Am I Missing Something?

This is a dark and sometimes deeply uncomfortable drama

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

The acting is good, and the firecracker script has some excellent ideas.

Before ascending to his insurmountable zenith with LIFE IS BEAUTIFUL (1997, 8/10), Roberto Benigni's THE MONSTER is a winsome farce about an innocent layabout Loris (Benigni) is wrongly identified as a serial women-slaughterer at large, in order to catch him red-handed, the police force assigns a young policewoman Jessica (Braschi) to go to great lengths to entice him into the irrepressible perpetration (ultimately, a red riding hood costume), therefore, a spate of funny sketches ensure while Loris' resistance is ultra-impenetrable. Benigni is a superb comedian, a do-it-himself practitioner, skilfully concocts lewd yet never graphically offensive sex-related slapstick in this larger-than-life scenario, individually, each skit is authentically rib-tickling, the opening one which causes the false impression for the entire film, is that Loris confuses a middle-age woman Claudia (Pieri Palombi) for a nymphomaniac, and predictably his overt seduction turns into sexual harassment. It is funny no doubt, but a bit too cheesy to be taken seriously since each laughter is arbitrarily calculated, easily anticipated, and provoked by mere happenstance - this is the key tone of the film, all the antics are in your face, but you cannot complain too much since they are well-crafted. However, the wholesomeness of the story fail to survive under the barrage of giggling-inducing escapades, there is no credible rationality in finding the whodunit, the chemistry between Loris and Jessica never reach its threshold of romance, but the husband-wife team makes it up by the synchronous walking-like-midgets loveliness, witnessed by a distinguished resident (Girotti) every time. Rest of the cast is uniformly one-dimensional yet fundamentally enjoyable, Michel Blanc is hysterical as the doctor who is determined to diagnose Loris in person, the segment where he and his pills-chomping wife Joland (Lavanant) visit Loris and Jessica for dinner is the high-water mark for paranoid ridicule. Jean-Claude Brialy is the testy proprietor, Ivano Marescotti is Loris' sole business supplier, Laurent Spielvogel is the livid police chief and Franco Mescolini is his amiable Chinese teacher, perhaps one of them is the culprit? The exaggeration of physical gestures and the Italian style of uninterrupted monologue may not be appealing to all its audience over the world, some minor goofs (e.g. the stalking video camera is ludicrous enough to only capture Loris' escape route while completely oblivious of the chaser, the antique dealer) are to some extent detrimental to the core of the story.On the other hand, one should not nitpick a feel-good comedy, which is the most demanding genre for filmmakers because every culture has its unique language of humor, a true universally appreciated one is like a needle in s haystack, and THE MONSTER is almost there, it is among the very rarefied above-average hierarchy to say the very least.

Roberto Benigni's "The Monster" is a laugh-a-second romp that is truly reminiscent of the greater works of Charles Chaplin, Buster Keaton and Peter Sellers. Benigni stars as a loser who works for a mannequin company who unwittingly becomes caught up with the authorities who believe that he is the titled character, a man who has been raping and murdering women all over the city. Naturally, Benigni is not the guy they are after but all the strange coincidences make him appear to be the criminal. Undercover beauty Nicoletta Braschi (Benigni's real-life wife) tries to trap Benigni by enticing him in the most creative ways. The film is great fun, but it is very adult-oriented with sexual situations and innuendos galore. Overall "The Monster" is a really great film and Benigni fans will love it more than most others. Plot resolution late hurts the film, but not enough to keep it from being very successful overall. 4 stars out of 5.

This is one of the funniest movies I've ever seen. Benigni is a genius when it comes to comedy, the modern Charlie Chaplain. After `Life is Beautiful', this is probably his best movie.A sex-crazed serial killer is on the loose and has already killed a dozen women. When the goofy Loris (Benigni) is mistaken for the killer and the local police launch a 24-hour surveillance of his crazy life, the laughs begin and never end. Benigni's real-life wife, Nicoletta Braschi, also in `Life is Beautiful', stars in this one as well as a police officer who goes undercover to catch him in the act. She sublets (illegally) his apartment and movies in with him to try to entice him into his sexual psychosis. When normal life fails, she then must dance around the apartment naked shoving her genitalia right into his face.It's a little on the edge, but in the tradition of Benigni comedy, is still quite tasteful. 17 and over only though. Sexually explicit scenes all over the place, but no nudity.

Not at all like "Life is Beautiful", but entertaining and uproarious at times. It is a pity that Benigni films are not more readily available worldwide (outside Italy), in particular "Non ci resta che piangere" AKA "Nothing to do but cry" is a Benigni gem that is perhaps the best of all his films but nearly impossible to find. "Il Mostro", now available in the US, offers moments of comic genius and is altogether worthwhile to watch. My rating: 8.5/10