Best movie of this year hands down!

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

It's a feast for the eyes. But what really makes this dramedy work is the acting.

While it doesn't offer any answers, it both thrills and makes you think.

"The Perez Family" can't decide what it wants to be--a romance, a comedy, or a historical documentation of a period. The story comes from a novel about Cuban refugees--and maybe the novel was effective--but this rendition of the story is undermined by a confusing tone. It seems to move from tragedy to comedy to the surreal with such alacrity and little sense of purpose that the entire film feels inconsequential.All of the actors do a fine job. But they are given a script that devalues their performances. Marisa Tomei, in particular, gives a sensual performance that is just tossed away by the schizophrenic narrative. In the end, "The Perez Family" feels populated by caricatures.Within this film, I think there are the beginnings of a solid serious film. And a lighthearted comedy. And a sensual love story. But misdirection, bad editing and/or bad writing have mashed them all together into a lump of confusion.I do think it is possible to blend comedy, tragedy and more in one film. For a surreal, artistic, symbolistic example (that is even a musical), see Francis Ford Coppola's "One From the Heart". When I think how well some of the "Perez" characters could fit into a story like that, it reinforces my disappointment of this film.There are parts of this film that could be very striking if they were within a coherent story. Too bad.

This is a cute little film starring Marisa Tomei (Wild Hogs, My Cousin Vinny) and Alfred Molina (Spider-Man 2, Frida) as Cubans who came over on the Marial boat lift in the 80s.Juan Raul Perez (Molina) is married to Carmela (Anjelica Huston), who came to America 20 years previous while Juan languished in a Cuban prison. He is stuck in an immigration facility with Dorita Evita Perez (Tomei), who is not related to him, but pretends to be his wife so they can get out. They even pick up a father and a son in their attempt at freedom.While Juan is trying to escape and reunite with Carmela, her brother, Angel (Diego Wallraff) is trying to keep them apart. Further complicating the adventure is a cop, Lt. John Pirelli (Chazz Palminteri), who is falling in love with Carmela.It is a sweet little comedy that Tomei does so well and worth spending some time with.

When President Carter declared an open door policy to anyone who wanted to escape Cuba and come to America, Castro used this to clear his jails of criminals and political prisoners. When Juan Raul Perez gets on the boat he hopes his wife will be there to meet him, as she fled to the US decades ago. When she doesn't come he ends up in the camp with everyone else, including the feisty Dorita Evita Perez. The two need a sponsor to get out of the camp and realise that things would be easier if they were a family. For that reason they pretend to be married and gradually start putting their fake family in place.I was drawn to this film by the cast list and in fairness I should have spotted that this film about Cubans had very few Cuban or even Latino actors in it. Anyway, aside from that the plot has historical context but I am not familiar enough with it to say if it was accurate or not, although I really don't think it matters very much. The film tries to fizzle with Latin spirit while at the same time delivering a rather convoluted romantic drama of sorts. It partly works but the writing isn't great and the film failed to really engage me as it just seemed a little forced as if it had been a good idea once but had had so many knobs added to it that it got a little daffy. After an hour it settles into the formulaic mould it was in all along, the historical context forgotten and the clichés allowed to flow. If you can't see where this is going then I salute your ability to blindly accept what is given to you.Talking of clichés, the casting of so few Hispanic/Cuban/Latino actors was a mystery to me. Surely it would have been possible to get closer than Italian, which is what quite a few of the main characters appear to be. Tomei was the name that drew me to this film but in turns her role is good and bad. She has an important role and it was necessary for her to be feisty etc but she overdoes it a little bit - hammy up her Latin cliché at the start for all she is worth; she gets better though. Molina is another strange choice but he does well in his role and carries some dignity through the film - it's not his fault that the script gets silly in trying to keep him and Huston apart. Huston is OK but her subplot seems added on to make the ending more palatable to the audience (god forbid anyone should be hurt). For this same reason, Palminteri is wasted. Cruz is good and Chowdhry is quite funny, but why Gallo even bothered is beyond me - pre-fame I suppose. SNL's Cleghorne plays a cop and, in the spirit of ethnic clichés, pushes the `oh-no-she-didn't' eye-rolling, `talk to the hand', neck moving black character for all she is worth - when she does it as a joke it is OK but here it just felt like laziness - especially for such a minor character.Overall, any Hollywood film with Latinos/Cubans/Hispanics in it is going to force the rhythm for all it is worth and here is no different. It starts out boasting historical context and spice, falls into a rather convoluted series of plot twists that end up taking the film down a rom-com road to a solution that, although badly delivered, unthinkable and out-of-nowhere, was obvious from about 30 minutes into the film.

Nothing else good on TV, and not feeling like going to the DVD store, we watched "Perez Family" on WE network. Molina's wife and child go to Miami by boat from Cuba, he stays behind to care for the sugar cane, lands in jail for a long time. Twenty years later he manages to leave, and on the boat meets Marisa Tomei, a sexy Cuban prostitute, who at arrival in Key West suggests they represent themselves as "Perez and Perez", a married couple. They begin a life in Miami, his real wife turns up (Angelica Huston), she has fallen for a policeman (Chaz Palminteri), meanwhile Molina and Tomei begin to appreciate each other.In the climax, Molina and Huston meet up at a dance, 20 years after they last saw each other, they smile, are cordial, but they prefer the lives that fate has dealt them, Molina and Tomei stay together, his wife and the policeman stay together. Not heavy, a cute little romantic comedy. Marisa Tomei is so good!