Excellent adaptation.

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

The film never slows down or bores, plunging from one harrowing sequence to the next.

The movie feels like an old black and white movie due to the slow pacing and the nature of the dialogue, which is perfect for the atmosphere of the movie. This movie is incredibly tragic and depressing, but heartbreakingly realistic. It's so grim that it's hard to watch at times on account of the overwhelming gloom. Yet the saddest scenes are the most poignant ones. If you've seen Jared Padalecki as Sam in Supernatural or as Dean in Gilmore Girls, you know that he is a master at portraying youthful innocence in a grounded, relatable way. Sam and Dean were never quite as optimistic and idealistic as Thomas Kinkade is in this movie, so it's a marvel to see Jared add such depth and uniqueness to Thomas without making him anything remotely like Sam or Dean.

Sons coming home for Christmas and their discoveries about themselves, their family, and their Source of inspiration leaves the watcher wondering about what they value most, who has influenced them. An excellent film to watch with your entire family. The acting, the wisp of humor, the characters are all captivating! The true story will and does inspire the artist in each of us to draw upon those experiences that change us. Thomas Kincaid is an artist that is known world round and this movie is a tribute to his mother and Peter O'Toole who captures the character perfectly. This film carries in it the quality of "Its a Wonderful Life". A great holiday flick for the family.

Thomas Kinkade's Home for Christmas is an old fashioned film, yes. It fits very well with Kinkade's art; indeed, the film is a wise nod to his magical paintings. Much like his work it can draw cynics and negative, self-proclaimed pundits like a magnet draws iron filings. The story is essentially the inspiration behind Kinkade's central work and his raison d'être…how it all came to be. For many of us, especially those puzzled by the scribbling and bizarre compositions that pass for abstract art…work that must come while the artist has his tongue deeply embedded into his cheek, and further, work that can be analyzed and described in 1,000 different ways, each a product of the imagination… the charm of the alternative Kinkade depictions of the dream-like reality of a place where the heart wants to be is a respite and a place for us to rest in this weary, war-torn world of endless crime and violence.As a filmmaker and writer of some note I found the production a bit uneven but then there were moments that were spot-on and in the balance the film succeeds very well. The cast is fine, the production values are very acceptable and the story, which could have used a bit more imagination and forward thrust, ends well and succeeds to give the film its reason for being.The story of how Thomas Kinkade obtained his gift is fine but there's a far more salient, exciting and bigger story to be told because the man happens to be one of the most successful creative commercial artists ever produced by Americana. We look forward to that story on film, perhaps with a bigger budget, more exciting production values and a stronger script. There is nothing that pleases the American (and perhaps to a greater degree today) world audiences… like the story of success up from the bottom rung of the ladder.

The sorts of ready disparagements this movie will attract?Is it too full of swiftly drawn caricatures? Too relentlessly brave? Too syrupy sweet? Too anticipatable? Too small town? May all films be so lucky. Director Michael Campus, is a humanist. He allows himself to be known for the divine sentimentalist he is on the DVD Special Features and film commentary (joined by the artist of enchantment himself, Thomas Kinkade, whose reminiscences infuse the stuff of real life), all of which should be carefully viewed and heard. I immersed myself in this heartening film like a hot tub!Charlotte Rae does not appear to be listed in the cast on IMDb - an oversight or am I going blind? She stole every scene she was in! What a trouper, what a mobile face, what a voice! Playing Vesta, the church organist, she is fabulous! Don't miss her Christmas comment in the Special Features section - she radiates the Christmas spirit - and she's Jewish! ;-)What's so compelling about this film are the outright love, tears and camaraderie out of which it was born. That the story is TRUE makes it, perhaps, awkward to make it all-inclusive of those memories. I have a Thomas Kinkade print (not an original, of course, since I, too, am on an "early Maryanne budget") of a rainy street scene, which, with a jolt, I thought I recognized in front of the the mother's place of employment. Could this be? Kinkade's early struggles along the way are the grist of this warm-hearted seasonal movie which illuminates the cherished Illuminator in a most moving way.Jared Padalecki, a gorgeous young actor, carries the film, or, better, soars with this film on youthful wings with so many older, more experienced thespians of obvious renown. Such a nuanced and tender performance! He is bound to become a household word.Marcia Gay Harden - as Kinkade's mother, Maryanne - is luminous. I have seen such as Juliet Binoche in "Chocolat" playing selfless women, but Marcia Gay is right up there with the Living Saints! This is the way people should treat one another in this world. The real Maryanne, we learn, lives very near her son Thomas today and basks in the successes of both her boys: Patrick (very well-portrayed by the fresh-faced Aaron Ashmore and Thomas. Obviously, all Maryanne's sacrifice and hard work came to grand fruition.Richard Burgi is commendable and markedly original in his embodiment of the absent Kinkade father, who might have been treated vengefully, since he abandoned the family when the brothers were but small boys. Instead of rancor, this family shows him acceptance and love in later life. Burgi's performance captures,Thomas Kinkade says, the idiosyncrasies of their madcap father. He's a kick.Peter O'Toole? What can you say? Tried and true, he shines like a Christmas Star in anything he touches. And as Glen Wessels - the generous artist who, as Fate would have it, happens to settle near the Kinkades' rundown cottage - he mentors the young Thomas. Jewels of languid British cadence fall from O'Toole's gifted lips. He offers guidance, wisdom, and, with trembling dignity, rescue. I was moved to tears several times during these remarkable scenes.Geoffrey Lewis gave such a winning performance as a grief-stricken father who has lost his son in battle. He melts the heart. Lewis's face, so open and guileless, suspends any reservation or disbelief and sustains the movie magic. Chris Elliott, in a Fezziwig topknot, takes and runs with the role of Ernie, the Chamber of Commerce guy who is into publicizing the town via japes, loud ties, and hustle. He is too perfect.Ed Asner as the agent? Solid as granite and manly as a bull. What a cast, what a cast! How was it gotten together? The work that went into this labor of love - initiated by a chance meeting of the Campuses and Kinkades at a Carmel, California restaurant! Such serendipity makes believers of us all - nice guys CAN finish first.I can't list all the players (each so perfectly fitted into a glowing Christmas mosaic), my time is up. Try to see this one at Christmastime and linger over it, as I did, so gratefully.