Pretty Good

Although it has its amusing moments, in eneral the plot does not convince.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Jackie Moran and Edith Fellowes are two bratty adolescents who fight like a dog and a cat and utilize their antagonism to prevent their single parents (widowed father Melvyn Douglas and divorced mother Mary Astor) from getting married. But each scheme they concoct only serves to bring the adults closer together and of course create an understanding between the children who, like a dog and cat, really adore each other, just too stubborn to admit it. Some of the funniest situations involve a soap-consuming dog who makes the entire ski resort lobby think he's "mad" and Moran's use of bee-bee spitwads in a crowded dining room. This is so sitcomish that I am surprised that Columbia didn't do a sequel, "And So They Were Siblings".

Two terrific actors, Mary Astor and Melvyn Douglas, star in "And So They Were Married," a film from 1936 featuring Jackie Moran, Edith Fellows, and Donald Meek.Astor and Douglas play Edith Farnham and Stephen Blake, a divorcée and a widower, who get off on the wrong foot at a ski resort. Edith's daughter (Edith Fellows) is used to her mother being around all the time, and when she sees Edith warming up to Stephen, she becomes jealous. She and Blake's son (Jackie Moran) decide to break them up by pretending to hate one another.I love Mary Astor and Melvyn Douglas, but I did not enjoy this film. First of all, it had animal abuse played for laughs. Horrendous, and that alone earns it a low score. The children were obnoxious.This was a short film, maybe even a second feature, which seems ludicrous. I'm not a student of Mary Astor's films, but what she was doing in a B movie in 1936 when her star didn't start to fade until a few years later. It's possible she had to do it to fulfill a contractual obligation. Douglas, of course, had only been in films since 1932.Skip it.

This has to be one of the most contrived movies I have ever watched. It just seems way too "set-up" to be anything approaching real (even Hollywood's sense of what "real" is).If that isn't enough, despite being made in 1936, by which time there were more modern approaches to movie making, this film seems much older...perhaps from the 1930-1933 time period.In fact, there is only one good thing I have to say about this film -- there's quite a bit of real outdoor photography, and it's quite good, particularly during winter in the mountains. Unfortunately, the portion of the film inside the lodge (most of the movie) seems staged...in fact it has that feeling of a stilted stage play.The two leads are fine actors -- Melvyn Douglas and Mary Astor. But neither could save this dead fish, and in fact, their performances here are -- in my view -- perhaps the worst of their careers. During the first part of the film, the two take an instant and intense dislike of each other, but it's so excessive that I actually found it annoying. It was very difficult to not simply turn the film off, but I finally decided to continue watching for the most wrong reason there is to watch a movie -- to see just how lousy it really is. The two not only warm up to each other after a while, but fall in love. But it just seems so totally fake! He had a son, she a daughter, and here the female couple are all the more annoying since they have both become man-haters. Unfortunately, the children remained annoying far longer than the adults.I am giving this film one of the very lowest ratings I've posted on this site. Stay away! It's poison!

I must qualify my rating of this picture - I am a pure unadulterated Mary Astor fan, and I must ask myself, 'Would I have given this film the same rating if another actress were playing the part?' Honestly, no. I cannot say that the story isn't a bit trite. Here are two children, played by Edith Fellows and Jackie Moran, who, wishing to keep widowed and divorced parents to themselves, plot to thwart the blossoming romance between Mom (Mary Astor) and Dad (Melvyn Douglas). With predictable results. Douglas was a fine comedic actor, and his presence certainly helps lift the picture over some of the rough spots. The kids were pretty fair actors in their own right, and do not at all detract from what could have been a pretty dismal effort. In her biography, Ms. Astor confirmed that she rarely argued over the quality of a script. She went to work and did the best she could with the material given her. This is one she may have been better off choosing to be difficult about.