to move from time to time, given new facts coming to light, or new suspicions that were seeded by not-so-innocent bystanders. Choices that seemed apparent at first, changed perspective from time to time. I eagerly followed those new directions, and could not escape from the story line (even if I wanted to). It definitely proves that I got involved in the motives of the characters. Well done, obviously having an ingeniously constructed script to work from.All in all, I found the 108 minutes spent very well. The story has much drive, and its outcome cannot be predicted, maintaining the whodunit tension throughout. Also, the film shows several characters to have a better side, in spite of making a negative impression at first, for instance the school teacher. Reasons enough that the film can be attractive for a broad audience. However, I fear that the "official" announcement text won't work on the casual reader.

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