Slow pace in the most part of the movie.

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

This movie is sort of reminiscent of Dennis Conner and his saga (lose-the-Cup, win-it-back-Down-Under), although no character provides direct association. It's a simple movie, which grossed only about $6 million when it was released, but watch it on a big screen with surround sound, and you will be amazed. Modine is his usual, likable self, albeit in a goof ball way. But Jennifer Grey is wonderful, and she proves again, during her peak, she was a most underrated actor. Stellan Skarsgard, who appeared in Good Will Hunting, has a strong performance as well. One performance which almost steals every scene is Jack Thompson's portrayal of the Australian skipper. Rough, hardy and good-natured, he provides a stark contrast to Cliff Robertson's snotty, Martha's Vineyard American pig. The intricate way the characters interact is nicely orchestrated through the film, and those relations strengthen the film. There's a love quadrangle, sexist and masculinist America broken down, and the race scenes are better than any car chase. Think of Top Gun and then think of sailing on the ocean off the East Coast and Australia. You don't need to know anything about sailing to enjoy this as there is not a lot of technical talk. Yes, the cinematography makes this film stand out. And since I am partial to sailing, having done too much as a kid, I found it a beautiful experience. The plot is a little predictable, but it still manages to captivate you right to the end. Watch this movie!

This film attracted me because of the plot involving the America's Cup race. I don't remember the film ever being shown in the cinema during the 1992 release period. I suppose that the film didn't succeed in first run or in video release either.Still, after viewing the film it has several good points. The photography is breathtakingly good in the racing scenes. I never grasped how difficult, dangerous, and physically demanding such racing actually is. Normal coverage of the racing is kept at such a distance to avoid influencing the race outcome that most all the intriguing details never reach the lay audience. The film was able to bore in to close range to allow us to see much of what the crew must accomplish to win a race. The physical demands are immense, the crew must be in superb physical and mental condition to have a competitive race entry.The score by Basil Poledoris is just superb. I got hooked on his music after watching 'Red Dawn'. I re-watched 'Wind' just to concentrate on the score. It is amazing how well his music enhances and complements the action on the screen. He can take a so-so portion of the film and turn it into a superb experience. The man is an authentic musical genius!The actors in the film are more of a mixed bag. Matthew Modine, portraying the character 'Will Parker', has this unbelievable blow-dry hair style that is ludicrous for a man in this film. It is obviously retouched after every scene to keep every strand in place. Those scenes where he wears a hat work for me, the rest comes across as farce. The plot has 'Will Parker' as such a wuss that he is willing to dump the woman he loves and follow life-threatening orders to keep his position in the crew of the ship defending the cup.Jennifer Grey has a more believable role as 'Kate Bass'. She is drawn to 'Will Parker' and willing to sacrifice her dreams to help him fulfill his greatest goals. Jennifer was very convincing in this role. She was tanned and obviously very athletic. She let her hair take its natural course on the boat. It was much more convincing than her pretty-boy love interest. 'Kate Bass' pours her heart and soul into the effort to defend the cup, only to run afoul of the 'old-boy network' and be ejected from the team.A smarter man than 'Will Parker' would have stood by his woman and left with her. Her input was vital for the crew and without her, their effort to defend the cup falls short. At least he figures out how to get back on track after moping around in depression for several months.Cliff Robertson phoned in his lines in this film. He obviously had little emotional involvement in providing a good performance. The other supporting actors contributed little to the film. The director obviously fell down in allowing such minimal performances to see the light of day.We get to see some background in the design of a competitive entry in the race. The film briefly touches on this process. In reality, massive computer power and extensive testing of scale models in water tanks are necessary for success. A tiny percentage decrease in drag can lead to a winning entry. Of course, such advances become harder and harder as designs become ever more refined over the years. The sails are one area where significant advances in performance are still possible. The film illustrates how aerodynamic principles can be applied to sail design.Finally, I noted that the crew assembled to sail the new boat were also superb artisans able to build the new design effortlessly. They could do metal work for the beams and ribs as well as lay up the carbon fiber for the hull. The paint scheme for the hull and sails was also first-rate artistically. In reality, skilled professionals and massive production facilities are needed to build a competitive entry. Perhaps I should refrain from such detailed analysis of the details and just enjoy the film.

How can you make a great movie about sailing and then shoot half of the film in the desert? The short answer is you can't. If you love sailing and love watching sailboats this movie offers you all the sights and sounds of racing however marred by the occasional bit of inane prattling dialog. If you prefer your movies to not have a patronizing plot you've come to the wrong place. Maybe I just hate when Hollywood gets their hands on an action film but has to add in backstory that includes a bad love story. Thinking they need a love story to get the female audience to see it. It's a formula that seems to suck all the life out of the script and distill it down to pretty photography and vapid characters. Mathew Modine turns in a decent performance despite the garbage they have him saying. Jennifer Grey on the other hand plays it like she's still Baby stuck in that corner. She really should have approached her character as if she was playing Ferris Beullers sister. Clift Robertson turns in a performance so dull and un-inspiring one would hope the Academy would take back that Oscar for "Charly" as a warning for future actors to not phone it in. My advice is to watch it for the sailing with one finger on the FF button for every other scene.

The film student in me appreciates this movie, the sailor in me loves it. A classic among the sailing community, it is beautifully shot, and tells a convincing fable about the costs of blind ambition and the value of redemption. The maincharacter, Will Parker, is loosely based on Dennis Connor and his performance at the 1983 and 1987 America's Cups. One of the few movies about sailboatracing, does turn heavy-handed at some points, but overall is an appreciable, tightly made film with high production values. I would recommend it.