How sad is this?

It's entirely possible that sending the audience out feeling lousy was intentional

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

This movie could have focused on the entire life of Thurgood Marshall. It instead focuses on one single groundbreaking case, which works just as well. It involves with the case he works on with another lawyer about a black man accused of raping a white woman. Everything about this movie was good from the performances to the story to the ensemble and the way it clicked. The courtroom scenes, the synagogue scene, and the jazz band scene where they met the famous writers were all terrific. Chadwick Boseman was great in the title role.*** out of ****

I love me some good courtroom dramas. This was a fine addition to the genre. Especially interesting because it was based on real life lawyer Thurgood Marshall and his struggle to become a accepted lawyer in a world of racisms and discrimination. He sure has the talents and knowledge but his color is his is way. Chadwick Boseman was truly great in the lead which is another prove for his potential to become one of the most interesting characters of his generation - even beyond his "Black Panther" legacy. Josh Gad also turned into a surprisingly serious role and his performance is even more surprisingly great! I hope he follows this route more in future because he really got a lot of talent and convincingly played Marshall's partner. Kate Hudson was okay but nothing really special or memorable. Sterling K. Brown was fantastic and once again proves that he is one of the most versatile actors of the recent years. Dan Steven and James Cromwell were okay but both can do bette. The problem I had with it was that the film often looked like a ordinary made for-TV feature which doesnt really justifies its performances and source material and often created some little lengths. But other than that a good actors film with an important and relevant story.

Before he played the lead in Marvel Studios' superhero sage "Black Panther," actor Chadwick Boseman played a genuine African-American hero in "Boomerang" director Reginald Hudlin's "Marshall," a sterling biographical courtroom yarn about civil rights attorney Thurgood Marshall. As it turns out, this is the same individual who argued 32 cases before the Supreme Court and then later donned the robes as the first African-American to sit on the highest federal court of the United States. It doesn't hurt matters that seasoned civil rights advocate Michael Koskoff and his son Jacob penned the screenplay. Interestingly, the elder Koskoff still serves as an attorney in Connecticut, where the trial took place in 1941, so he would know something about the hurdles that Marshall had to negotiate. At this point in his life, Marshall worked as the sole legal counsel for the NAACP, and his NAACP superior Walter White (Roger Guenveur Smith of "Eve's Bayou") dispatches him to all parts of the country to defend poor African-Americans who cannot afford an attorney. "Marshall" depicts the title character as a sharp, savvy, sartorially elegant attorney who refused to be intimidated by anybody. Boseman has a field day incarnating this historical personage. Neither Hudlin nor the Koskoffs reveal a great deal about Thurgood Marshall beyond his dedication to the rights of African-Americans in a legal system skewered against them. Indeed, we do learn about the problems that Marshall and his wife Vivien "Buster" Burey (Keesha Sharp of "Malibu's Most Wanted") encountered in their repeated but futile efforts to get pregnant. Eventually, she does have a baby. Nevertheless, Hudlin and the Koskoffs don't let Marshall's own life history interfere with the trial at hand. Mind you, "Marshall" clocks in two minutes short of two hours, but Hudlin doesn't malinger. The trial in question takes place in Bridgeport, Connecticut. The authorities have arrested a middle-aged, African-American chauffeur, Joseph Spell (Sterling K. Brown of "Brown Sugar"), for allegedly raping a Greenwich socialite, Mrs. Eleanor Strubing (Kate Hudson of "Deepwater Horizon"), and then throwing her into a reservoir late one evening. According to Koskoff, when the press broke the story, one newspaper touted it as "the sex trial of the century." When Marshall visits Spell in his jail cell, the attorney explains that the NAACP represents only innocent blacks. Spell assures Marshall that he did not rape Strubing. Furthermore, he has an alibi for his whereabouts when the crime occurred, and the witness in question turns out to be a white policeman who is prepared to testify. As the case unfolds, Marshall realizes that he lacks the appropriate credentials to practice law in Connecticut, so he finds a gullible but willing Jewish insurance attorney, Sam Friedman (Josh Gad of "Pixels"), to help him represent Spell. Friedman constantly has second thoughts about the trial and the dire publicity that may irreparably damage his budding civil practice. Nevertheless, he agrees to serve as Spell's mouthpiece. Meantime, the abrasive Judge Foster (James Cromwell of "L.A. Confidential") refuses to let Marshall utter a syllable during the trial and threatens to hold him in contempt if he does. Throughout the trial, Marshall must coach Friedman because the latter hasn't argued a criminal case. If these two strikes against our sympathetic, but snappy hero aren't enough, Marshall discovers about half-way through the case that Spell has been lying to them. Indeed, Spell didn't rape Strubing! Instead, he had intimate consensual relations with her, because her abusive, bad-tempered husband, John Strubing (Jeremy Bobb of "Boy Wonder"), often left her alone at night. Naturally, Friedman struggles to improvise, but he falls into too many traps laid by prosecuting attorney Loren Willis (Dan Stevens of "The Guest"), who is supremely confident that he will win a conviction. Of course, the good citizens of Bridgeport aren't happy with both Marshall and Friedman, and they go after them with fists. Friedman suffers the worst, getting beaten to his knees, and walking away with minor scars on his face. Marshall grins at him and points out that the local press lumped him with Marshall as a crusading NAACP lawyer."Marshall" qualifies as a well-made but routine courtroom drama bolstered by terrific performances and historical accuracy.

Anyone who's come of age in the 21st century probably knows Thurgood Marshall as a Supreme Court Justice. What's important is that in the decades leading up to his appointment to the court, he was a lawyer for the NAACP, defending African-Americans wrongly accused of crimes based on racial prejudice. One of his most important cases took place in Connecticut in the early 1940s. This case is the subject of Reginald Hudlin's "Marshall", starring Chadwick Boseman in the title role. The case centered on Joseph Spell, a black man employed by a wealthy family in town. The wife accused him of raping her. Marshall and local lawyer Sam Friedman (Josh Gad) defended Spell.There have been a lot of movies focusing on trials, and movies focusing on racial issues. Even so, "Marshall" is still a tense movie. Part of what it shows is how the local newspapers were openly hostile to Spell - one even depicting him as a gorilla - reminding us just how woven racism was into the fabric of the US, whether in the south or the north. But Marshall and Friedman pressed on, even amid physical threats.This is definitely a movie that everyone should see. It calls attention to the continued issue of race relations in our country, and the legal challenges that non-white people face on a daily basis. Also starring Kate Hudson, James Cromwell, Dan Stevens and Sterling K. Brown.