I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Blistering performances.

Olivier Assayas's film 'Something in the Air' is an affectionate, although not uncritical, look at the lives of young French radicals after 1968. Watching it, you get an interesting sense of an era when students were interested in something other than building their careers (although the protagonists don't all completely abandon their bourgeois dreams); there's also the contrast between their profound political beliefs, and the feeling that their beloved freedom is basically the freedom of being young and moneyed - the revolution as a gap year, so to speak. The way that a life spent chasing experience ultimately does not build the foundation of lasting relationships is also well-conveyed. Overall, the cast are a little too beautiful - who wouldn't be a revolutionary when the benefits were so obvious? - and if the film has a serious weak-point, it's in not fully explaining quite why youth was drawn to the counter-culture except in a vague, spirit-of-the-age type way. A final quibble - the English translation of the French title (Apres Mai) is an awful one, better befitting a light romantic comedy.

Great movie that does put you in the shoes of those 60 and 70's idealists and lets us contemplate the beauty of their existence, and I mean the kind of movie like Melancholia, which makes you feel things from such a different perspective. The movie does not deal directly with contemporary contradictions of idealism, but it is undeniable that this issue awakens in us when witnessing the characters strife for integrity. It somewhat scented like Spike Lee way of proposing a theme for me. It weaves some plots which are left in low key, just to draw our attention to what really matters for the narrator. We are dealing naive yet sophisticated people - which is the beautiful paradox of their being. I must say that I didn't like a pair of choices like that insertion of Laura when Gille is reading her letter in the subway. For me it breaks the harmony, it is kind of out of the blue solution - though it has its coherence, and, again reminds me of Spike Lee's Jungle Fever.

A miniature portrait of the student movement, that focuses around a group of few passionate youngsters.They do not just want better rights and more acknowledgment; they are prepared to fight in order to get it. It feels the world is at a turning point and so are their lives. If they do not fight for a better world, then what is it all for?The struggle begins full of zeal, passion and fervour. The time, being unforgiving to all, changes everything. The views of society change, ideals and lives. Through fighting, facing consequences and experimenting with free love and drugs our heroes find themselves facing new realities and challenges. The goal seem to have been achieved, what now? The existential question in everyone's minds.Though low key, it has enough youthful energy that exhumes passion, inspiration that can stir the audience's thought process expecting from all of us to not lose sight of our ideals, the very thing that makes us human.

"Something In the Air", the latest film from French auteur Olivier Assayas feels like his most personal since "Cold Water" in 1994. Both films feature a young man named Gilles (this time played by Clement Metayer) acting as the surrogate for Assayas himself, tantalizingly poised on the precipice of awkward adulthood. But where "Cold Water" dealt with interior feelings of belonging and amour fou (in the relationship with beautiful but dangerous Virginie Ledoyen), the stakes are a bit higher in "Something In the Air". Set in Paris after the May events of '68, this Gilles and his close sect of friends find themselves mixed up in violent student activism… so violent that they accidentally hurt a security guard during a routine vandalism attempt and are forced to split up in hiding. And while the first third or so of "Something In the Air" deals with these subversive acts of revolution, the real thrust of Assayas' narrative kicks in after this action, setting up Gilles, Christine (the wonderful Lole Creton), Alaine (Felix Armand) and their various lovers to seek out their own paths in life. The title, while initially evoking the revolutionary scents in the air, subtly changes to denote the forks in the road each individual takes with their lives. Assayas handles all this reverie beautifully, never losing his gentle touch on relationships and staying to true to the way he continually crafts a knockout finale. It may not all be 100% accurate, but the way in which Gilles the man on screen become Assayas the filmmaker is still precise, loving and attuned to the nuances of everyday emotions.