Thanks for the memories!

Such a frustrating disappointment

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Yuen Woo-ping is the sure hand behind this outstanding Jet Li martial arts flick which is among the best films in the actor's career, as well as being one of the top period martial arts films I've had the pleasure of watching. The story itself adds an emotional layer to what is a fairly novel and remarkable premise: two childhood buddies end up going their separate ways after many years of friendship, and finally become bitter enemies. Typical Chinese humour of the slapstick variety enlivens this movie, which offers 95% of top-notch action and dispels with those boring plot exposition moments. The only problem with the film is the (very) noticeable wire work, especially in the final sequences, but this doesn't spoil what is a very fluid and beautiful film to watch.Jet Li seems more self-assured and amiable here than he did in the ONCE UPON A TIME IN CHINA movies, and he's ably supported by a strong cast that includes an excellent Yuen Cheung-Yan as the unlucky Reverend Ling and ass-kicking Michelle Yeoh as the feisty female lead. The bad guy is actually fleshed out here, with believable motives, and it's fascinating to watch as he's corrupted by power. The film doesn't shy from the violence, which is always cartoonish and therefore entertaining. The fights are plentiful with lots of props getting smashed to pieces, people jumping and flying all over the place and all kinds of other outlandish things going on; it certainly beats the po-faced seriousness of CROUCHING TIGER, HIDDEN DRAGON any day of the week.

As a t'ai chi player, I watched this film hoping to see a lot of t'ai chi (I'd already started running scenarios in my head where the brash young Jet Li learns t'ai chi from Michelle Yeoh). In this respect, and only in this respect, I was disappointed, as this is not a t'ai chi film but a story about how t'ai chi came to be. In every other respect, I was supremely satisfied. This is first class wuxia, alternating crazy fights with goofy humour, with a little tragedy and philosophy thrown in. Of course this mix will probably be insufferable to anyone who isn't into wuxia, but if you like the kind of martial arts films where combatants call out the name of the move they're about to do, you'll love this. Incidentally, you'll notice the inspiration for a fight in Charlie's Angels in one of the early scenes: "And this one's called knocking you on the head."

This film, along with Jet Li's other hit Fist of Legend, helped to mark a new genre of fighting films, (along with Jackie Chan of course).Choreography is nearly unparalleled by other martial arts films during this decade. The action is awe inspiring and revolutionary. Also, many of these stunts are amazing.While there are many serious fight scenes, there are some comical moments to break the ice when there is very little action. There is also some interesting pivots in the story line.Obviously this is not a westernized Jet Li film and shall remain untouched by Hollywood. So there is no hip-hop for background music, nor clichéd car chases, nor is there a typical rapper as a co-star. The directing and settings are both successful in their classical Chinese form. The only thing western is the English dubbing, which is cheesy yet funny to listen to.I cannot give enough praise on this movie as it is but you will have to see Tai ji: Zhang San Feng (a.k.a. Twin Warriors) for yourself, even if you are not into Kung Fu movies or even if you don't like foreign films. One of my favorite movies all time!

Hong Kong kung fu cinema is a complicated genre to navigate for the uninitiated. People's opinions differ so wildly from movie to movie that what you consider a gem may be a relatively obscure movie. In other words, everyone has their own favorite kung fu movie, whether it's Crouching Tiger, the 36th Chamber, 5 Fingers of Death, or - in my case - this one.I just watched this movie for the second time, and I'm even more impressed. There's something about its energy that's just completely unflagging, ferocious. The meaning and the lethal glare with which Chin Siu-ho (criminally under-billed: what a performance!) lowers his hands after performing the Buddhist Palm on his superior. The impossible fight in the temple; the legions of talented extras! The endearing innocence which Jet Li brings to his character, and the fluidity of his "Taoist boxing", real or assisted (remember when he acted like the punching bag, swinging around and knocking his weight into his opponent as if he had concentrated all his weight in his feet?) The picture and sound are much lower quality than other Yuen Woo-ping movies within a year's radius (Iron Monkey, Wing Chun), but it's difficult to notice such superficial markers of quality when the pacing, emotional power and action of the movie so surpass the era's other offerings.Another of the movie's fine points is the natural flow of its few comic sections. I often find the comic relief in "serious" kung fu movies to be stilted and awkward. Slapstick can be done ingeniously (Stephen Chow movies), but when it's stuck randomly in a movie that otherwise portrays itself as serious, it can be disastrous. The humor in the Tai Chi Master is applied with a light touch, so you can laugh instead of frowning and looking uncomfortable.But what really separates the Tai Chi Master from other excellent kung fu movies with direction and energy is its firm moral compass. When was the last time you saw a movie that knew right from wrong, but didn't make a big deal out of it? Note the distinction between right/wrong and good/evil: If Hollywood made this movie, it would be a movie about good and evil. Instead, we know that Tianbao was not intrinsically evil - he was just "wrong" ("We were wrong, Master!") A movie has little to do with real life if its characters are one-dimensional incarnations of the primeval forces of good and evil. Yet in spite of all this, the Tai Chi Master is not a heavy-handed movie "about" right and wrong - it just contains the answers."My hands do not have strength and power. My heart embraces peace and calm. Resigning myself to adversity. Seeing richness out of the void. Violence be turned to peace. There are always guiding fate. Dynamic or still. Divide or multiple. Follow fate to go in and out of mortal world." The theme song is poorly translated in the subtitles, as it should be. What is verbalized knowledge but something vague and suggestive of personal revelation? In the words of a character: "I've studied Taoism all my life, but you realize its truth all in a blink. You'll be the master of masters. I should probably retire."