The Postman
In 2013 there are no highways, no I-ways, no dreams of a better tomorrow, only scattered survivors across what was once the Unites States. Into this apocalyptic wasteland comes an enigmatic drifter with a mule, a knack for Shakespeare and something yet undiscovered: the power to inspire hope.
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- Cast:
- Kevin Costner , Will Patton , Larenz Tate , Olivia Williams , James Russo , Daniel von Bargen , Tom Petty
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Reviews
Load of rubbish!!
Best movie ever!
Am i the only one who thinks........Average?
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
This is one of those movies I can watch repeatedly. Sure it's not perfect but I give it a 10. The actor who played General Bethleham did absolutely perfect and I liked Kevin Costner very much. It's a great story that doesn't totally make sense but it's 100 times better than most movies like Star Wars the last jedi.
The reason I loathe this movie is it doesn't do any justice to David Brin's stunning novel and the concepts within.The movie takes the most simple plot lines from the book: freedom vs. tyranny and a a loose love story, while ignoring the major points of what constitutes a society, how we choose lies to define us (for better or worse), technology vs. morality, augments vs. neo-hippies, tech- worship, etc.It's embarrassing considering the wealth of riches they had to draw from in the novel.
I am uncertain why, or how this was eviscerated to the extent it was.It is a wholly solid effort, with more then apt acting from the leads. The story concept via David Brin's novellas, is a loose translation of that work, and as the story advances, differs greatly from the 2- 3rd novellas in that story line. However, the overall concept, is conceived accurately of symbol of civilization combating oppression of freedom via the overreaching tyrants of the eight (in the movie). Every once in awhile, both critics and audiences, seem to miss the mark on a review rating, though rare, I would consider this a exception to both ratings. Its far superior to what the usual lambasted professional critics gave it, and I would think the average audience reviews should be a bit higher then it is.
Well, I really put off watching this one for quite a long time, having just given it a first chance at long last. Not quite love at first sight, but the early scenes in the film have a quiet majesty and intrigue about them that's hard to deny. Costner's performance has a real core, and as the film expands in scope to include dozens of characters in an epic post-apocalyptic sprawl, Costner in his role as director generously allows the actors to really inhabit the space, creating strong characters nearly across the board.It's a long film, and it has several distinct sections with different mood: the early laconic wanderer, then the bitter prisoner on a wild escape, and eventually we get Costner as a revolutionary organizing young people into ad-hoc postal committees to spread information and propaganda against the sadistic fascist regime of Bethlehem (Will Patton). The later parts of the film have a sort of "Red Dawn" vibe about them, with almost as much nationalistic flag-waving as Milius' film but less of a pro-military attitude. Costner takes his themes and his story seriously, which is admirable and certainly ambitious, but the whole thing is really too sentimental, particularly in the denouement. He has this obsession with slow- motion close-ups of people riding on horses past other people..... just cuz it looked cool in "Dances With Wolves" doesn't mean he needs to do it in every other shot. Although I'm sure her presence in the film did young Olivia Williams no good, her performance is credible and, again, Costner deserves praise for moving over and letting her steal a lot of their scenes together. Paxton is fascinating, but ultimately not gripping enough to be a great movie villain. It's a unique film in the post-apocalyptic genre because it has a lot more focus on character and mood than just about anything else I've seen, at least up to its time.